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前言
Introduction

SAKA Museum是一座致力于发扬巴厘岛印度教文化和传统工艺品的博物馆，位于巴厘岛Jimbaran的Ayana庄园。博物馆的室内设计汲取了当地自然和文化遗产的灵感，体现了巴厘岛印度教文化与自然之间紧密的联系。从宁静的夜空到洞穴、火山岩。再到印尼的碧玉和玛瑙，SAKA博物馆通过将自然融入建筑形式来区分定义不同的展区。巴厘岛印度教中不同的主题也被通过当代的表现手法反映在建筑语言中，并同时保留了传统形式的精髓。

The SAKA Museum is one dedicated to Balinese Hinduist culture and traditional crafts in the Ayana Estate in Jimbaran, Bali. The entire interior seeks inspiration from local natural and cultural heritage in order to represent the powerful connection between culture and nature in Balinese Hinduism. From the tranquil night sky of Nyepi to water caves, volcano rocks to jasper and agate of Indonesia, Saka Museum defines each area through the translation of nature into architecture in formal and material expression. Different Balinese Hinduist motifs were also reflected in the architectural language through a contemporary lens while maintaining the essence of the traditional form.

▼博物馆空间概览，Overall view © Jimmy HO

主要空间设计理念
Concept Of Main Spaces

游客在SAKA博物馆中能够体验巴厘岛的静默日、安宁日以及巴厘岛特有的Tri Hita Karana习俗所衍生出的艺术文化变形形式，Tri Hita Karana是一种强调和谐与平衡的巴厘岛哲学，这种哲学讲生命分为三个境界：神、自然和人类。设计者通过对博物馆室内装饰（材料、照明和形式）的设计，将游客与巴厘岛的自然文化遗产联系在一起。

▼布局分析图，layout analysis © Napp Studio

The SAKA museum takes visitors to embark on a captivating exploration of the Balinese Day of Silence, Nyepi, and a myriad of art and cultural expressions deeply intertwined with the profound Balinese principle of Tri Hita Karana, a Balinese philosophy that emphasizes harmony and balance between the three realms of life: God, nature, and humanity. The interior serves as a medium to connect visitors with natural and cultural heritage of Bali through materials, lighting, and formal expressions.

▼入口大厅接待处，Reception © Jimmy HO

▼柱廊结构，Colonnade structure © Jimmy HO

博物馆入口大厅处的画廊仿照安宁日神圣的夜空打造，即除夕夜的静默日。在日间，天花板较为暗淡，设计者使用了灰色花岗岩地板巧妙地将室内外连接起来。室内使用了最少限度的照明，旨在引导游客否放慢步伐，在这里开启精神之旅，净化感官和心灵。日落时分，昏暗的天花板上的波纹灯开始发光，就像巴厘岛夜空中的星座一样。

The entrance lobby gallery is conceived as the sacred tranquil night sky of Nyepi, the New Year’s Eve as The Day Of Silence. The ceiling appears to be completely dark during the day with a subtle grey granite flooring that extends the exterior into the interior. Minimal lighting is used as the space intends to slow down the pace of visitors and clear their senses and mind for a spiritual journey. During sunset, the ripple lights on the dark ceiling slowly reveal themselves like constellations in the night sky of Bali.

▼仿照安宁日夜空的空间，A space modeled after the Nyepi night sky © Jimmy HO

▼展览空间，Exhibition space © Jimmy HO

大厅处的咖啡厅座椅被设计为石堆状，这种形状在巴厘岛常被用于冥想打坐，设计者选择当地的骨料，并用GRC浇铸，打造出整体石材座椅。

In the lobby café, seating takes shape of stone stacking which is used as a meditative practice in Bali. Local aggregates are casted in GRC to create those monolithic pebble seatings.

▼大厅座椅，Lobby seating © Jimmy HO

博物馆的礼品店设计采用了印尼苔藓玛瑙的色调，即各种深浅不一的灰色和绿色。店内出售的所有雕像和工艺品都来自巴厘岛当地艺术家的作品，这些艺术品被摆放在一系列阶梯状的展架上，以呈现其最佳形象。

The museum shop draws its colour palette from moss agate of Indonesia with its various shades of grey and green. All statutes and handcrafts are works of local Balinese artists, and are displayed on a series of pedestals with ascending heights for optimal display.

▼礼品店，The museum shop © Jimmy HO

▼灰绿色色调，Grey-green shades © Jimmy HO

▼多媒体厅，Multimedia Hall © Jimmy HO

博物馆中的螺旋坡道设计向巴厘岛上标志性的水洞致敬，内部的中央楼梯和核心交通处则覆盖了火山石，岛上好的活火山有很多这样的火山石材料。

The external spiral ramp pays tribute to the iconic water caves across the island of Bali while the central staircase and core are cladded with lava stones that are highly abundant in Bali with its active volcanoes.

▼螺旋坡道，The external spiral ramp © Jimmy HO

▼室内坡道，Indoor ramp © Jimmy HO

安宁日夜空天花板
The Nyepi Night Sky Ceiling

博物馆内部在设计的过程中主要面临着两个结构柱网的锐角角度，结构柱网是室内的主要组成部分，且入口大厅和主展廊处的层高较小。设计者要挑战的第一个非常实际的问题是如何在不改变原有结构的情况下扩张层高，安宁日是该博物馆第一个希望向游客呈现的主题，为他们展现夜空和漆黑的天花板，以此来模糊距离感，同时营造出一种宁静的感觉，与安宁日的“寂静”主题相呼应。日间的照明在很大程度上来自于透过落地玻璃窗照射进来的光线，但是设计者也布置了一些柱灯和其它照明设施，便于游客进行预览。太阳落山后，3000个迷你聚光灯开始工作，这些聚光灯是按照星座进行排列的，灯光以同心圆的形式荡漾开来。灯具的几何布局及其相互重叠的光线形成了一些随机效果，也遮挡了天花板上许多固定装置和公共设施，这些装置和设施均布置在两个呈一定角度的结构网格中。

The main challenge of the interior was an apparent juxtaposition of two structural column grids at an acute angle that were highly dominant but also the relatively low ceiling of the entrance lobby and main gallery floor. One of the first highly practical questions was how to extend the sense of height without modifying existing structures. With Nyepi being the very first theme the museum would like to introduced to its visitors, the night sky came to mind with a pitch black ceiling that blurs the perception of distance while creating a sense of tranquillity that echoes Nyepi as The Day Of Silence. The main lighting during the day relies heavily on full height glazed windows but also column lights and recessed coves which helps to extend the reading of verticality. As the sun sets, 3000 mini-spotlights begin to glow. Their arrangement was an abstraction of constellations rippling out in concentric circles from vertical elements that punctured through the ceiling. The highly geometric layout with its overlapping ripples created an apparent randomised effect but also masked a lot of the ceiling fixtures and utilities that were arranged under two structural grids juxtaposed on each other at an angle.

▼天花板灯光细部，Ceiling lighting details © Jimmy HO

▼柱灯，Column lighting © Jimmy HO

▼其它照明，Other lighing © Jimmy HO

过去和未来
Past And Future

SAKA博物馆的室内设计旨在向全球游客推广巴厘岛文化，提升当地的艺术表现形式，是一座艺术品、手工艺品和传统文化档案馆；此外，它还是一座保存巴厘岛知识的殿堂，具有浓厚的哲学精神和氛围。设计师将传统的巴厘岛印度教主题和哲学转化为了材料和建筑语言，实现了永恒的吸引力。通过对博物馆的精心策划，各种项目、照明和材料相结合，为游客提供了一系列连贯的体验，也链接了巴厘岛文化和自然的过去与未来。

The interior design of SAKA Museum, with its mission to promote Balinese culture and elevate Balinese art expressions to the global audience, is a museum of artwork, artefacts and archive; moreover, it is a temple of Balinese knowledge for future generations with a strong spiritual and philosophical setting. The design of the interior translates traditional Balinese Hinduist motif and philosophy into material and formal expression with a timeless appeal that speaks to a wide range of audience across generations. Through a carefully curated museum journey, a diverse range of programs, lighting conditions and materials managed to form a coherent experience that tied to various cultural and natural references of Bali, bridging the past with the future.

▼楼梯，Stairs © Jimmy HO

▼卫生间，Toliet © Jimmy HO

▼平面图，floor plan © Napp Studio

▼天花板平面图，celling plan © Napp Studio

Date: August 2022 – October 2023
Location: Bali, Indonesia
Role: Interior Design
Design Team: Aron TSANG, Carla DIVRY, Frida LAW, Liselle NAM, Sean LAM, Wesley HO
Client: AYANA
Area: 4,000 sqm
Photographer: Jimmy HO

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