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导演韦斯·安德森的电影世界具有独特的视觉风格。继中国成都的布达佩斯咖啡厅（点击这里查看）成功以后，这种独特的美学再次启发了墨尔本卡尔顿布达佩斯咖啡厅的设计。项目以安德森电影的场景设计为灵感，融合新颖的元素和朴素的色调，创造出充满想象力和感染力的空间，彰显了当地的设计感。安德森的电影难忘且奇妙。他以擅长运用对称、细节和一点透视而著称，通过异想天开的场景、鲜明的色彩和怀旧的情怀创造了他的神话世界。设计团队通过成都的布达佩斯咖啡厅研究了安德森的电影风格，为该项目积累了经验，并凭借对现代抽象艺术、设计、饮品的热情探索了形式、功能和色彩，营造出画廊般的体验。

Filmmaker Wes Anderson’s cinematic world is instantly recognisable for his idiosyncratic visual style. This unique aesthetic inspired our design of The Budapest Café in Carlton, Melbourne, which follows the success and popularity of The Budapest Café in Chengdu, China. Inspired by Anderson’s approach to set design, the Melbourne café is an imaginative and evocative space with offbeat elements and a natural, earthy colour palette reflecting the local design sensibility. Anderson’s films are memorable and magical. He is renowned for symmetry, detail and one-point perspectives, and he creates his mythical worlds through whimsical sets, vivid colours and nostalgic sentiment. Having studied his style for The Budapest Café in Chengdu, we evolved the design experience for the Melbourne café. Drawing on our appetite for modern abstract art, design and hospitality, we created an immersive gallery-like experience through an exploration of form, function and colour.

▼空间概览，overview © Derek Swalwell

设计团队以更大胆的方法处理设计元素，同时最大限度地优化空间。弧形沙发环绕布置在咖啡厅前部的通高空间中，其中心是共享吧台。隧道式拱门将顾客引向咖啡厅的深处，同时勾勒出尽头的贩售柜台，其背景墙装饰着没有实际功能的狭窄阶梯。另一处阶梯同样被框在拱形壁龛中，鼓励顾客与设计互动，拍摄并分享奇特而时尚的照片。

There is a bolder approach to the design elements, while still optimising the space to its fullest capacity. Arched-shaped banquette seating wraps around the front beneath a double-height space, with a communal bar table through the centre. A tunnelled arch leads patrons deeper into the café and frames the point-of-sale counter at the end. The back wall is adorned with a narrow stair leading nowhere. Another staircase is likewise framed in an arched recess, encouraging patrons to engage with the design and capture and share the quirky, stylised images.

▼入口处的拱形壁龛，the arched recess at the entrance © Derek Swalwell

▼弧形沙发环绕布置 © Derek Swalwell
circular layout of the arched-shaped banquette seating

▼咖啡厅后部，rear space © Derek Swalwell

▼贩售柜台，the point-of-sale counter © Derek Swalwell

简化形式使设计团队可以最大限度地发挥色彩的作用。天然的泥土色散发着温暖、质感与个性，同时与布达佩斯大饭店粉色立面相呼应。设计团队采用深浅不同的同色系突出了奇幻元素，营造出独特的二维效果。咖啡厅前景应用沙色和米色等浅色调，后景应用赤褐色和淡橘色等深色调。锈红色的沙发垫加深了空间的色彩，柜台前沿的金属管极具质感，与其他部分形成对比。

Minimising the built form allowed us to maximise the impact of colour. The natural earthy palette exudes warmth, texture and character, while still in keeping with the pink-iced façade of Anderson’s Grand Budapest Hotel. Using a tonal palette, we played with depths of colour to highlight fanciful elements and create a unique sense of two-dimensionality. Lighter hues, such as sand and beige, are on the foregrounds, and darker hues, such as terracotta and pale orange, are on the backgrounds. The banquettes upholstered in rust-red add even more depth of colour, while tubing along the front of the counter has texture and contrast.

▼深浅不同的同色系搭配，different shades of the same color © Derek Swalwell

▼细部，details © Derek Swalwell

成都和墨尔本的布达佩斯咖啡厅是同一系列的作品，后者更加成熟。新咖啡厅具有更加丰富的色调和更加大胆的设计，对墨尔本顾客来说，它既历久弥新，又提供轻松的氛围和优质的服务。

The Budapest Cafés in Chengdu and Melbourne are of the same oeuvre, with the latest venue being a mature and sophisticated evolution. With a richer palette and bolder design, the new café is timeless and contemporary for its Melbourne patrons, while still offering a relaxed and indulgent atmosphere and hospitality experience.

▼平面图，floor plan © Biasol

▼剖面图，section elevation © Biasol

Name of the project: The Budapest Café Melbourne
Location of the project: Melbourne, Australia
Completion: 20 November 2020
Area (sqm): 94 sqm
Category: Hospitality — Café Restaurant
Designer Details:
Studio: Biasol
Contact: Jean-Pierre Biasol
Email: info@biasol.com.au
Website: https://biasol.com.au/ 
Photographer Name: Derek Swalwell
Photographer Website: http://www.derekswalwell.com

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