非常感谢 扉建筑 予gooood分享以下内容。更多关于他们：FEI Architects on gooood.
Appreciation towards FEI Architects for providing the following description:

如果说家常是真实而仙境是梦幻的话，那么园林要做的就是把仙境变为家常。
不出城郭而获林泉之怡，构成园林的典型情景和基本诉求。——叶放

从后现代主义开始，建筑学一直探索现代与传承。我们可以从中国建筑传统中获取什么养分？中国传统建筑的精华在于园林，园林来自山水画。园林意在空间与空间之间的连接关系，亭台楼阁都有范式，通过不同的组织关系构成不同的画面。在当下，找片土地造园机会不多，也不必要。既然在意不在形，亭台楼阁就是不同尺度比例的空间，营造故事场景，于是我们尝试“建筑内造园”。汕尾的别墅，濒临大海，是新城中的明珠。伍套别墅均为独立的度假精品酒店客房，扉建筑想给住客创造一种家的氛围，一个可以生长的家。在这个家里，他们不是匆匆的过客，而是回家的孩子。室内面积八十多平方米，这个项目我们希望实践空间性营造——内即是外，外亦是内，在建筑内造园，享林泉之怡。

▼“游园”客房入口，entrance of the Gardened Corner

If daily life stands for reality while wonderland stands for fantasy, then what gardens do is to bring wonderland into daily life.
The typical pattern and the fundamental demand to construct a garden is to enable people to enjoy the nature’s pleasure even though they don’t step out of their home.”
——YE Fang

Architecture has been seeking for the notion of modernity and inheritance since postmodernism. What can we extract from the traditional Chinese architecture? Garden is regarded as the essence of the traditional Chinese architecture, while the essence of garden is inspired by the Chinese landscape painting. Gardens connect the space to space. There are canonical forms for the halls, pavilions, corridors and bridges for the garden construction, therefore, the different combination of these forms will contribute to different spatial experience. Nowadays, it is not easy and not necessary for us to find places to build gardens. We are looking for the inner spirit of the garden rather than just aiming for the shell of it. We made an attempt to build gardens indoor by employing the halls, pavilions, corridors and bridges in various scales. Here, we create space to tell stories.These villas in Shanwei are set on the sea coast, which had become a bright scenery line of the new city. These five villas function as guest rooms under an independent resort hotel. FEI Architecture aims to provide the guests a growing home with a homely, intimate atmosphere. The guests are not just travelers who pass by, but children who coming home. The total indoor area covers 80 square meters. We are striving to create an experimental space through this project – to blur the boundary of indoor and outdoor by creating indoor gardens to bring nature’s beauty in our daily life.

游园 | Gardened Corner

从户外踏进户内，竟然又一个小园呈现面前，阳光从天窗洒落，疏影婆娑，树下小墩，坐下换棉鞋，才进屋。换鞋时抬头看，左右各有小窗，又看到另一小园，有一棵朽木冒着绿芽，那是哪里啊？不禁问。绕过衣帽间，又见一园，依然有天光，然而这次的光犹如峡谷的光，细长悠远的，地面依稀有水影，踏过去，不湿鞋，就到了淋浴的地方。

When you step indoor from the outside, you will find a small garden, the sunshine scattered from the skylight with dancing shadows, you would like to sit under a tree and change your shoes before entering indoor. When you look up, there are small windows set on both sides.

▼天窗、树影、小窗，the skylight, shadows of the trees, the small window

▼卧室，bedroom

▼卧室中的园林元素，the garden element in bedroom

▼游园-平面图，floor plan of gardened corner

镶隅 | Stoned Corner

一进门见到犹见旧街的院墙，一转弯遇到小院，原来是开敞的洗手间，再回头推开一扇木门才是卧室，夕阳里光影慢移。80年代南方的旧房子，为适应气候，楼道的墙往往由水泥通花砖砌筑，让房子通风而富有细节。在此别墅里，水泥通花砖时而是窗户，时而是院墙，时而是凳子，仿佛共生了一个有故事的房子。

With the sun setting down, when you enter the space, you will see the nostalgic wall, the little garden will leap I your eyes when you turn around – it is actually an open bathroom, when you push the wooden door on the other side, you will access with the bedroom. To accommodate with the climate, the old houses from the 1980s in Southern China employ the grille panels had been widely used for the wall masonry of the corridors, which also enhance the ventilation and add details to the space. In this villa, the grille panels are multi-functional – they can be a window, they can be a wall, they can also be a chair. Here, is a place with story.

▼入口处墙面的水泥通花砖，the grille panels on the wall at entrance

▼全开放的洗手间，与院子融为一体，Bathroom situated in full open space, connected to the garden.

▼卧室，bedroom

▼水泥通花砖的运用，the application of the grille panels

▼镶隅-平面图，floor plan of stoned corner

廊桥 | Roofed Bridge

甫一进门，一条昏暗廊桥在前，远处是光亮的、泛着粼光的海，通过桥的轮廓，就像一幅灵动的画，引人进去。过桥中，左边一小窗透光进来，一看，又是一个小院，树影下放着露天的浴缸，然而暂时还走不过去。要到了卧室，看过了海，回头推开隐藏的门才能到这个小院，阳光下洗涮沐浴，迂回有趣。

As soon as you walk through the door, there is a dimmed corridor, you can see the glistening waves on the sea. The silhouette of the corridor seems an attractive, vibrant painting. The light shreds on you from the left window when you pass through, you will find another garden and see a bathtub set under the shadows of the tree, however, you can’t really reach the bathtub yet. You have to pass through the bedroom and open the secret door to access the garden. Bathing under the sun would be a great joy.

▼昏暗的廊桥，dimmed corridor

▼入口，entrance

▼卧室，bedroom

▼飘窗休闲区，recreation area at bay window

▼浴室，bathroom

▼廊桥-平面图，floor plan of roofed bridge

夹间 | Transitional Boundary

“麻雀虽小五脏俱全”，空间上划分出了一房一厅。踏着石头汀步进入客厅，甫一转身，卧室隐隐若现。推门而进，透过玻璃砖墙，大海、小院、吧台、阳光折现出实的，虚的，空间交叠的感受。让人感觉在那一瞬边界都模糊了。

Though the space is not large, but it is well-equipped. There is one bedroom and one living room. You can access to the living room through the stone path. And you will see where the bedroom locates as soon as you turn around in the space. There is an illusionistic chemical reaction co-produced by the glass brick wall, the sea, the garden, the lounge island and the sun. The subtle feelings of the overlapped space make you feel that all the boundaries has been blurred.

▼客厅，living room

▼卧室，bedroom

▼吧台，bar

▼飘窗休闲区，recreation area at bay window

▼玻璃砖墙，glass brick wall

▼夹间-平面图，floor plan of transitional boundary

通幽 | Tranquil Corridor

空间的划分似有若无，“墙”显弧形而漏透，还不如说它是屏风。说不清楚的还有那面“墙”，用的是什么材料啊？陶制的、弧形的象片片叶子，对建筑师来说陌生又熟悉。原来是外墙常用的建筑材料：陶棍。建筑材料的室内化，也是通往室内造园的一条蹊径吧？

The division of the space is subtle, the wall that presents a curvy form enhances the ventilation, to some extends, it is more like a windshield. The leaf-like, curvy-shaped materials are actually made of pottery baguettes- a common material for the outer wall. The interiorization of the material is also a way of building gardens indoor.

▼陶棍做成的弧形墙，curvy wall made of pottery baguettes

▼ 卧室，bedroom

▼洗手池区域，washing area

▼陶棍细部，details of pottery baguettes

佛语“芥子纳须弥”，指微小的芥子中能容纳巨大的须弥山，比喻巨细可兼容。小中见大，以少胜多，是中国园林的世界观。我们试着实践，在80多平方米的迷你别墅里自成世界，别有洞天，心中有园，回精神意义上的家。

As the buddha says: “the buddha’s mountain and the mustard seed — to insert the largest thing into the smallest one”, which means the space is compatible for both large and small things. “Much in little, less is more” is the core value of Chinese garden design. We are trying to build an independent, spiritual home with gardens in this 80-square-meter villa.

▼通幽-平面图，floor plan of tranquil corridor

设计单位：扉建筑
项目地点：汕尾金町湾
设计时间：2017年02月
完成时间：2018年8月
建筑面积：合计401㎡
主创设计师：黄毅
项目设计师：周林邦、高敏敏、甘庆飞、卓锦万
软装设计师：雷清月、邓清华
摄影：冯建
Architect: FEI Architecture
Site Location: Shanewei
Time of designing: February, 2017
Time of completion: August, 2018
TotalArea: 401㎡
Chief Designer: HUANG Yi
Design Team : ZHOU Linbang, GAO Minmin, GAN Qingfei, ZHUO Jinwan
Interior Designers: LEI Qingyue, DENG Qinghua
Photographer: FENG Jian

MORE: FEI Architects。更多关于他们：FEI Architects on gooood.

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