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Iyari项目是一座位于墨西哥Punta Mita的占地564平方米的独栋住宅项目。由Módica Ledezma工作室和JJRR合作设计，以呼应其特定的地形，并满足构成居住体验的不同感受。从外观上，该项目力求充分利用得天独厚的海景优势，因此，设计过程的重点是尽可能减少对这种感官体验的干预。

▼视频，video ©Módica Ledezma+ JJRR

Iyari is a 564 m² single-family housing project located in Punta Mita, Nayarit (Mexico), designed by the Módica Ledezma office in collaboration with JJRR to respond to a peculiar topography and address the different senses that make up its experience. Visually, it seeks to make the most of the privileged view of the sea, so the design process focused on generating a structure that intervenes as little as possible with this sensory relationship.

▼住宅概览，overview of the residence ©Zaickz Moz

▼住宅鸟瞰，Ariel view of the residence ©Zaickz Moz

该住宅坐落于陡峭的山坡之上，因此项目开发为三层，像扇形一样分层展开，以顺应自然环境的不平整性，形成适合居住的环境结构。通过这一方法，该项目在设计意图、结构和材料方面都非常简洁，采用了清晰明了的建筑方案，不同的区域被通向海洋的楼层分隔开来。该项目追求可适应性，虽然构成它的雕塑般的因素是固定的，但设计尽可能与容纳它的山融为一体。

▼一层平面，ground floor plan ©Módica Ledezma+ JJRR

It is located on land with a very steep slope, so it was decided to develop it on three levels that unfold like a fan in section, responding to the natural unevenness and generating a structure of habitable clearings. This approach resulted in a very concise project in terms of its intentions, structure, and materiality, deploying a legible architectural program where the different areas are separated by levels that open to the ocean. The project seeks adaptability, and although the sculptural factor that composes it is undeniable, it intends to blend as much as possible with the mountain that houses it.

▼与容纳它的山融为一体，blend as much as possible with the mountain ©Zaickz Moz

根据建筑方案的设想，允许施工的占地面积非常有限。然而，还是有可能纳入满足居民基本需求的大量空间，并在不同的视觉点上创造花园，寻求一种空间上的民主，为每一个房间提供独特的体验。一座楼梯连接了社交区域，在这里，人们试图将原有建筑的占地面积扩大到一个露台上，露台上有很大的空地，一边是厨房、洗衣房、浴室等服务设施，通过天井自然通风和采光。

▼起居空间平面，living area level plan ©Módica Ledezma+ JJRR

The footprint allowed for construction was very limited to the objectives of the architectural program. However, it was possible to incorporate an extensive list of spaces that meet the basic needs of its inhabitants, in addition to creating gardens that visually end at different points, seeking spatial democracy and providing each room with a unique experience. A staircase connects with the social area, where an attempt is made to expand the footprint of what was built towards a terrace with a large clear space, containing on one side the services grouped in the kitchen, laundry, bathrooms, etc., which are ventilated and illuminated naturally through a patio.

▼面向大海的露台，terrace facing the sea ©Zaickz Moz

通往室外设有带露台的平台，一个泳池和一个户外露台空间。住宅的短跨度与露台终点之间的关系非常密切。这种洞穴形态学最大程度的展现了室内和室外之间的空间感知，这是建筑师持续探索的方面，但这并不是最终结果。

▼主卧室平面，master bedroom level plan ©Módica Ledezma+ JJRR

Towards the outside, we have a platform with a terrace, a pool, and an open- air terrace space. The relationship between the short span of the house and the last point of the terrace is very close. This cave morphology maximizes the spatial sensation between inside and outside, a constant aspect in our searches, although it is not the final result.

▼面向大海的露台，terrace facing the sea ©Zaickz Moz

该住宅是一个非常实用的项目，与其说它面积庞大，不如说它给人一种宽敞的感觉。这一结构可以让人们看到太平洋的美景。尽管立面的混凝土非常厚重，线条形状也非常明显，但空间感却非常自由。让人眼前一亮的是，项目中几乎每一个居住空间都给人一种视野开阔的感觉。这正是空间上的平等所追求的：尽管主卧因其规模而享有优势，但所有空间所处的环境都是平等的。

It is a very practical project that stands out more for the feeling of spaciousness than for its large size, achieved through structures that allow the opening of a view towards the Pacific. The spatial sensation is one of great freedom, despite the heaviness of the apparent concrete and the very marked line shapes. What steals the show is the feeling of openness to the views, present in virtually every living space in the project. This is what was sought with spatial democracy: although the program privileges the master bedroom due to its scale, all spaces have equal circumstances.

▼居住空间给人一种视野开阔的感觉，the feeling of openness to the views ©Zaickz Moz

▼住宅内的走廊，corridor inside the residence ©Zaickz Moz

每个房间的大小都是由三层楼形成的围护结构所决定的。在下一个楼层，这个围护结构变成了一座可居住、有遮蔽和退台的连廊。这是一个简单的等式，通过非常具体的措施，实现了海滨别墅的体验。

The size of each of the rooms is a secondary consequence of the possibility of playing with a containment structure, formed by the three levels. This retaining structure becomes a habitable, covered, and terraced bridge on the next level. It is a very simple equation that, with very specific actions, allows us to achieve the objective: the experience of a beach house.

▼实现了海滨别墅的体验，the experience of a beach house ©Zaickz Moz

该地区的发展尽可能的降低对环境的影响，被限制在一个多边形边界内，这也意味着空间的限制很明确。设计的逻辑是尽可能的降低影响，并且在不平整的地方避免非常突出的体量。

Development in the area encourages low impact, delimited by a polygonal, which means that the restrictions are very defined. The logic is to minimize the impact and avoid very prominent volumes when there is unevenness.

▼餐厅及厨房，dining area and restaurant ©Zaickz Moz

一旦进入住宅，你会看到混凝土雕塑的体量，邀请你欣赏尽头的美景：当你打开门，海景在你面前展开。左侧则是房间的体量，再往下走，是配备的社交区域，再往回走一点是设备区域。网格状的结构和坡状的屋顶设计实现了大跨度的空间。没有窗户的体量有一个通风和采光的天井，避免了洞穴效应。厨房也享有海景。房间的体量低调而简洁，是对有限空间的回应。位于较低楼层的主卧的规模较大，并和这种对角线结构融为一体。

▼剖面，section ©Módica Ledezma+ JJRR

Upon entering, you are greeted by the sculpture of the concrete volumes, inviting you to the final view: when you open the door, the sea opens up. To the left is the volume of rooms and, going down, is the complete social area, with its services a little further back. The girder structure with the pitched roof was designed to span a significant span. The volumes without direct access to windows have a patio for ventilation and lighting, avoiding the cave effect. From the kitchen, there is a view of the sea. The rooms are discreet and simple volumes, a response to the limited footprint available. The main room, on a lower level, is larger in scale and lives within these diagonal structures.

▼卧室也享有海景，bedroom facing the sea ©Zaickz Moz

墙壁变成了梁架，避免了视觉上的走廊效应，提供了180度的全景视野。这一技术手法是为了模仿植被景观，以防止房间内感觉过于封闭。住宅深埋于地形之中，与周围的景观和陡坡相融合。

▼剖面，section ©Módica Ledezma+ JJRR

The wall that becomes a beam avoids the tunnel vision effect, offering a 180-degree opening. This technical gesture was designed to imitate vegetation, preventing the rooms from feeling closed. The house is buried, inviting the lateral vegetation and the descending slope.

▼楼梯空间，staircase ©Zaickz Moz

这一雕塑般的形态不是一种主观的既定结果，而是对于地形的一种适应。住宅在功能上很明确：挡土墙结构成为可居住的入口，以利用下降的地形。这里没有迷宫，因为建筑被压缩在这一可折叠的地形之中。

This sculptural gesture was not the objective, but rather the result of the adaptation to the topography. The house is clear in its diagram: retaining structures that became habitable mouths to take advantage of the descending topography. There are no labyrinths, as the house is compressed into this topographical accordion.

▼挡土墙结构，retaining structures ©Zaickz Moz

▼立面，elevation ©+ JJRR

Architecture Office: MODICA LEDEZMA @modicaledezma
Architects in charge: HectorModica, Carlos Ledezmay Jose Juan Rivera Rio (JJRR /Arquitectura)
Collaboration: Paola Andonegui Cuellar, Fernanda Soriano, David Benavides, Emmanuel Ortiz,Cristian Romero
Suppliers: CEMEX, Venster, Brio, Helvex, Itz Furniture CONSTRUCTED AREA (M2): 564 m2
Construction completion year: 2023
Location: Punta Mita, Nayarit
Construction: ADC Agrupacion
Photographer: Zaickz Moz (@zaickz.moz)
Website: www.modicaledezma.com

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