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Appreciation towards gt2P for providing the following description:

如果参数不是数字化？
如果参数拥有可拟性？
如果参数关于材料和重力？

What if Parametric is not digital?
What is Parametric is analogous?
What if Parametric is more about materiality and forces?

这是来自智利圣地亚哥，一个涉猎建筑，艺术，设计领域，试图将新技术的某些理念与本地传统材料和技术结合的工作室 gt2P的项目。他们在这个项目中试图混合类似数字控制的方法，与传统材料和技术结合，产生的标准机器生产非标准产品的结果。即可以理解为非数字化的参数化方式。

This is part of an exploration on how to create standard machines that generate non-standard results, mixing analog numerical control with traditional material and techniques integrated in one real-time process, suggesting that the parametric design is not necessarily a digital com-putation methodology.

方法就是将陶瓷原浆注入悬挂的布料上，最后的结果将受时间，重力，原浆的重量，面料的肌理等等要素的影响，成品在形状，厚度等各方面具备不同的特征。

For this purpose, we work in the translation of computational logics and automations process in the material world through an analog machine that allow us articulating physical variables in real time, as gravity, fluid weight, fabric tensions, size and material, position and number of anchor points in XYZ, horizontal limit to get a flat bottom, slipcasting volumes, dry times, pottery viscosity, type of potteries (ceramic, gres, porcelain, etc.), water quantity, thickness of shell, etc.

目前的规模可以用来生产餐具，烛台，挂灯等小型家居饰品，若做大规模则可以改变原浆的种类，用于生产较大的物体比如桌子，凳子，镜子。

Crossing these formal and material results with some functions we can create tableware, candle holders, hanging lights and appliques, for example. We even have the possibility to change scale and produce larger objects, as tables, stools, mirrors, etc., using wax instead of pottery for lost wax casting processes (aluminum, brass, cooper) or catalyzed resin and so on.

当前的实验分成三种，Test N°1: Gauze；Test N°2: Muslin；Test N°3: Lycra。使用到三种不同的面料与两种不同的原浆。

Here some containers test using three kinds of fabrics (Gauze, Muslin and Lycra) and two kinds of potteries (Gres and Translucent porcelain).

Test N°1: Gauze

Test N°2: Muslin

Test N°3: Lycra

更多的参数化，更少的数字化。这是一个抛开电脑和数字化方法，社区工匠也可轻易理解，十分接地气的参数化设计学术对话。

This project gives us a new scope “More parametric, less digital”, allowing us to speak about parametric design without computers and digital fabrication laboratories which generates dialogues from academic contexts to communities of artisans.

Photos by: gt2P and Victor Imperiale

ABOUT US

We are a studio involved in projects of architecture, art and design, established in Santiago, Chile. We are in a continuous process of research and experimentation in digital crafting, promoting new encounters between the technologies for projecting and the richness of the local expre-ssed in traditional materials and techniques.

Our work methodology has two dimensions. First, we seek to systematize knowledge and observation, whether of natural, artificial, geometric or spatial, phenomena, through generative algorithms. Here parametric design is a tool to guide the planning of projects that we carry out, enabling the integration of its stages of design, development and production.

On the other hand, we have discovered an artistic dimension that connects us with our cultural heritage, through the incorporation of traditional experience and knowledge that feed and qualify the generative algorithms or DNA that we create. Exposing the unexpectedness of manual processes and local materials is a way to value what we are in what we do.

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