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作为一所相对年轻的高等学府，穆罕默德六世理工大学（Université Mohammed VI Polytechnique）借由位于拉巴特的第二校区建筑，进一步巩固了其校园的独特身份。该项目总体规划的第一阶段于2024年秋季启用，其中包括一座多功能会议中心，可举办各类规模与形式的活动，例如：教师讲座、行业会议、公众演出等。除了提供功能齐全的场所，设计任务书还明确希望这座建筑能提升校园的整体品质和大学生活的体验感。

As a relatively young institution, the Université Mohammed VI Polytechnique solidified its identity with the architecture of its second campus in Rabat. Phase one of the masterplan opened in the autumn of 2024 and includes a conference centre hosting events of all different types, capacities, and participants, e.g. faculty lectures, industry conferences, and public performances. Beyond the provision of these facilities, the brief wanted the building to contribute to the overall character of the university and the quality of life on its campus.

▼立面概览，overall of the facade © Gregori

▼外观，exterior view © Gregori

▼纯粹的几何形体，pure geometric shapes © Gregori

▼柱廊，porticos © Gregori

会议中心（Centre de Congrès）坐落于校园总体规划的第一与第二阶段之间，如同一个“铰接点”，连接起校园的两条“臂”——一侧是沿街布置的建筑序列，另一侧则是更为紧凑的建筑群体。为回应这种“通行与联结”的意象，建筑沿地块边缘设置了一系列柱廊（porticos），采用统一的明亮瓷砖作为铺地与外墙饰面，并自然延伸至室内，从庭院到前厅形成连续过渡。在室内，建筑在材质运用与家具设计上的用心程度与其整体城市策略同等重要，体现出“整体设计”（total design）的理念。

The Centre de Congrès is located between the first and second phases of the master plan. It acts like a hinge joint, fitting together the two “arms” of the campus – an avenue of buildings and a more condensed cluster – to take people from one side to the other. Gesturing towards this idea of passage is a series of porticos along the edge of the site. Here, the same bright tiles are used for paving and cladding, then continue into the building for a natural progression from the patio to the lobby. Inside, decisions over the material treatment and furniture design are given as much importance as the urban strategy – a ‘total design’.

▼直线与弧线的对比，contrast between straight lines and arcs © Gregori

▼圆与方定义了空间，circles and squares define space © Gregori

▼细部，details © Gregori

▼户外空间，outdoor space © Gregori

该建筑的平面由两种纯粹的几何形体——圆与方——所定义。一个自立的弧形墙体围合出中央主会堂，形成一个圆环；而内部的主会堂空间则为一个方形。圆与方之间的夹缝容纳了多个中小型会堂、会议室、酒吧、咖啡厅、交通流线与配套服务空间。建筑的外部庭院也提供座位与聚会场所，可眺望周边的运动场和林地景观。主环墙体上雕刻出一系列拱形大门洞，仅在四角触地，其余部分保持开放，从而营造出对公众的欢迎姿态。其效果如同一份邀请，邀请人们走进会议中心——一个旨在成为充满活力、开放包容的空间，容纳多元人群与丰富活动的场所。

Defining the plan are two pure geometries, the circle and the square. The circle, a sweeping free-standing wall, forms a ring around the main auditorium, the square. The space between the two forms accommodates various smaller auditoriums, meeting rooms, bars and cafes, circulation, and services. There is also room for seating and assembly in the exterior courtyards, which enjoy views of the surrounding playing fields and wooded areas. Grand arches are carved into the circular wall such that they touch the ground only at the corners of the building, remaining open elsewhere. The effect is one of invitation to the Centre de Congrès, and what aims to be a dynamic, generous space for a rich combination of people and activities.

▼主会堂空间，the main auditorium © Gregori

▼纯粹的色彩与形式，pure color and form © Gregori

▼细部，details © Gregori

▼座位区，audience area © Gregori

▼座椅细部，details of the seating © Gregori

▼施工过程，construction process © Max Farago

▼平面图，plan © Bofill Taller de Arquitectura

▼立面图，elevations © Bofill Taller de Arquitectura

LOCATION: RABAT
YEAR: 2024
STATUS: COMPLETED
BUA: 11.500 SQM
IMAGES BY GREGORI CIVERA
MAX FARAGO
HERNAN CORTES

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