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Appreciation towards LMN Architects for providing the following description:

愿景
Vision

福克斯曼音乐大厦汇聚了可容纳各种音乐形式的场地，它以协作性和探索性为内在特性，为音乐爱好者们营造了处处皆舞台的音乐教育空间。通过与邻里环境的互通性设计，该建筑得以建立与周边社区的资源共享。建筑实现了自身与爱荷华市混合社区的街道和开放空间的自由连通，其竖向的功能空间排布，为当地社区打造了独一无二的城市鲜活体验。

The Voxman Music Building celebrates musical performance at every turn, embracing a collaborative and exploratory student-driven model of education that treats every space as performance space. The building shares this sense of musical discovery with the community through a transparent expression. The pattern of streets and open spaces in the mixed-use district of Iowa City extends directly into the building’s multi-level interior spaces, cultivating a sense of vertical urban vitality and acknowledging its place within the community.

▼建筑外貌，exterior view

场地和建造方案
Site and Building Program

六层高，186,000平方英尺的建筑坐立于校园建筑与爱荷华市中心之间，成为学术机构与社会生活的交汇处。该建筑包括一个700坐席音乐厅、一个200坐席独奏音乐厅、一个器乐演奏厅、一个音乐书籍阅览室、排练室、练习室、教室、以及与社区连通、竖向排布的员工办公室。建筑主入口位于市区繁华的道路交叉口，多层的通透玻璃立面，拉近了校园与城市的关系，分设建筑两个主立面的两大音乐厅与繁忙都市隔窗相望。位于各个演奏场馆之间的连通空间饱受日光的洗礼，除作为连接演奏厅和音乐厅的功能空间外，这里还为学生们提供了丰富多样的公共活动空间及中庭。位于四层的户外露台栖身于两栋翼楼之间，绝佳的地理位置将这座城市最富历史的建筑与广阔的村镇景观尽收眼底。

▼位于四层的户外露台，the outdoor terrace on the forth floor

The six-story, 186,000-square-foot building is situated between campus and the downtown core of Iowa City, embracing both academic and urban experiences. The program comprises a 700-seat concert hall, a 200-seat recital hall, an organ performance hall, a music library, rehearsal rooms, practice rooms, class-rooms, and faculty studios and offices linked by a series of vertically connected community spaces. A multi-story glass corner entry at a major downtown intersection reinforces the merger of campus and city, with the two major performance venues marking their presence on each of the main facades. Between the performance spaces, porous, day-lit circulation volumes interlink to form the student commons, performance and rehearsal lobby, and three-story atrium. A fourth floor exterior terrace, nestled between the wings of the rear facade, serves as gathering space that frames views to the city’s historic courthouse and countryside beyond.

▼公共连通空间，the circulation space

▼中庭提供学生活动空间，the atrium provides public spaces for students

设计
Design

其中音乐厅采用“theatroacoustic”声学系统，将声效、光照和安全系统整合成为充满戏剧性的装饰效果。形态复杂的装饰结构由946块独特的折叠铝质部件，经参数化设计，再由数字化焊接组装而成。

The concert hall features a suspended “theatroacoustic” system, unifying acoustics, lighting, and life-safety requirements into a dramatic, multi- functional architectural expression, and the resulting intricately sculpted element is assembled out of 946 unique, folded-aluminum composite modules digitally fabricated from modules digitally designed and fabricated from the architects’ parametric model.

▼音乐厅，the concert hall

▼参数化设计的天花板，the parametric-design ceiling

独奏厅令人惊叹的红色隔音板，不仅营造了良好的声学效果，通过与墙面玻璃窗的结合，与户外环境形成戏剧化的对视效果。

In the recital hall, red-colored acoustical panels optimize the room’s acoustical properties while incorporating a wall-sized shingled-glass window that unites the performance event with the urban experience.

▼独奏音乐厅，the recital hall

▼独奏厅红色隔音板，red-colored acoustical panels

如风筝般的装饰物悬浮在三个大型排演大厅的挑高天花板上，它们的表面或平滑或穿孔，群聚于演奏者头顶之上，打造出极具动感的空间效果，也帮助完善了室内的声学性能。

In the three major rehearsal spaces, high ceilings are filled with swarms of brightly colored, kite-like reflectors that vary between solid and perforated to achieve dynamic acoustical and lighting effects.

▼排演大厅，rehearsal space

▼如风筝般的天花板装饰，the kite-like reflectors

巨大的音乐厅悬挑凌驾于伯灵顿大街和学生活动空间之上，而另一侧，独奏音乐厅外的叠块玻璃墙面则向外探出，栖身于南克林顿大街的人行道之上。建筑周身由带有微妙纹理的陶瓷板和拥有精美底纹的低铁玻璃覆盖。

The concert hall cantilevers over the Burlington Street sidewalk and the Student Commons below, while the recital hall, wrapped in a shingled-glass wall system, reaches out over the South Clinton Street side-walk. A composition of subtly textured terracotta panels and low-iron glass with delicate shading patterns wraps the full exterior.

▼建筑周身由带有微妙纹理的陶瓷板和拥有精美底纹的低铁玻璃覆盖，a composition of subtly textured terracotta panels and low-iron glass with delicate shading patterns wraps the full exterior

建筑内部所有空间如演奏大厅，练习室，办公室和公共活动空间等均通过大厅与户外建立良好的连通性，享受充足日光，并保持优异的隔音效果。高性能数字设计满足了表演空间的各项要求。

All spaces in the building, including performance halls, rehearsal rooms, offices, and common areas, provide natural light and connections with the outside, while maintaining acoustic isolation. Requirements of the facility’s high-profile performance spaces are met by high-performance digital design.

▼剖面图，section

▼明亮的室内通行环境，the bright circulation space

▼音乐书籍图书馆，the music library

▼风琴演奏厅，organ performance hall

▼外观夜景，night view

▼地下层平面，basement floor

▼地面层平面，street level

▼二层平面，level 2

▼三层平面，level 3

▼四层平面，level 4

▼五层平面，level 5

LMN Architects project team
Design Architect + Interior Designer: Mark Reddington, FAIA, (Design Partner); Sam Miller, AIA (Partner in Charge); Stephen Van Dyck, AIA (Project Designer); Wendy Pautz, AIA (Programming); Scott Crawford, Assoc. AIA, Steve DelFraino, AIA, Thomas Gerard, Alexander Harner, Jessica Harner, Erick Katzenstein, Julia Khorsand, Winnie Lam, John Mrozek, Assoc. AIA, Erik Perka, Assoc. AIA, Mary Anne Smith, AIA, Andrea Stewart, Alex Woodhouse (Project Team)

Consultant team
Design Architect + Interior Designer: LMN Architects
Associate Architect: Neumann Monson Architects – Kevin Monson, AIA (Principal in Charge), Chris DeGroot, AIA (Principal), Josh Rechkemmer, AIA (Project Manager), Jesus Chucho Loria, AIA, Andrew Mixdorf, Assoc. AIA, Brad Nowasell, AIA, John Phung, AIA, Alese Van Holland (Project Team)
Construction Manager: Mortenson
Structural Engineer: Magnusson Klemencic Associates
M/E/P Engineer: Design Engineers
Acoustics & A/V: Jaffe Holden
Theater Planner: Fischer Dachs Associates
Lighting Designer: Horton Lees Brogden Lighting Design
Organ Designer: Orgelbau Klais Bonn
Graphic Designer: Pentagram
Civil Engineer: Shive-Hattery
Landscape Architect: Confluence
Cost Estimator: Rider Levett Bucknall
Energy Analysis: The Weidt Group
Life Safety/Code: T.A Kinsman Consulting
Vertical Transportation: Lerch Bates
CFD Modeling: Price Industries
Fire Protection Analysis: Summit Companies
Commissioning: Sebesta (now NV5)
Photography: Tim Griffith, Arturo Rojas, LMN Architects

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