非常感谢Peter Jellitsch将项目介绍和项目图片授权gooood发行。更多请至：Peter Jellitsch on gooood
Appreciation towards Peter Jellitsch for providing the following description:

来自奥地利的建筑师Peter Jellitsch出生于1982年，在2010年于维也纳美术学院建筑硕士毕业，目前正在攻读博士，并是学校的讲师。继上次的作品分享后，他又有了新的作品，并在当地举办了展览。这篇文章更新了他的部分新作以及创作过程，展览状况等情况。

他的手绘作品不是既存事物，而是自己对现实世界中所感兴趣的东西进行的转化。同时他喜欢揣测和模拟动画的演进过程。

DETAIL – STB S12 SUB04 00

人类的好奇心创造了这个世界，人类可以通过说，解释，画，文字还表达什么对他是重要的。通过数字编程真实的描述世界也不再遥远。虚拟的空间变成了几何物体，但这不是他的真正意图，他在自己的观察下用手工来改变这一切。并探寻真实物理世界与合成的虚拟世界之间关联及相互作用力。这些都是独一无二用墨画在纸上的手绘。受到建筑风洞测试的启发，并将其转换在图纸上。问题在于，通过怎样的过程才能将空间体积变成动感的动态绘图。

(大家可以把STB S01 90—–STB S01 130这五张拷贝下来，在看图器里快进，会有动画效果)

Exhibition View

Name: Peter Jellitsch, born 1982 in Austria
Education: master in architecture 2010, academy of fine arts, Vienna
Current:
– phd Student at the Institute of art, academy of fine arts, Vienna
– lecturer at the academy of fine arts, Vienna

ANALOGY [Table]

In my handdrawings I am not interested in depicting something that I`ve seen in the real world, my interest lies in transforming something that I`ve seen in the so called virtual world. mostly I try to figure out, how simulation and animation programs are trying to help us understanding how complex processes happen. (but do they really?)

Since mankind is interested in reality and understanding the world, he produces models of this world. He refer, describes, explains, creates drawings, writings, paintings in which he gives the ability to endure to what is true or or important for him. Through digital programmed realities, descriptions of the world have become in touch with probable possibilities.

The virtual space becomes a stage for geometrical performances, whose cause and effect have no “real” source. However, I am transforming and archiveing these repetitive sequences to handmade analogue data, as if I had observed and traced reality.

Primary I am questioning the access, influence and valence between the physical-realworld and the synthetic-virtual world as well as the effect of the medium on the space.

Working Process

Details on STB Series:
Technique: Ink on Paper, various sizes, every piece is handdrawn and unique
Source: Experiments with digital simulation processes (which are used for wind-simulations in
connection with building planing), transformed and adapted to analog drawings.
Question: How can space/volume be demonstrated through dynamic drawings which do not have
constant / static form

Working Process

Working Process

STB S14 12

STB S14 13

STB S14 16

STB S01 90 degree

STB S01 100 degree

STB S01 110 degree

STB S01 120 degree

STB S01 130 degree

STB S04

Detail

Detail

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Project Specs

Peter Jellitsch

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