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Appreciation towards Flores & Prats for providing the following description:

岛上
An island

漫步在岛上的花园里，能让人感到身心的平静和祥和。在位于San Giorgios岛的花园里，街道和小径轻轻躺落。沿着徐徐渐进的道路，在临近水边的尽头，The Morning Chapel就矗立在此处。

To be on an island and then inside a garden, allows a state of being where one’s mind can drift to a peaceful place of reflection. The garden in San Giorgio has a fan structure of walks, starting from Palladio’s Cloister towards the Lagoon. The Morning Chapel is along one of these long paths, and sits right before this walking line meets the water.

森林
The forest

教堂面朝小径平行而立。面朝小径的墙面上有一扇门，通过这扇门，你便从规矩的路线上脱离，来到其身后的秘密花园，开启一段冒险之旅。教堂如同通往森林的大门，将真实的另一面隐藏在其身后。

The chapel is presented as a wall parallel to the path. This wall has a door, offering the option to step aside from the common route and move into the forest, abandoning the known destiny offered by these lineal paths in favour of the unknown, at risk of disorientation. The chapel becomes a door to the forest, to the grander entity to which it belongs.

清晨
Early morning

教堂位于岛的东部，每日清晨，第一缕阳光都会从这里路过，在教堂里留下它的痕迹。

The chosen site is at the eastern part of the island, where the morning starts and the chapel can catch the first sun of the day.

原始
Compactness

教堂似乎是从一面墙开始的。从厚重的墙壁里挖掘出空间，在里面捕捉光影的变化，坐看外世界的风雨飘摇。紧凑的布局和连续不渗透任何细节的表面，让内空间的原始性更显强烈。

The chapel is thought of as an excavation in a wall, a chamber in its thickness opened to one side, containing levels and light, a place to sit protected from the sun and the rain. It is a compact construction with a continuous surface, to avoid expressing its building details, favouring instead its solid, primitive aspect.

会面
Meeting

路径的尽头是终点，教堂在终点处。不同的是，有了教堂，就有了停留的理由。它安静的，等待着你的光临。

Once there, one is confronted with the same end that the lineal walk was leading to. The difference is that The Morning Chapel builds another perspective and a meeting place. Its open condition welcomes all kinds of visitors this side of Venice, not imposing a precise meeting position but allowing a variation of encounters.

▼手绘，drawings

photo by ADRIA GOULA

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