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Appreciation towards Mixtura for providing the following description:

Mixtura最近完成了AIDi（欢迎来到食品储藏室！）项目，该项目位于意大利Puglia的Terlizzi自治市，毗邻Bethany方济各会修道院。AIDi（意大利语”Accogliena In Dispensa”，意为“欢迎来到食品储藏室”）面向城市打开，在修道院生活和城市街道之间成为一个过渡和联合地带。

Mixtura unveils AIDi. Welcome in the pantry!, a project located in the municipality of Terlizzi, in Puglia, Italy, and adjacent to the convent home of the Franciscan Fraternity of Bethany. The AIDi (Italian acronym for “Accogliena In Dispensa”, translated “welcome in the pantry”) building opens towards the city, becoming an element of union and mediation between convent life and that of the city street.

▼项目鸟瞰，Ariel view of the project ©Cesare Querci

建筑内部包含储存食品包的储藏室，冷藏室，集散地，为有需要的人提供的倾听室、卫生间和用于分发食品包的车道。

The building houses a warehouse for the storage of food parcels, as well as a cold room, a distribution point, a listening office for people in need, toilets and a drive-through for the distribution of food parcels.

▼项目外观，exterior of the project ©Cesare Querci

按照客户的需求，建筑需要简约且温馨开放，但正是因为它的职能的重要性，它并不想宣扬自己的独特性。最近几年修道院需要一处场所来分发食物并且倾听的需求也日益迫切，控制时间成本和确保项目落地就显得极为重要。

▼场地区位，site map ©Mixtura

At the request of the client, it was necessary to create a simple and welcoming building, but one which denounced its uniqueness, precisely because of the importance of the function it will perform. Given that in recent years the need to have a place dedicated to distribution and listening has become increasingly pressing, it was also important to pay attention to timing and the costs of implementation.

▼简约且温馨开放的建筑，simple and welcoming building ©Cesare Querci

项目
The project

建筑位于修道院的边界墙上，也成为修道院的一部分，并成为地块内外之间的过渡区域。设计始于一个概念“一个休闲娱乐的场所之家”，探索了对称建筑的坡屋顶的原型形象。通过旋转屋脊线和改变主梁和次梁的位置，传统建筑的形象被重塑成一个具有灵活性的建筑，在保持对称性的同时保证施工的简洁性，并且降低成本和施工时间。

▼平面图，plan ©Mixtura

The building stands on the boundary wall of the convent lot, becoming an integral part of it and performing a filter function between the inside of the lot and the outside. The design emerged from the idea of “home as a place of hospitality”, playing with the archetypal image of a symmetrical building with a gable roof. By rotating the ridge line, and changing the position of the main and secondary beams, the traditional house transfigures into a dynamic building, while maintaining the axis of symmetry and a constructive simplicity, useful for reducing costs and construction time.

▼处于场地内外的过渡区域，between the inside of the lot and outside ©Cesare Querci

主结构由层压木材构成，而平台框架的空隙则填充了隔热层。屋顶通过铝板饰面板通风。

▼结构轴测，structure axonometric ©Mixtura

The main structure is made of laminated wood, while the infills are in platform-frame with interposed insulation. The roof is ventilated, with an aluminum sheet coating.

▼主结构由层压木材构成，the main structure is made of laminated wood ©Cesare Querci

建筑的体量很紧凑，金属立面在北侧和西侧立面延续。在东侧和南侧——展馆的一部分俯瞰城市——元素包括木质的遮荫，并提供空调和隐私。对于东侧和南侧立面，建筑的两个立面稍稍退后于屋脊线，体现了层压木的结构和木制的砖砌顶棚为街道和城市的其他部分提供了双重气候和隐私功能。设计营造了一处在专门用于接收和分发包裹的区域前方形成的一个门廊空间，可遮荫避雨。分发包裹的系统是单向的，该区域从大门口进入，沿着东南向的市政道路分布，从柱廊下接待并且分发食物包裹，再从东北向的另一个大门离开。

▼东立面，east elevation ©Mixtura

Volumetrically, the building is compact, with sheet metal facades in continuity with the roof to the north and west. To the east and south – the part of the pavilion overlooking the city – elements include wooden sunshades that provide air conditioning and privacy. Also to the east and south, the two facades of the building are set back from the roof line, revealing the laminated wood structure and the wooden brise-soleil elements providing dual climatic and privacy functions with respect to the street and the rest of the city. This operation generates a porticoed space in front of the area dedicated to the reception and distribution of parcels, providing shelter from the rain and sun. The distribution system is one-way. The area is accessed from a gate located along the municipal road to the south-east, passing under the portico where the distribution of food parcels and reception takes place, and exiting from another gate located to the north-east.

▼柱廊空间，portico space ©Cesare Querci

建筑周围的景观区域和道路及停车区域的设计，确保了最大化的土壤的渗透性，由于景观的自锁元素，限制了在一天的最热时刻的过度曝晒。在能耗设计上，建筑采用了已经在修道院使用的电子光伏板。

The green area surrounding the building, as well as the roads and parking lots, are designed to ensure maximum soil permeability, thanks to the use of green self-locking elements, limiting overheating in the hottest hours of the day. Energetically, the building exploits the photovoltaic panels already in operation in the adjacent convent.

▼防止过度曝晒的设计，limiting overheating in the hottest hours of the day ©Cesare Querci

“作为建筑师，我们肩负着很深的责任。每一座建筑都在人和环境之间建立了关系，可以统一也可以各自独立。”

“所有的建筑，不管它的大小与否，都是身处环境中的永久构筑物，需要有助于更好的改变环境。对于我们来说，挑战在于如何以小搏大。”

——Cesare Querci，事务所主创建筑师

“As architects, we have a deep responsibility. Every building establishes a relationship between man and the environment, and can unify or separate,”

“All architecture, regardless of size, is a permanent sign on the context and can contribute to change it in a better way. The challenge for us is to always strive to do more with less!”

——says Cesare Querci, lead architect of the firm

▼夜景，night view ©Cesare Querci

该建筑从2024木结构建筑奖中脱颖而出，该奖项作为欧洲地区最为重要的可持续性和木结构奖，由Klimahouse颁布，也是意大利Bolzano展会的一部分。

The building was selected among twelve finalists competing for the Wood Architecture Prize 2024, presented by Klimahouse as part of the Bolzano fair in Italy, one of the most important events in Europe on sustainability and wooden constructions.

▼夜景，night view ©Cesare Querci

▼北立面，north elevation ©Mixtura

▼西立面，west elevation ©Mixtura

▼南立面，south elevation ©Mixtura

Year: 2023
What: Solidal Pavilion
Where: Terlizzi (BA), Italy
Client: Fraternità Francescana di Betania
Built area: 220 sqm
Site area: 740 sqm
Author: Mixtura (Maria Grazia Prencipe, Cesare Querci)
Lead Architect: Cesare Querci
Structural Calculation: EW Enginereeng works
Laminated wood supply and cutting: Hasslacher Norica Timber
Wooden structure installation: Progetto Immobiliare S.r.l, Realty Bioedilizia
Aluminum roof and façade: Prefa® distributed by Alpewa®
Metal roofing and facade installation: Lattonerie Lazazzera Srl
Design Team: Cesare Querci, Maria Grazia Prencipe, Guido Di Croce

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