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鸟瞰

漂浮的宫殿

SOUTH SONG MUSEUM DESIGN DESCRIPTION

South Song Imperial City underwent many changes until it eventually surrendered and disappeared as underground ruins. Today new infrastructure and buildings inhabit the place, and together it makes out the history of the site. How do we find a way to combine and benefit from the content of today as well as bringing back the memories of the past?

CONCEPT

The strategy is to cover and protect the ruins with floating volumes on a flexible structural system. These floating volumes not only house the museum, they also provide viewing areas to the ruins below and allow people to experience a part of the song architecture above through the palaces and courtyards.

CENTRAL COURTYARD

Within this heritage park, which is surrounded by a dynamic wall element and small villages there is a museum incased within three floating volumes above the Song ruins and below the palaces and courtyards. A strong axis connects the museum to the heritage park. People can discover the ancient ruins below layers of landscaping, palaces and museum volumes, creating an interesting dynamic between the past and future.

THE WALL AND GATE

In the past, the wall has been seen as a traditional defensive structure to define the internal and external space; they are impassable. Today, defensive wall is no longer functional, and we prefer it as a bearer, connecting the external and internal, to promote the exchange of the South Song Imperial City and the City.In the design approach, the wall refers to the size and shape of historical materials, combined with the protection of the site to rebuild a part of it and use of its internal space to place some construction features.

THE VILLAGES

South Song Museum project covers a wide area. After the indigenous people move out, a large number of vacant buildings will be left, which we won’t simply remove all of them but to transform the high-quality constructions so that to restore and make use of the atmosphere of Jiang-nan residential areas. Regarding the feature set for the village, it is not a simply sightseeing but an organism integrating the daily life, to achieve the cities organic updated; reflects the continuity of the architectural history and the aboriginal life, and further underlines the South Song Museum as a “live museum “.

总平面

IAPA
澳大利亚IAPA设计顾问有限公司是一所除了进行商业项目设计以外，还积极参与遗址古建的保护展示，旧城改造，地域文化建构研究的实践型事务所。在2010年，IAPA和浙江省古建筑设计研究院共同获得南宋博物院概念性规划设计竞赛的优胜奖。

南宋博物院
南宋皇城位于杭州凤凰山麓历经了许多变化，直到最后被遗弃，消失成为一个地下的遗迹，主要宫殿部分遗址在现地下1.5米~3米左右。皇城范围建筑分布密集，违章建筑多，对遗址造成一定的影响。如何达到遗址保护与展示之间的平衡是设计的难题。

概念构思
为了能充分展现当年南宋皇城的整体格局和山水皇城的遗韵，我们在保护遗址的前提下，希望利用树木等自然元素作为皇城的立面，漂浮在树上的传统宫殿屋顶作为皇城的象征元素，构成皇城内部的基础分层体系。

重要宫殿遗址
在这个被小村庄和城墙包围的皇城中心，一条南北轴线贯穿其中。为了保护皇城的重要宫殿遗址，设计根据现场地形，塑造出景观和地面标识，通过灵活的结构体系在遗址之上设置了三个漂浮的博物馆体量，中间的博物馆作为主体，保护地下的遗址层，同时展览挖掘出来的珍贵文物。遗址层作为挖掘现场展览，并在其顶部复建恢弘的宫殿景象。形成一个穿越空间和时间的四维展览空间。加上庭院里茂密的大树，和周边充当背景的山体，一副活灵活现的山水皇城图映入眼帘。

宫墙与宫门
在过去，城墙一直被视为一种传统防御性构筑物，严格界定了内部与外部空间，两者是不可逾越的。而在今天，城墙的防御性的功能已不复存在了，我们更愿意把它视为一种载体，连接外部与内部，增进南宋皇城与城市的交流.

村庄保护
南宋博物院项目占地广阔，对迁出原住民后所遗留的大量空置建筑，我们不是单纯的全部拆除，而是对高质量建筑加以保留和改造，以恢复江南民居氛围并加以实质性的利用，通过各种互惠共赢的方式，原居民参与到博物院的日常管理和建设服务之中，将为博物院注入新的生活和工作活力，从而体现杭州城市历史变迁和这座历史文化名城的有机更新。

概念分析

分层意向

透视

宫墙内部透视

村庄透视

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