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谢珀顿美术馆具有简洁而清晰的设计，其醒目的造型为谢珀顿打造了标志性的文化目的地。它坐落在平坦的古尔本河平原上的公园内，紧邻通往市中心的主要道路。该方案在充满限制条件的竞赛中获胜，5000平方米的立方体中包括美术馆、游客信息中心、Kaiela Arts原住民社区艺术中心，以及可以在非工作时间用于会议、婚礼以及社交场合的150人活动空间。

The design of SAM is characterised by simplicity and clarity, with compelling imagery creating a landmark cultural destination for Shepparton. It is located on the approach to the town centre, within a popular park within the flat Goulburn River Plain. The scheme was won in a limited competition. It includes an art museum, Visitors’ Information Centre, Kaiela Arts Aboriginal Community Arts Centre and 150 person event space able to operate out of hours for conferences, weddings and social occasions, all within a 5,000m2 cubic form.

▼区位鸟瞰，aerial view of the site ©John Gollings

由于泄洪通道穿过基地，底层空间受到限制，但这也成为了设计的契机。最终建筑以五层小面积空间垂直排布，形成独特的小而高的美术馆。该策略最大限度地利用了公园空间，同时也在低矮平坦的谢珀顿景观中创造出一座灯塔。此外，五层楼的高度还使人们可以在屋顶活动空间眺望湖水和远处古尔本红河桉树保护区的全景。

A restricted ground floor, required due to a floodway across the site, was turned into a design opportunity. The small footprint was extruded vertically over five levels to generate the distinctive small-and-tall art museum. This strategy maximises much used park space, while also creating a beacon in the low, flat Shepparton landscape. The height also affords panoramic views from the rooftop events space across the lake and Goulburn Red River Gum Reserve beyond.

▼由泄洪通道望向紧凑的体量，the compact volume from floodway ©John Gollings

该设计以醒目的“艺术山”巧妙地融入公园，并将所有建筑服务区、后勤区和附加区隐藏在延展的绿地之下。“艺术山”的优势在于它有效地创造了上层空间，使美术馆的咖啡厅享有更好的视野，同时加强了建筑与公园的联系，游客可以直接从公园进入美术馆。

The design is ingeniously integrated into the park via a dramatic Art Hill, screening all building services, back-of-house and loading under the expanded parkland. The Art Hill has the advantage of effectively creating an upper ground level, enabling the museum cafe to enjoy an elevated outlook whilst being directly connected to, and accessible from, the park.

▼醒目的“艺术山”，the dramatic Art Hill ©John Gollings

▼美术馆与公园，the museum and the park ©John Gollings

室内流线围绕开放且畅通的中庭进行组织，提供高度清晰、通透和无障碍的博物馆参观体验。馆内设有四个不同的画廊，总面积为800平方米。其中两个画廊符合ASHRAE（美国采暖制冷和空调工程师协会）AA级标准，从而容纳从高级博物馆和画廊借来的展品。这需要博物馆配备专用AHU和预处理器，以及建筑围护结构、内部隔板和玻璃推拉门，以满足更高的气密性要求。准备室、保存室和藏品室也应用了类似的标准。

Internally, it is a highly legible, transparent and accessible museum experience, centred around an open, circulation galleria. Four different galleries, totalling 800m2, are accommodated. Two of the galleries are designed to ASHRAE (American Society of Heating Refrigeration and Air conditioning Engineers) Class AA standard to be able to accommodate exhibitions on loan from premium museums and galleries. This required dedicated AHU and preconditioners along with the building envelope, internal partitions and glass sliding doors being designed to higher air tightness requirements. Similar standards are applied to the preparation and conservation rooms and collection storage.

▼休息区，lounge ©John Gollings

▼交通空间，circulation space ©John Gollings

谢珀顿美术馆的立面由四块悬浮在景观中的L形薄板组成。它们以不同的高度和材质搭配在一起，在尺度上与周边的桉树相得益彰。通过将建筑形式的表达转化为抽象的雕塑元素组合，尺度便变得不可捉摸，斑驳的树影投在立面上，将每块薄板化作层次分明的画布，可以作为临时装置或投影的背景，完整而清晰。

▼立面构成，facade composition ©John Gollings

The facades of SAM comprise four thin floating L-shaped plates suspended in the landscape. They group together, at different heights and contrasting materiality, to form a composition at a scale comparable to the red river gums. By subverting the expression of built form into a composition of abstract sculptural elements, scale becomes indeterminate. This allows each facade plate to become a canvas, layered into the treed landscape of dappled light and shade, able to transform as a base for temporary installations or projection imagery as an integral rather than incidental characteristic.

▼不同材质、不同高度的立面板，the facade plates at different heights and contrasting materiality ©John Gollings

▼抽象雕塑元素组合，the composition of abstract sculptural elements ©John Gollings

谢珀顿美术馆的颜色和光泽会随着天气与时间的不同而千变万化，但同时它也是强大而谦逊的。每块立面板都是独立的元素，这种形式满足大小窗户的组合，为室内带来必要的视野。可以说，谢珀顿美术馆是一座真正的“大地雕塑”。

SAM is a building whose physical form is surrendered to a shifting play of colour and patina changing with weather and time of day. It is simultaneously powerful and recessive. Each plate is an element in its own right, powerful enough to be eroded with a combination of large punched and smaller perforated openings where outlook, from within, is required. In effect, the building is conceived as ‘land sculpture’.

▼外观夜景，external view by night ©John Gollings

▼鸟瞰夜景，aerial view by night ©John Gollings

Project Details
Date of completion: 18 December 2020
Address: Wyndham Street, Shepparton, Victoria, Australia 3632
Gross floor area: 5,000m2

Project Team
Builder: Kane Construction Pty Ltd
Project Manager: Greater City of Shepparton Council
Structural Engineer: Arup
Civil Consultant: Arup
Acoustic Consultant: Arup
Lighting Consultant: Arup
Services Consultant: Integral Group formerly Umow Lai
ESD Consultant: Integral Group formerly Umow Lai
Façade Consultant: BG&E Facades Pty Ltd
Landscape: Urban Initiatives
Wayfinding: Studio Ongarato,
Access: du Chateau Chun Pty Ltd
Traffic: GTA Consultants
Building Surveyor: Steve Watson & Partners
Photographer: John Gollings

Office Website: https://www.dentoncorkermarshall.com/
Social Media Accounts: Instagram: @dentoncorkermarshall
Contact email: melbourne@dentoncorkermarshall.com

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