感谢 杭州观堂设计 予gooood分享以下内容。更多请至：GTD on gooood
Appreciation towards GTD for providing the following description:

由烂尾楼而来的BAC艺术社区
The BAC Art Community, which originated from unfinished buildings

BAC（Baita Art Community）是一个大型烂尾楼改造项目。它摒弃了传统商业体大拆大建的模式，聚焦于转塘艺术人群的内核，采用低成本、高创意的更新策略，重新定义了社区商业形态，华丽转身成为“艺术赋能商业”的标杆案例。BAC的创新艺术、自然质朴，和山野的理念不谋而合。继之江花园创始店后，BAC店是山野品牌在杭州的第二家店。主理人王飞与观堂设计张健再次携手，将共同的户外爱好更深一步融入这家新店。

▼项目概览，Overall of the project © 黑水

BAC (Baita Art Community) is a large-scale renovation project of unfinished buildings. It has abandoned the traditional model of large-scale demolition and construction of commercial complexes, focused on the core of the art community in Zhuantang area, adopted a low-cost and highly creative renewal strategy, redefined the form of community business, and made a stunning transformation into a benchmark case of “Art Empowering Business”. BAC’s innovative art and natural simplicity are in perfect harmony with the concept of SHANYE Coffee. Following the founding store of Zhijiang Garden, BAC store is the second store of the Shanye brand in Hangzhou. Wang Fei, the owner of the store, and Zhang Jian, the designer director of Guantang, have once again joined hands to further integrate their shared passion for outdoor activities into this new store.

▼山野咖啡在BAC的落位图，The location map of Shan Ye Coffee at BAC © BAC

山野的铺位坐南朝北，北面正对一片小树林，越过树林便是中国美院，视野非常开阔。西面是BAC社区的多功能空间，大台阶的设置为各类演出、分享会提供了自由开放的场所。

SHANYE Coffee faces south and north. To the north lies a small forest. Beyond the forest is the China Academy of Art, with a very wide view. To the west lies the multi-functional space of the BAC community. The setting of the large steps provides a free and open venue for various performances and sharing sessions.

▼山野咖啡，SHANYE Coffee © 黑水

▼室内概览，overall of interior © 黑水

庇护所概念
The Concept of Shelter

多年以来的徒步、登山、露营让我们意识到，在户外、在一望无际的旷野/高原/草甸上，危机无处不在，一座庇护所的存在可以遮风挡雨，抵御外界危险，提供安心与舒适的休憩场所。山野BAC店的设计便从中提取出“庇护所”概念 — 因为自己淋过雨，所以总想替人撑把伞。

Years of hiking, mountain climbing and camping have made us realize that in the outdoors, on the boundless wilderness/plateau/meadow, crises are everywhere. The existence of a shelter can shield us from wind and rain, protect us from external dangers and provide a reassuring and comfortable place to rest. The design of SHANYE Coffee BAC store draws on the concept of “Shelter” – because one has been caught in the rain, they always want to hold an umbrella for others.

▼珠峰东坡徒步路上，一块塑料布、一根树枝、几块石头，便是藏民的庇护所，On the eastern slope of Mount Everest, a plastic sheet, a branch and a few stones serve as the refuge for the Tibetans © 周健

▼夏特古道，在两座大山间的峡谷里有间木屋，路人皆可进入休憩 & 尼泊尔ACT路上的石头小屋，In the canyon between two large mountains, there is a wooden house on the Charte Ancient Road, which is open to passers-by for rest & The stone house on ACT Road in Nepal © 黑水 / 张健

▼即便漏风漏雨，亦或简陋无比，庇护所仍是艰苦旅途中不可多得的心安，Even if it leaks wind and rain or is extremely simple, a shelter is still a rare source of peace during a hard journey © 张健

我们从庇护所的人字屋顶中提炼出斜坡元素，在山野店铺西北两面的顶端插入，屋檐依据功能将立面做到最大限度开放，在BAC的水泥建筑里人为建起一间庇护所。

We extracted the sloping elements from the herb-shaped roof of the shelter and inserted them at the top of the north/west sides of the mountain shop. The eaves made the facade as open as possible according to the function, and a shelter was artificially built in the concrete building of BAC.

▼在建筑的西北两侧插入庇护所屋檐，Insert the eaves of the shelter on the northwest sides of the building © GTD

从心理层面，坐在屋檐下人们更具安全感；从商业角度，延展的屋檐形式让店铺具有了更强的识别度。

Psychologically, people sitting under the eaves feel more secure. From a business perspective, the extended eaves form gives the store a stronger sense of recognition.

▼檐下的木质结构也是建筑美学，The wooden structure under the eaves is also an architectural aesthetic © 山野 /黑水

▼折窗搭配屋檐，模糊了室内外界限，The folding windows combined with the eaves blur the boundaries between the interior and exterior © 黑水

▼将庇护所概念延伸至室内，Extend the concept of the shelter indoors © 黑水

屋檐表层选用紫铜材质，与水泥建筑、木梁结构形成差异化，也希望随着时间的推移，紫铜慢慢氧化变色，历久弥新。

The surface layer of the eaves is made of red copper, which distinguishes it from cement buildings and wooden beam structures. It is also hoped that over time, the red copper will gradually oxidize and change color, remaining as good as new.

▼紫铜材质，随时间慢慢氧化，The red copper material gradually oxidizes over time © 黑水

用质朴打造空间记忆
Create spatial memories with simplicity

对于空间，我们追求质感与自然，追求沉淀与厚度。BAC原建筑以水泥和金属为主材，我们延续了水泥现浇的肌理，结合原有的管道，将顶面、立柱梳理干净，同时选用木、石、皮、纸等天然材质进行碰撞，大多保留其原有的形态纹路，适当控制硬与软、冷与暖之间的比例，打造出置身于山野之中的自然感。

When it comes to space, we pursue texture and nature, as well as sedimentation and depth. The original BAC building was mainly made of cement and metal. We continued the texture of the cast-in-place cement, combined with the original pipes, and cleaned the top surface and columns. At the same time, we selected natural materials such as wood, stone, leather and paper for collision, mostly retaining their original form and texture. We appropriately controlled the proportion between hard and soft, cold and warm, creating a natural feeling as if one were in the mountains and fields.

▼将空间梳理干净，裸顶、墙柱本身即很美，The space is neatly organized. The bare ceiling and the wall columns themselves are very beautiful © 黑水

▼混凝土、木、皮在空间的碰撞，The collision of concrete, wood and leather in space © 黑水

▼风化木台面和木凳面中和了混凝土的刚硬，The weathered wooden countertop and stool surface neutralize the hardness of the concrete © 黑水

▼在硬与软、冷与暖之间达到微妙的平衡，Achieve a delicate balance between hard and soft, cold and warm © 黑水

▼不同材质间的碰撞，The collision between different materials © 黑水 / 张健

梳理完整体空间，继而对细节逐一推敲，目之所及、手之所触，皆有念想。
— 未经打磨的风化木吧台和木门
— 镶嵌于地面、墙面的石块
— 暖黄的皮质吧台灯
— 天然鹅卵石的门把手
— 致敬央迈勇神山的标牌

After sorting out the overall space, we then carefully examined each detail one by one. Everywhere people saw and touched, there was a yearning.
— Unpolished weathered wooden bar counter and wooden doors
— Stones embedded in the ground and walls
— A warm yellow leather desk lamp
— Door handles made of natural pebbles
— A sign in tribute to the sacred mountain of Yangmaiyong

▼致敬神山央迈勇的logo标牌，A logo sign in tribute to Yangmaiyong Mountain © 黑水 / 张健

▼你能想到，“山野咖啡”底部的水泥图形，是在致敬BAC社区附近的狮子山，As you can imagine, the concrete graphic at the bottom of “SHANYE Coffee” pays tribute to Lion Rock Mountain near the BAC community © GTD

在大开大合里探求商业动线
Explore business flow lines in grand and sweeping ways

山野BAC店呈大开大合四方格局，东南两面实墙，西北两面立玻，如何使之形成有效商业动线？我们尝试在西与北的交汇处、用混凝土模拟庇护所搭建一间小屋，一来此处风景优美，可远眺象山，二来为顶部两片屋檐交汇处，顺着顶部由室外自然过渡到室内，引导客人汇聚于此。

SHANYE Coffee BAC store has a spacious and open layout, with solid walls on the south/east side and vertical glass walls on the north/west side. How can it form an effective commercial circulation? We attempted to build a small house at the junction of the west and north, using concrete to simulate a shelter. Firstly, the scenery here is beautiful, offering a distant view of Xiangshan Mountain. Secondly, it serves as the meeting point of the two eaves on the top, naturally transiting from the outside to the inside along the top, guiding guests to gather here.

▼山野咖啡平面布局，Layout plan of SHANYE Coffee © GTD

▼庇护所式入口，Sheltered entrance © 黑水

值得一提的是，在入口的顶部我们特意做了立体内凹处理，既化解了顶点直角的尖锐，也暗合庇护所之上、点亮一盏明灯的寓意。据前逻辑，吧台设立在庇护所入口的延长线上，客人可以最短动线入店点单，也便于店员总揽全局、更好的提供服务。

It is worth mentioning that at the top of the entrance, we deliberately made a three-dimensional concave treatment, which not only mitigates the sharpness of the right Angle at the vertex but also echoes the meaning of lighting a bright lamp above the shelter. According to the previous logic, the bar counter is set up on the extension line of the entrance to the shelter. Guests can enter the store in the shortest route to place orders, and it is also convenient for the staff to have an overall view and provide better service.

▼细部，details © 黑水

▼吧台细部，bar details © 汤汤 / 张健

畑野渡的现场创作
A live creation by Wataru Hatano

畑野渡先生（ Wataru Hatano），和纸艺术家，1995年毕业于多摩美术大学油画系，1997年在京都黑谷学习和纸制作，2015年开始与国内外设计师合作，将和纸用于建筑空间。山野BAC店专程邀请畑野先生为之创作。为了让传统和纸完美融入山野咖啡新空间，畑野先生决定在现场即兴创作，他先用手工将和纸裁剪至最佳比例，再以双层叠压粘贴的方式，打造出带有自然褶皱的台面基底。在创作过程中，畑野先生运用柿染工艺打底，呈现出沉稳的大地色调，随后用陶土颜料在表面勾勒出连绵的山脉轮廓。最终呈现的12米长吧台，犹如一幅群山起伏的画卷被巧妙地融入空间之中。

▼畑野渡先生， Mr. Wataru Hatano © 山野

Mr. Wataru Hatano, a washi artist, graduated from the Oil Painting Department of Tama Art University in 1995. He studied washi making in Kuroya, Kyoto in 1997. Since 2015, he has begun to collaborate with domestic and foreign designers and use washi in architectural Spaces. SHANYE Coffee BAC store specially invited Mr. Wataru Hatano to create for it. In order to perfectly integrate traditional washi into the new space of SHANYE Coffee, Mr. Wataru Hatano decided to create on the spot. He first cut the washi by hand to the best proportion, and then used a double-layer layering and pasting method to create a countertop base with natural wrinkles. During the creative process, Mr. Wataru Hatano used the persimmon dyeing technique as the base to present a steady earth tone, and then sketched the continuous mountain outlines on the surface with clay pigments. The final 12-meter-long bar counter, like a picture of undulating mountains, is ingeniously integrated into the space.

▼畑野渡先生的现场创作视频，A video of Mr. Wataru Hatano’s on-site creation © 山野

畑野先生通过细腻的绘画技法，营造出晕染渐变的柔和视觉效果 — 从深灰过渡到雾白，由清晰渐变为隐约。他以点状颜料描绘出阳光穿透云层洒落山间的云隙光效果，为整个作品赋予了远眺天空般的诗意氛围。

Mr. Wataru Hatano creates a soft visual effect of gradual gradation through his delicate painting techniques – from dark gray to misty white, and from clear to faint. He depicted the effect of sunlight penetrating the clouds and scattering through the mountains with dot-like pigments, endowing the entire work with a poetic atmosphere like gazing at the distant sky.

▼畑野渡先生的落款（姓：畑野ハタノ，名：渡ワタル），Signature of Mr. Wataru Hatano (Hatano ハタノ, Wataru ワタル) © 黑水

艺术融于生活
Art is integrated into life

山野咖啡热爱艺术，传播艺术，继畑野渡先生外，持续引入与各艺术家、品牌的合作。如日本玻璃艺术家荒川尚也，中国皮具艺术家刘江，中国陶艺家王珏良、韩国咖啡品牌Antracite（无烟煤）等。

▼荒川尚，Naoya Arakawa © 山野

SHANYE Coffee is passionate about art and spreads it. Besides Mr. Wataru Hatano, it continuously introduces collaborations with various artists and brands. Such as Japanese glass artist Naoya Arakawa, Chinese leather goods artist Liu Jiang, Chinese ceramic artist Wang Jueliang, and South Korean coffee brand Antracite, etc.

▼荒川尚也的玻璃器皿，Glassware by Naoya Arakawa © 山野

▼刘江的皮灯，Liu Jiang’s leather lamp © 刘江 / 黑水 / 张健

▼王珏良，Wang Jueliang © 山野

▼王珏良的咖啡器皿，Wang Jueliang’s coffee utensils ©山野

山野还自主研发了一款白瓷杯，选用矿物泥和矿物釉，采用景德镇1330度的高温技术，烧制出三种大小不同的规格，用于不同种类的咖啡出品。

SHANYE has also independently developed a white porcelain cup, using mineral clay and mineral glaze. It is fired at a high temperature of 1330 degrees in Jingdezhen to produce three different sizes, which are used for the production of various types of coffee.

▼韩国咖啡品牌 Antracite（无烟煤），Korean coffee brand Antracite © 汤汤 / 张健

包容自在的城市庇护所
An inclusive and carefree urban Shelter

将松弛自在的山系生活带入社区，在现代都市中构建一座属于自己的庇护所，遮风挡雨，交流共享。当城市长出这样的角落，我们便有了不着急回家的理由。

Bring the relaxed and carefree mountain life into the community, build a shelter of your own in the modern city, be away from wind and rain, also share and communicate. When such corners grow in the city, we have a reason not to rush home.

▼山野咖啡，Shanye Coffee © 王飞 / 汤汤

GTD 新作 | 城市中的庇护所 — 山野咖啡 · BAC店
项目名称：山野咖啡 · BAC店
项目面积：150平米
竣工日期：2025年5月
空间设计：杭州观堂室内设计有限公司
标识设计：三三视觉设计
工程施工：杭州大匠工务装饰工程有限公司
和纸制作：畑野渡
标识制作：0sign 零叁标识
灯光照明：一纳夫/弯道制作/见合灯光
家具供应：态度家具
景观绿植：去野 · 二旦植物工作室
主要材料：混凝土、紫铜、老木板、手工艺术漆
空间摄影：黑水

Project Name: SHANYE Coffee · BAC Store
Project area: 150 square meters
Completion date: May 2025
Interior design: Hangzhou Guantang Interior Design Co., LTD
Graphic design: Sansan Visual Design
Construction: Hangzhou Dajiang Decoration Co., LTD
Washi production: Wataru Hatano
Logo production: zero-three logo
Lighting: Enough / Wandao production / JIO lighting
Furniture supply: Taidu Home
Plant layout: Quye·Erdan Plant Workshop
Main materials: concrete, red copper, old wood boards, hand-painted art paint
Space photo: Hei Shui

More：杭州观堂设计 。更多请至：GTD on gooood

项目标签

杭州观堂室内设计

推荐工作 提交新工作所有工作 »

最新工作 提交新工作所有工作 »

发表评论

社交登录

武汉千子山垃圾焚烧发电厂 / UUA建筑师事务所

香港中文大学博物馆扩建 / 严迅奇建筑师事务所

2024 ASLA传播类荣誉奖：社区优先工具包：公平公共空间的框架，北美洲 / Grayscale Collaborative + Urban Institute

最新项目所有项目 »

推荐工作提交新工作所有工作 »

最新工作提交新工作所有工作 »