非常感谢 BIG 予gooood分享以下内容。更多关于他们: BIG on gooood.
Appreciation towards BIG for providing the following description:

2016年，BIG为我们带来了一个兼顾多种 “对立”元素的蛇型长廊：经过严谨计算的自由曲线，量产模块营造的独特雕塑感，在透明与不透明间变换的立面，以及由方形盒子组成的曲面空间。

For the Serpentine Pavilion 2016, we have attempted to design a structure that embodies multiple aspects that are often perceived as opposites: a structure that is free-form yet rigorous, modular yet sculptural, both transparent and opaque, both box and blob.

建筑师从一个最为基本的建筑学元素——砖墙（Brick Wall）来出发，开展这次的设计。玻璃纤维制作的方型框架将其一个个堆叠起来，组成墙体。被拉开的墙体内部形成了蛇型展馆的展示和活动空间。拉开的墙面将线条转化为表面，再把扁平的墙体转化为空间。这个复杂的三维空间可以在内部和外部被探索和体验。建筑的顶部为一条直线，但在底部，却又成为了一个展馆空间，一条通往公园的蜿蜒曲折的道路。

We decided to work with one of the most basic elements of architecture: the brick wall. Rather than clay bricks or stone blocks – the wall is erected from extruded fiberglass frames stacked on top of each other. The wall is pulled apart to form a cavity within it, to house the events of the Pavilion’s programme. The unzipping of the wall turns the line into a surface, transforming the wall into a space. A complex three-dimensional environment is created that can be explored and experienced in a variety of ways: inside and outside. At the top, the wall appears like a straight line, while the bottom of it forms a sheltered valley at the entrance of the Pavilion and an undulating hillside towards the park.

▽ 建筑生成过程，concept diagram

▽ 立面结构示意图，façade structure

通过玻璃纤维框架和移动方块的间隙，这个“被拉开的墙体”创造了一个溶洞般的峡谷空间。同时在行走过程中，方块间隙的移动重叠、廊外人们的驻足和走动，都会给墙内参观者带来一种关于光影的鲜活体验。木地板和立面的玻璃纤维材料让建筑带上了线性的肌理，泛着微微的暖光。

The unzipped wall creates a cave-like canyon lit through the fiberglass frames and the gaps between the shifted boxes as well as through the translucent resin of the fiberglass. As a result, the shifting overlaps as well as the movement and presence of people outside create a lively play of light and shadow on the cave walls within.

The materials include wooden floors and extruded Fiberline profiles, providing every surface with a warm glow and linear texture – from the mesh of woven glass fibers to the undulating lines of the grain of the wood.

▽ 溶洞般的峡谷空间，cave-like canyon

这个由单一元素堆叠而成的建筑在公园里有着强烈的存在感，随着游人的移动和穿梭变幻着它的模样。就立面而言，南北向是完美矩形，东西向则是起伏颇具雕塑感的轮廓。同时从南北向看去，建筑是完全透明，几近消失的。这也正如开始所说，建筑在可见和不可见间变换，直线组成了曲面，结构转化为流畅造型，小方盒堆叠形成了圆滑的空间。

This simple manipulation of the archetypical space-defining garden wall creates a presence in the Park that changes as you move around it and through it. The North-South elevation of the Pavilion is a perfect rectangle. The East-West elevation is an undulating sculptural silhouette. Towards the East-West, the Pavilion is completely opaque and material. Towards the North-South, it is entirely transparent and practically immaterial. As a result, presence becomes absence, orthogonal becomes curvilinear, structure becomes gesture and box becomes blob.

▽ 起伏颇具雕塑感的侧立面，undulating sculptural silhouette of the East-West elevation

▽效果图，illustration

Name: SERPENTINE PAVILION
Code: SERP
Date: 22/02/2016
Program: Culture
Status: Under Construction
Size in m2: 300
Project type: Commission
Client: Serpentine Galleries
Collaborators: AKT II, BIG IDEAS, Dinesen Gulve, Fiberline Composites A/S, SAPA Extrusions Denmark A/S
Location: London, United Kingdom

Partners-in-Charge: Bjarke Ingels, Thomas Christoffersen
Project Leader: Maria Sole Bravo
Team: Aaron Powers, Alice Cladet, Claire Thomas, Daniel Sundlin, Jakob Lange, Kai-Uwe Bergmann, Kristian Hindsberg, Kristoffer Negendahl, Lorenz Krisai, Maria Holst, Maxwell Moriyama, Rune Hansen, Tianze Li, Tore Banke, Wells Barber

Drawings: BIG
English Text: BIG
Chinese Text: gooood

More： BIG ，更多关于他们: BIG on gooood.

Project Specs

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Charge Tray /  Layer x Bitossi Ceramiche

公开招标：“FES Grand Mansion & Sanctuary” （斐仕&逸境）超高层奢华酒店建筑方案设计国际征集公告