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Robata餐厅的设计概念由设计师和业主在设计过程中共同推敲，最终探索出了一个灵感源于1982年的电影《银翼杀手》的概念。设计师借鉴了该电影在著名建筑师弗兰克·莱奥德·赖特 (Frank Llyod Wright) 设计的恩尼斯之家（Ennis House）中拍摄的标志性场景，其中独特的几何形状为餐厅的细节设计带来了灵感。《银翼杀手》中的未来主义与日本传统工艺和细节结合，营造出独特的体验，可满足 120 多位客人的用餐需求。

The client’s brief evolved during the design process, where we collaboratively arrived at a concept inspired by the 1982 film, Blade Runner. Drawing reference from the iconic scenes filmed in Frank Llyod Wright’s ‘Ennis House’, its distinct geometry has informed and inspired the design detailing in the new Robata fitout. A fusion of futuristic Blade Runner references juxtaposed against traditional Japanese craft and detailing to create a unique dining experience that caters for over 120 guests.

▼项目概览，overview of the project ©Directitude

独特的照明设计将食客带到未来的东京街道。蓝色色调的灵感来自 Aizuri-e，一种主要以蓝色印刷的日本木版画。该设计重新畅想了日本传统工艺和材料，并以微介入的方式将其应用于餐厅。由于本项目基址发生过的丑闻（前餐厅Gazi 的欠薪事件），Robata餐厅的装修必须勇于推陈致新，在历史遗址上留下属于自己的印记，进而创造一种真正独特的用餐体验，既能延续日本传统，又能突破桎梏。

A unique approach to lighting transports diners to both the streets of Tokyo and the future. The predominate use of blue pigment is inspired by Aizuri-e (blue printed picture) referencing Japanese woodblock prints that are printed entirely or predominately in blue. The design sought to create subtle references to traditional Japanese craft and materiality in a reimagined way. Given Gazi’s notoriety, the Robata fitout needed to be bold and unapologetic, stamping its own mark on the historic site and in turn creating a truly unique dining experience which both acknowledges Japanese tradition whilst also breaking away.

▼日式风格的餐厅设计，a Japanese style restaurant design ©Directitude

Robata餐厅的设计尽可能减少浪费，以一种新的方式重新利用前餐厅留存的装修，以创造一个全新的概念。我们保留了木制卡座，但将其漆成蓝色和灰色，并在现有瓷砖上涂上新的油漆饰面，以一种可持续和低成本的方式改变了餐厅的色调。本次装修以回收利用为主，尽可能地达到可持续性。

We approached the project with the intention to retain as much of the existing Gazi Fitout as possible to minimize wastage, but still re-invent it in a new way to create a totally new concept. We retained the timber booth seating but stained it in a blue/grey timber stain, as well as applying a new paint finish to the existing tiles which completely transformed the colour palette that was both sustainable and cost effective. Recycling was at the forefront of the Fitout to be as sustainable as possible.

▼酒吧台，the bar ©Directitude

▼开放式餐区，the main open dining area ©Directitude

▼卡座区，the booth area ©Directitude

该设计采用了来自 Kvadrat的亮橙色网状窗帘，令食客联想到日式渔网。窗帘为餐厅提供了灵活性，可以完全开放用餐空间，亦可创建更小尺度的半私人用餐空间以获得更私密和独特的用餐体验。我们希望创建一个完全灵活的用餐空间，让 Robata 餐厅能够适应客人不断变化的用餐需求和私密性。

The design incorporates bright orange mesh curtains from Kvadrat textiles, which are evocative of Japanese fishing nets. ⁠Dually, the curtains provide the flexibility to be able to completely open the dining space up or create smaller semi-private dining spaces for a more intimate and exclusive dining experience. We wanted to create a fully flexible dining space that enable Robata to adapt to the changing needs of their clientele and group sizes, and what level of privacy they required.

▼灵活的窗帘围合出半私密性用餐空间，flexible curtains enclose a semi-private dining space ©Directitude

▼展示柜近景，close shot of the display stand ©Directitude

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