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作为芬兰美食的代表，皇宫大饭店早在1952年就活跃在首都赫尔辛基。饭店所在的现代主义建筑由芬兰设计师 Viljo Revell 和 Keijo Petäjä设计。这栋如远洋船舶的美丽建筑经常被形容为芬兰城市艺术的名片。这栋现代主义风格的建筑经历了一次彻底的改造，这其中就包括了皇宫大饭店的室内装修项目。在历经彻底的翻修工程后，这间位于餐厅第十层的餐厅为来访者展示了其又一风采。现代时尚的内装风格并不是皇宫大饭店所期待的。与之相反，皇宫大饭店想要用一种可以经得起时间的历练的风格，回应对历史和传统的尊重。

The spearhead of Finnish gastronomy, restaurant Palace was first opened in 1952 in tandem with Hotel Palace. Designed by Finnish architects Viljo Revell and Keijo Petäjä, the modernist building, often described as the business card of the Finnish art industry, took the shape of a big ocean ship. The modernist building has undergone a total renovation, including a remodelling of restaurant Palace’s interiors. The restaurant with its impressive festive spaces on the building’s 10th floor has been gifted a new identity built to honour the restaurant’s roots. When restaurant Palace approached us, they didn’t ask for a modern and trendy interior. On the contrary, they asked for something that will withstand time and honour the history and tradition of Palace.

▼拥有遥望波罗的海的美丽景致，view to the Baltic Sea

充满挑战想的工作和众人的期许，激发了设计师的创作斗志，从材料选择，柚木升降电梯，再到用餐区墙壁都是设计师的精心之作。从色彩搭配到定制水推车，每一项细节设计都离不开Note Design Studio与SARC Architects和Skanska的密切合作，以及与业主的充分交流。就连桌椅摆设，也要与各位大厨达成共识。除了室内设计细节的精心考究，与Agency Leroy在陈列的探讨上也为餐厅氛围增色不少，并最终将其打造为精致优雅，温暖舒适的用餐环境。在设计构思上，设计师不仅深刻考虑了餐厅的环境设计，更为其勾画了最贴切的环境符号。对设计师来说，这里不应仅仅是对传统的尊敬和对本土的回应，它还应该拥有其独特的风格。

The complexity of this challenge, as well as the ambition of everyone involved opened up our ability to think about the details, from material choices, the iconic teak veneered elevators and walls to the customer experience. During the construction of palace, Note Design Studio worked closely with SARC Architects and Skanska and had long conversations with the client, discussing everything from colour choices to custom-made trolleys. The dialogue continued with the chefs, who talked about the tone of voice of the table setting. At Palace, every detail has been carefully thought of, not only in the interior design, but also in the collaboration with Agency Leroy on the graphic elements, to ensure that the palette was elegant and sophisticated, yet warm and welcoming. We imagined, not what Palace could be, but what it should be. For us, the space should not only convey a sense and respect for tradition, and highlight the local atmosphere, but also be expressive on its own.

▼色调温暖的内部环境，the warm interior space

▼精致细腻的空间规划，the delicate and smooth interior

▼优雅的色调搭配，the elegant color palette

“我在赫尔辛基度过了大半生，此次与皇宫大饭店合作是我的荣幸。这个从儿时就出现在记忆里的餐厅，有一天我可以亲自为它换上新装。我犹记得我的祖父曾给我讲过这间餐厅和它辉煌的历史。能参与这间餐厅的设计简直就是我梦想中的事。”NOTE Design Studio的室内设计师Degerth说道。

“Having spent most of my life in Helsinki, working with Palace has been a humbling experience. We were given a chance to influence the interior of a space I have known since I was a child. I remember my grandfather speaking about Palace and its grandeur. Being given the change to create the new Palace is far beyond what I ever imagined” / My Degerth, interior architect at NOTE Design Studio.

▼柚木板铺面的电梯，the iconic teak veneered elevator

▼高品质材料，materials in high quality

▼座椅，chairs

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