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ONE DROP BAR，一酌酒吧的所在地——无锡运河外滩，为京杭大运河边的“无锡机床厂”旧址，上世纪民国1912年，荣德生始提自办民族机器制造业的构想，后有1938年荣氏企业的“公益铁工厂”及1948年“开源机器厂”，再至新中国成立后1952年更名为“无锡机床厂”，2007年被列为无锡首批工业遗产保护单位。

ONE DROP BAR, the address, WUXI Canal Bund, is the site where built WUXI Machine Tool Works besides the Great Canal. In the year of 1912, Desheng Rong firstly began to mention the concept of setting up the national machinery manufacturing industry. Then the Rong Family built “Commonweal Iron Works” in 1938 and “KaiYuan Machine Tool Works”in 1948 which changed the name as “WUXI Machine Tool Works”in 1952 after the Republic of China was built. It was listed as the first industrial heritage protection units in Wuxi in 2007.

▼ 酒吧一览，overall view of the Bar

日本知名建筑师隈研吾于近年完成了它的整体建筑改造设计，酒吧位于二层结构跨度的正中央，BANZH ARCHITECT本築对隈研吾“负建筑”的哲学作了充分解读，将门脸的“过道红线”退让、内收至1.2米后，虽牺牲了酒吧约13平米的室内建筑面积，却获得了与室外二层原过道合为一体后形成的约40平米场域空间，并将20世纪60年代较为流行的建筑设计倾向——象征主义（Symbolisn）手法揉入其中，亦呼应着彼时老厂房响应新中国大工业生产的时代背景。

The Well-known Japanese architect Kengo Kuma has completed its overall architectural design in recent years. The bar is located in the middle of the two-level structure. BANZH ARCHITECT fully interprete Kengo Kuma’s “defeated architecture” philosophy，the façade stands back 1.2 meters from the “corridor red line” . Although the bar lose about 13 square meters of indoor construction area, but gain about 40 square meters of field space of the outdoor space. It combines with the popular 1960s architectural design format- ‘Symbolisn’ in response to the new era of China’s large industrial production background.

▼ 入口后退，形成场域空间，entrance sets back to create an outdoor field space

BANZH ARCHITECT本築将东西方人文底蕴合二为一，以古代运输船的木结构船体及运河水、海水的水滴作为象征主义的形态语言，辅以雪茄的轮廓感和调酒师摇晃shake 杯的动态轨迹，最终整合为一粒扁椭圆球体装置雕塑，并赋予通体镜面金属的材质，温和的嵌入带有特殊透光纤维的清水混凝土，白天它有如天外来客，将建筑中庭的土建构造物及各商家门店吸纳入怀，使建筑得以“消隐”的存在，当夜晚华灯初上的时候，混凝土墙面与球体相融的边界便渗透出柔和的椭圆光圈，随客人的远近走动变幻着虚实的微光，并选取试营业期间客人的网络评论作为元素制成纸片状海报，以不同角度竖向固定在外立面木饰面上，与客人形成场域的对话关系，如上演着一出混凝土表面的舞台戏剧，传颂着谦逊和包容八方的空间气质。

BANZH ARCHITECT combine the East and the West humanities background into one. Design employs the ancient transport ship’s wooden structure and canal water, the droplets of sea water as the symbolic language, along with the contours of cigars and dynamic trajectory of bartenders shake the cup. It finally integrated into a flat ellipsoidal sphere device sculpture, with the mirror metal material, gently embedded into the special light fiber translucent concrete. During the day it is like a visitor from the outer, absorbing the the atrium of the civil structure and the business stores into its pregnant, so that the building can be faded into the environment. When the night lights come on every night, the concrete wall and the border of the sphere will penetrate the soft oval aperture. The light changes along with the guests walking path , and collected the comments from the frequent visitors as the element to make the poster and use different angles to mount on the outside wood finish wall. The poster build a bridge between the space and guests, and create a new communication way between the people and the building,like playing a concrete surface stage drama, and it spreads the humble and inclusive space temperament.

▼ 入口处的球体装置，ellipsoidal sphere sculpture at the entrance

▼ 嵌在木饰面上的纸片海报，poster on the wooden surface

来到酒吧室内空间，BANZH ARCHITECT本築依旧让建筑与人发生对话，在混凝土斜梁底部，以光的二次反射洗练出斜梁结构的跨度美，与7.5米长的木质吧台在秩序和纵深感上形成对应关系，并且让完整保留下来的上世纪新中国成立初期的大工业生产遗迹，得以在光环境下焕发新生，从中央拱形门洞来到包间，透过顶面大小不一的镂空造型，仍可见到原始斜梁结构表面在半个世纪前由生产工人书写的红色标语，从建筑漫步的空间体验角度，继续为客人做了情绪的铺陈。酒毕，微醺或未醺，客人们收拾行囊，出门复遇水滴和透光清水模，至建筑中庭又处处可见酒吧室内的红色标语，回望不锈钢椭圆球体如太空穿梭来到这里，则一整晚的品酒享用，似以戏剧收尾。

When people come to the interior space, BANZH ARCHITECT also focus on expanding the communication between people and space.at the bottom of the cant beam, design employ the light second reflectionto show the structure’s space beauty, and form a corresponding relationship with the 7.5 meter long wood bar in the order and sense of depth. It helps to bring new life to the resting old part of the original industrial heritage. From the central arched doorway to the rooms, and look through the top of the hollow shape of different sizes, we can still see the red slogans on the original cant beam structure in the surface which is built half a century ago by the production workers. From the architectural experience , it continues the mood expression for guests. After the wine finishes, a little drunk or not drunk, guests packed up, and they meet the water droplets and transparent concrete again. From the red slogan to the metal sphere like form the outer space, the whole experience like the drama and close its final curtain.

▼ 酒吧空间保留斜梁结构，上有红色标语，original cant beam structure with red slogan in the Bar

▼ 从拱顶后的包间看酒吧，view of the Bar from the rooms behind the arch

▼ 昏暗的空间酝酿出神秘的氛围，dark space providing mysterious atmosphere

▼ 细部，details

▼ 平面图，plan

▼ 剖面图，section

▼ 椭圆形雕塑内外立面图，elevations of the ellipsoidal sphere sculpture

Architectual Design | KENGO KUMA AND ASSOCIATES
Interior Design |BANZH ARCHITECT STUDIO
Creative Design | Ni Zhenhua
Lighting design |Jiang Lei
Performance design | Yin Jun
Installation Art | Shanghai Biju Carving Art Creation, Zhou Yu
Graphic Design| Yang Peng, Jiangsu Normal University
Interior area | 150 sqm
Project Location: Hubin Road, Binhu District, Wuxi City
Design Period | February 2016 – May
Construction Period | June 2016 – September
Photography | ingallery Jin Xiaowen, Conglin
Main material | special transparent fiber concrete, steel, mirror stainless steel, bamboo finishes, pine, old wood flooring, old finish paint
Contact | 86-21-52292808，15950095312

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