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在布鲁日第二届艺术和建筑三年展中，装置“nonLin/Lin”被首次展出于Grootseminarie场馆。该装置作品曾作为中央展品放置在FRAC Collection的建筑展览当中。本次，由Abdelkader Damani策划的“液态建筑”（Liquid Architectures）展览以生动流畅的形式深化了三年展的主题——“液态城市”，同时颠覆了人们对于建筑所持有的稳固且不可改变的印象。

For five months, nonLin/Lin is on display for the first time at the Grootseminarie in Bruges for the city’s second Art and Architecture Triennial. The installation is the centerpiece of an exhibition of other architectural works from the FRAC Collection that have evolved out of the computational turn. Liquid Architectures, curated by Abdelkader Damani, asserts the Triennale theme of Liquid City with lively, fluid-like forms that upend the notion of architecture as rigidly determined and immutable.

▼装置概览，overview

nonLin/Lin曾是为FRAC打造的一个能够融合数字与模拟体验的全新建筑环境。这项诞生于2011年的作品可以看作是网格分割和条带结构的原型，并在过去几年中进一步完善为大尺度的建筑环境结构。尽管它是一种早期的、基于画法几何学定制的数字结构原型，实际上却十分纤薄和轻巧。每个模块仅由1毫米厚的铝带制成，却足以承担人在上面攀爬的重量。

nonLin/Lin was an invited commission by the FRAC Centre to create a new environment that merges digital and analog modes of experience. Produced in 2011, it represents an early prototypical work in Mesh Segmentation and Structural Stripes that has been further refined into large scale constructs and architectural environments over the past years. While this stands as an early proof of concept for our custom computational protocols of descriptive geometry, the environment is impressively thin and light. Each module is made from 1mm thick aluminum stripes, and yet our team was able to crawl on the structure during its assembly.

▼建筑本身的神圣环境衬托出作品的神秘气质，the sanctuary context is well suited to the mystical quality of the installation

今年夏天，nonLin/Lin将在修建于17世纪的西多会修道院的中殿进行布展。展览将基于一个Y形的平面沿着圣所的主要轴线扭转和伸展。建筑本身的神圣环境将完美地衬托出作品的神秘气质。观者在接近该装置时很难确定结构的纵深，而必须要在深入其多孔的肢体之后才能够感知到真实的尺度和深度。接合部分的开口将来自天窗的光线引入装置内部，并投射出重叠的光影。珊瑚状的结构将为观者带来错综复杂的、梦幻般的浮动感受，并使其在不同的结构中收获独一无二的体验。

For the summer, nonLin/Lin will occupy the nave of Bruges’ Grootseminarie, a 17th century Cistercian Abbey. Forming a Y in plan—an initial split—the piece twists and unfurls along the main axis of the sanctuary. The sanctuary context is well suited to the mystical quality of the installation. Upon approach, you can’t quite determine the structure’s depth; you must wander through its thicket of porous branches to understand its scale and depth. Openings between connecting parts filter the light that spills through the clerestory above, alternately projecting shadow and dappled light onto its interior. This intricate experience has the sense of floating through a dreamy coral-like structure, and the derive takes over any sense of recognition of its individual elements.

▼一个融合数字与模拟体验的建筑环境，an environment that merges digital and analog modes of experience

▼珊瑚状的结构将为观者带来错综复杂的、梦幻般的浮动感受，the intricate experience has the sense of floating through a dreamy coral-like structure

一个连续的、光滑的白色铝质表面为错综复杂的结构赋予了统一性。该表面由6367个非线性条带构成。多方向的结构与重组结构共同构成了装置的整体形态，结构网格的各个部分彼此分裂、合并、打开或拉伸成管状。由数千个元件组成的570个结构被预先装置在40个模块单元中。4米高的结构能够根据不同的地点进行拆解和组装，实现了超越材料属性的轻盈特质，从而成为灵活化建筑生产形式的范例。

▼观者要在深入其多孔的肢体之后才能感知到真实的尺度和深度， the visitors must wander through its thicket of porous branches to understand its scale and depth

Sprawling and winding forms within the spatial environment are unified by a continuous surface of glossy white aluminum, made up of 6,367 non-linear stripes. The morphology takes on its multi-directional elements with protocols of recombination, where members within the structural network split, merge, open into apertures, or stretch into tubular limbs. From several thousand individual parts, 570 components are pre-assembled in 40 modular sections. The four metre-high structure can be taken apart and reassembled in different locations, realizing a lightness beyond its material quality and into a paradigm of agile architectural production.

▼连续光滑的白色铝质表面，a continuous surface of glossy white aluminum

▼材料细部，detailed view

Design + Fabrication
MARC FORNES / THEVERYMANY
Photography
NAARO
Client
FRAC Centre-Val de Loire
Triennale Brugge
May 5—September 16, 2018

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MARC FORNES/THEVERYMANY

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