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由慈善基金会Droom en Daad委托，Powerhouse Company事务所很自豪的完成了将鹿特丹的最后一个门诺派教堂改造成Muziekwerf的项目。这是鹿特丹第一个专门为年轻人设计的第一个永久性的音乐排练厅。坐落在熙熙攘攘的Hofplein后面，这座 1951 年建成的朴素的教堂建筑，如今已被改造成一个充满活力的空间，供青年管弦乐队、流行合唱团和其他音乐人才使用。

Powerhouse Company, appointed by the philanthropic foundation Droom en Daad, proudly completes the transformation of Rotterdam’s last Mennonite church into Muziekwerf. It is the first permanent rehearsal and concert venue in the Netherlands dedicated to the youth. Situated behind the bustling Hofplein, this sober 1951 church building has been transformed into a vibrant space for youth orchestras, pop choirs, and other musical talents.

▼项目外观，exterior of the project ©Sebastian van Damme

▼项目外观，exterior of the project ©Sebastian van Damme

▼项目外观，exterior of the project ©Sebastian van Damme

保护遗产，启发未来
Preserving Heritage, Inspiring the Future

Droom en Daad专门致力于保护鹿特丹的文化遗产，委托Powerhouse Company事务所复兴这一战前的宝贵遗产，同时为新一代的年轻音乐家提供一流的设施。始建于1951年，门诺派教堂具有很高的历史意义，Powerhouse Company事务所也秉承这种观念，保留了包括标志性的 1954年的Flentrop管风琴在内的主要特色。这一乐器也为年轻的音乐家及音乐会提供了宝贵的机会。这次重新设计凸显了大量的细节例如照亮前厅的大吊灯，原先的经过粉刷的混凝土盒式天花板仍然是新音乐厅的基础。

Droom en Daad, dedicated to preserving Rotterdam’s cultural heritage, entrusted Powerhouse Company with revitalizing this post-war gem while providing a state-of-the-art facility for future generations of musicians. Built in 1951, the Mennonite church holds historical significance, and Powerhouse Company embraced this by retaining key features, including the iconic 1954 Flentrop organ. This instrument offers unique opportunities for young musicians and concerts. The redesign highlights expressive details like grand chandeliers, which illuminate the former church hall, while the original cassette ceiling in plastered concrete remains the foundation of the new music hall.

▼改造后的音乐大厅，the music hall after renovation ©Sebastian van Damme

▼改造后的音乐大厅，the music hall after renovation ©Sebastian van Damme

“ 我们的目标旨在于将这一气势恢宏的混凝土教堂改造成适应新功能的开放舒适的场所，让这一战前的宝贵遗产重新绽放光芒。”

——Nanne de Ru，Powerhouse Company事务所创始人

“Our goal was to transform this imposing concrete structure into an inviting and comfortable space for its new users, making this post-war gem shine again.”

– Nanne de Ru, Founder, Powerhouse Company.

▼开放舒适的场所，inviting and comfortable space ©Sebastian van Damme

循环式设计介入
Circular Design Interventions

Powerhouse Company事务所在改造中采用了一种循环式手法，关注于持续性和负责任的维护措施。旧教堂的长椅被改造成了前厅的座位区域和展板，教堂大厅的石板地砖则被重新用于入口和底板。建筑师没有替换掉木质的窗框，而是小心的修复了这一建筑遗产。

Powerhouse Company adopted a circular approach in the transformation, focused on sustainable and responsible preservation. Original church pews have been transformed into seating and paneling in the foyer, while slate floor tiles from the church hall were repurposed for the entrance and baseboards. Instead of replacing the wooden window frames, they were carefully restored to maintain the building’s heritage.

▼循环利用的材料，recycled material ©Sebastian van Damme

对于客户和设计团队而言，可持续性的材料都是优先考虑的关注点。可回收的PET瓶被用来制作彩色的椅子，现存的胶木门的五金和灯都被修复。新的ton-sur-ton (法语：color on color or hue on hue）瓷砖和旧瓷砖相得益彰，同时对气候有积极效益的marmoleum地板和可回收PVC屋面也为建筑增添了环境友好的特征。

Sustainable materials were a shared priority between the client and the design team. Recycled PET bottles were used in making the colorful chairs, and original Bakelite door hardware and lamps were restored. New ton-sur-ton tiles complement the restored original tiling, while climate-positive marmoleum flooring and recyclable PVC roofing add further eco-friendly features to the building.

▼被修复的吊灯，lamps were restored ©Sebastian van Damme

▼被修复的瓷砖细节，restored tile detail ©Sebastian van Damme

创新设计，开放空间
Innovative design for an inviting space

Muziekwerf的每个空间都是定制设计的，没有相同的两个空间。这就需要采取针对性的措施，包括采取前沿的声学措施来处理混凝土结构内的噪音。设计成果完美融合了新旧部分，温和的色调和原材料的质感体现出建筑的悠久历史。灰泥中的图案、混凝土窗框和旧瓷砖等元素与上世纪 50 年代的风格相融合，创造出一个过去与现在交汇的空间。

Each space within Muziekwerf was custom-designed, as no two rooms are the same. This required a tailored approach, including advanced acoustic solutions to manage noise within the concrete structure. The result is a harmonious blend of old and new, with soft color palettes and raw concrete textures revealing the building’s layered history. Elements like clouds in plaster, concrete window frames, and original tiles blend with 1950s-inspired touches, creating a space where past and present meet.

▼改造后的乐器排练室，rehearsal room after renovation ©Sebastian van Damme

为了优化室内的舒适度，在音乐室内安装了地暖，这样就避免在窗户前安装暖气片，并与室外之间相连。在大空间内的吊顶天花板使混凝土桁架清晰可见。新音乐厅，排练室和钢琴室的温和色调是对建筑的历史特质的一种现代且尊重的致敬。

▼混凝土桁架，concrete trusses ©Sebastian van Damme

To enhance comfort, underfloor heating was installed in the music studios, eliminating the need for radiators in front of the windows and providing a connection to the outdoors. Ceiling radiant panels in larger spaces kept the concrete trusses visible, while a restrained color palette in the new music hall, rehearsal studios, and piano studio ensures a modern but respectful homage to the building’s historical essence.

▼安装有地暖的音乐教室，underfloor heating was installed in the music studios ©Sebastian van Damme

▼音乐教室上方的吸音板，sound-scattering panel in the music studio ©Sebastian van Damme

通过采用蓝色的天鹅绒窗帘和烟台上的反射玻璃，最大限度的利用了自然光，照亮了这一战后建筑的上层部分。浅色的橡木地板和吸音板创造了一个温暖开放的空间，巧妙地指向曾经摆满音乐厅的教堂长椅。

Natural light is maximized with the use of blue velvet curtains and light-mirroring glass on the balcony, illuminating the upper portions of the post-war structure. Light oak floors and sound-scattering panels create a warm, inviting space, subtly nodding to the church benches that once filled the music hall.

▼温暖开放的空间，a warm, inviting space ©Sebastian van Damme

“我们的设计旨在提供一个清新自然的室内装饰，创造一个舒适且给予人灵感的环境。当音乐充斥整个空间，Muziekwerf重获新生。”

——Franca Houg，Powerhouse Company事务所建筑师

“Our design ensures a clear and fresh interior that creates a comfortable and inspiring environment. As music fills the air, Muziekwerf truly comes to life.”

– Franca Houg, Architect, Powerhouse Company.

▼舒适且给予人灵感的环境，comfortable and inspiring environment ©Sebastian van Damme

▼舒适且给予人灵感的环境，comfortable and inspiring environment ©Sebastian van Damme

文化空间
A Space for Culture

坐落于高层建筑之间且紧邻一条宁静的水道，Muziekwerf成为喧嚣的城市中心的一处静谧之地。曾经的隐秘教堂现在向城市打开。新的前厅入口设计受水景的倒影的启发，起伏的天花板采用了反光材料。这一中间结构——项目中唯一的新建筑——与原有结构完美融合，通向一个温馨的门厅、办公室和音乐室。教堂的长椅被重新利用，重新引入了大窗户，与周围的公共广场之间建立了更紧密的联系，并且邀请游客们进入。

Nestled amidst tall buildings and adjacent to a tranquil waterway, Muziekwerf offers a retreat from the bustling city center. Once a hidden, clandestine church, the building has now opened up to the urban environment. The new front entrance, inspired by water reflections, features an undulating ceiling of reflective material. This intermediate structure—the project’s only new construction–seamlessly integrates with the original structure leading to a welcoming foyer, offices, and music studios. The church benches were repurposed, and larger windows were introduced, creating a stronger connection to the surrounding public square and inviting the outside in.

▼新的前厅入口设计，the new front entrance ©Sebastian van Damme

▼受水中倒影的启发，inspired by water reflections ©Sebastian van Damme

数十年以来，教堂一直不为人所熟知。Powerhouse Company事务所和Droom en Daad慈善基金会很自豪可以为鹿特丹的年轻一代提供这一文化中心。这一转变展现了如何将遗产和现代设计相结合，来提高下一代音乐家们的创造力。

For decades, the church building was hidden from the public. Powerhouse Company and Droom en Daad are proud to reveal Muziekwerf as a cultural center for Rotterdam’s youth. This transformation demonstrates how heritage and contemporary design can unite to foster creativity in the next generation of musicians.

▼为新一代服务的文化中心，culture center for the new generation ©Sebastian van Damme

▼为新一代服务的文化中心，culture center for the new generation ©Sebastian van Damme

“我们很自豪Muziekwerf为年轻的音乐家们提供一个充满灵感的场所来发挥他们的天赋。和Powerhouse Company事务所一起，我们成功的保护了这一建筑遗产，并创造一处创新多元的环境。”

——Roswitha Abraham，Muziekwerf负责人

“We’re proud that Muziekwerf provides young musicians with an inspiring space to develop their talents. Together with Powerhouse Company, we succeeded in preserving the building’s heritage and creating a place where creativity and diversity flourish.”

– Roswitha Abraham, Director Muziekwerf, Stichting Droom en Daad.

▼一层平面图，ground floor plan ©Powerhouse Company

▼二层平面图，first floor plan ©Powerhouse Company

▼剖面图，section ©Powerhouse Company

Project title: Muziekwerf
Architect: Powerhouse Company
Client: Droom en Daad
Time Span: 2021 – 2024
Size: 930 m²
Location: Rotterdam, the Netherlands
Typology: Cultural, Public Spaces, Transformations
Design team: Nanne de Ru (Partner in Charge), Janneke van der Velden, Franca Houg, Maxime Meessen, Dion van Dartel, Mitja Kuret, Iván Guerrero, Xavier Silva, Eleni Antoniadou, Daphne Delissen, Justyna Kruk, Nick Huizenga, Antonia Pohankova, Romano van den Dool, Erwin van Strien

Collaboration
Contractor: Nico de Bont
Structural engineer: BREED Integrated Design
Climate and Building physics: Wolf Dikken adviseurs
Fire safety and Electrical engineering: Royal HaskoningDHV
Building management: 4Building
Cost consultant: SkaaL
Light design: Beersnielsen
Sound and vibration insulation: Delta-L
Photography: Sebastian van Damme, Rotterdam City Archive

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