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现居伦敦的智利艺术家Livia Marin有两个系列的作品：Broken Things和Nomad Patterns。破碎的精美餐具仿佛在融化，淌下来的部分把表面花纹诗意的保存。艺术家对日常生活，日以继夜的重复进行反思。当今的消费文化存在大量的浪费和丢弃习惯，而这些珍贵独一无二的艺术品旨在告诉我们那些大批量生产的商品也是我们物质文化的一部分，当我们长年累月的使用它们与他们建立联系，他们并非那么普通化。

In Nomad Patterns, London-based Chilean artist Livia Marin offers a reflection on the relationship we develop with the day-to-day objects that populate our everyday lives. This relationship develops through the care and attachment with which we treat those often-unacknowledged objects that meet our daily needs. In a culture increasingly dominated by habits of consuming and discarding, Nomad Patterns interrogates the boundary between the attention given to precious, elite objects and the care, or lack of it, afforded to the banal or utilitarian object, often more intimate to our own daily lives. In this exhibition Marin introduces elements that are distinctive to ceramics, especially the element of decoration that gives the object its singular look and value. She transforms readymade crockery and alters the placing and scale of their decorative patterns to present a series of undetermined objects that appear paradoxically as broken yet complete. Marin’s practice has been characterized throughout by the appropriation of mass-produced and mass-consumed objects, then turned into precious and unique objects of art. This exhibition tells us something about mass-produced objects as part of our material culture and about the singularity they achieve through use and human agency over time.

Caption:
Broken Things, 2009 and Nomad Patterns, 2012
Ceramic, resin, plaster, transfer-print
Photograph: Sachiyo Nishimura

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