感谢 FAHR 021.3 予gooood分享以下内容。更多关于他们：FAHR 021.3 on gooood。Appreciation towards FAHR 021.3 for providing the following description:

过去几年中，马德里的Nave 17已邀请不同艺术家和建筑师参与其中，与作为旧屠宰场的历史建筑展开了对话。近期，FAHR 021.3的作品La Hoja在此展出，将原为公共空间和街道打造的短期装置拓展至更大维度。这是一个构想中的开放实验，一个没有限制的活动舞台。

Over the course of the last few years, Intermediae’s Nave 17 has been a space in which different artists and architects have been invited to participate. In dialogue with the architecture in which it is contained, the historic building of the old Legazpi Slaughterhouse, FAHR 021.3.now presents this new piece, La Hoja. The prototype of this piece was originally designed for the public space, for the street, and was only intended to be temporary. Now, however, the intervention has taken on a greater dimension and is envisaged as an open experiment, an activity with no instructions for use in the context of the creation centre.

▼室内空间概览，overview of the installation ©Josema Cutillas

La hoja是一个包容、非生产性的美丽空间，它由所有人共享，成为凝聚集体的纽带。在这里，人们可以消磨时间、进行创作，在短暂的体验后写出属于自己的小故事。装置线条简洁，构成了非标准化的留白空间，展示着光线与生态材料。

La hoja is one of those inclusive and non-productive spaces of calm and beauty that enhance the collective and relationships, that are part of what is common to all of us. It is a place where you can spend time, where you can programme, where everyone can write their own little story through an experience, no matter how short it is. The simplicity of the lines, the almost-empty, the light and ecological, the non-standardised.

▼历史建筑中的装置，installation in historical building ©Josema Cutillas

▼共享空间，sharing space ©Josema Cutlass

构想中，装置可作为一个空间工作室，满足多样化的公众需求，创造丰富自由的使用体验。装置张开双手迎接人们，寻求惊喜、欢迎创造。平面沐浴在灯光中，不同事物在此共同行动，和平共存。

It is a space-workshop, conceived for a diverse and heterogeneous public, whose design is completed through experiences and diverse and free uses. In search of surprise, welcome, with the gesture of an open hand. Open to action and the coexistence of the many different kinds of things that take place on this illuminated plane, in this place.

▼平面沐浴在灯光中，the illuminated plane ©Josema Cutlass

▼不同观看视角，different views ©Josema Cutlass

▼人与装置的互动，interaction with visitors ©Josema Cutlass

当今，令人视觉疲劳的场景在城市中蔓延，逐渐侵入建筑与设计、艺术与建筑、城市规划与行动主义间的缝隙中。行动、试点、排练与原型都止步不前，无法发展成更有意义的体验。

We are currently witnessing a certain scenario of exhaustion in terms of the kind of activities that are situated in the interstitial spaces between architecture and design, between art and architecture, urban planning and activism: actions, pilots, rehearsals, prototypes. For one reason or another, the prototypes do not develop into more meaningful experiences.

▼折叠的平面，the folded plane ©Josema Cutlass

现状的惯性难以突破，人们怀着对艺术的抱负和使命，却尚未达成共识来巩固新思想的概念、方法与美学。事实上，在传统和既定的观念中，这些创造活动与“舞台布景”异曲同工，艺术表现主义牢牢植根于人们的思想中。

The structures on which they are intended to act are weighty, and the inertia is enormous, leaving them unaffected. A new look at the ambition and vocation of art has not yet found sufficient consensus to consolidate its basic concepts, methodologies and aesthetics. Or so it would seem. From the conventional and established, these activities are read as scenographies. Seen from this perspective, the idea of representation in art remains intact.

▼装置与柱的交接，installation and the columns ©Josema Cutlass

这次，艺术家试图以另一种方式再现这个过程。装置La hoja表达了对公共空间作为聚会场所的积极思考。文化空间作为一个未完成、未定论、未完全确定的地方，总是由“缺席”定义，等待着人们的参与赋予其新的意义。La hoja如一个开放的凹形剧院，以放松有趣的嬉戏活动为纽带，将人们联系在一起。

Fair enough. Let’s do it again and in another way. La hoja is all about insisting on the possibility of thinking stubbornly but sensitively about the public space as a place in which to meet. A space of culture as a place that is not finished, not conclusive, not entirely determined, in which someone, something, is always missing. And on this occasion, to stage the opening, to become a gap into which others can fit. A concave theatre. In the irrelevance of the playful or in the time of the irrelevant, something happens that links and connects us.

▼细部，details ©Josema Cutlass

La Hoja . FAHR 021.3
Project information
Author FAHR 021.3
Curator Javier Peña Ibáñez
Text Casilda Cabrerizo
Production Gerardo Gorris
Light design Carlos Alzueta Bengoetxea
Photography Josema Cutillas
Engineering Civilspot
Collaboration Garnica Plywood
Local Intermediae, Matadero, Madrid

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