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Appreciation towards M2 Senos Arquitectos for providing the following description:

葡萄牙大西洋海岸的Costa Nova do Prado以其“palheiros”而闻名，这些色彩斑斓的条纹小屋源自早期渔业仓储建筑，经过数代演变，逐渐成为令人喜爱的度假屋，吸引着无数幸运的游客驻足。

Costa Nova do Prado, the Atlantic Portuguese beach, is famous for its “palheiros”, descendants of old storage buildings supporting fishing activities, which, over generations, became colorful striped houses, much to the delight of holidaymakers lucky enough to pass through.

▼鸟瞰，aerial view © Ivo Tavares Studio

这些木结构的原型建筑，以其谷仓般的外形和鲜艳的色彩而著称，几乎掩盖了另一种传统类型的存在。这种被忽视的类型源自地方乡土建筑，位于palheiro与gandaresan民居（当地一种乡村住宅）之间。这类房屋通常为度假用途，以泥砖（有时含有细小贝壳的沙砖）建造，形式较为常见，立面平整简洁，虽略有装饰，但整体朴素，屋顶与屋檐则是最突出的视觉元素。

▼原状，original state © M2.senos arquitectos

These wooden archetypes, with their barn-like shape and bright colors, tend, by the nature of things, to overshadow the existence of another traditional typology, which descends from vernacular architecture situated between the palheiro and the gandaresan house (a rural house of the region). These constructions, however, clearly stand as vacation homes, usually built in adobe (sand bricks that may contain small seashells), with relatively common typologies, but with “flush” facades, adorned with some decorative elements, though modest, where the roofs and eaves take the lead.

▼建筑外观，exterior view of the building © Ivo Tavares Studio

▼入口，entrance © Ivo Tavares Studio

屋主为原屋主的孙辈，是这一地区发展变迁的见证者，也是这片已破败不堪遗址的继承人。他们希望在此建立一座永久居所。新宅位于“Rua do Meio”街角，地处海与泻湖之间，虽无法直观见水，却能感受到其存在。房屋拥有四个立面，屋顶呈四坡形式，并设有四个老虎窗，使建筑形式更为复杂，强调对称与等价的构图。

The grandchildren, witnesses to the timeline of the place and heirs of that dilapidated ruin, wanted to establish their permanent home there. Located at the corner of the “Rua do Meio” (between the ria and the sea), where the elements of water are not visible but are intuited, the house presents four façades, a roof with four sections, punctuated by four mansard windows, which give it formal complexity accentuated by symmetry and equivalence games.

▼客厅，living room© Ivo Tavares Studio

▼餐厅，dining hall © Ivo Tavares Studio

西侧与北侧立面朝向街道，是主要的公共面；而东侧与南侧则面向两条狭窄的巷道，这是该地区常见的空间特征。其中东侧小巷为多户共用通道，南侧则为住宅唯一的私密户外空间——一条1.5米宽的走廊。

Two of its façades, to the west and north, face the public space, while the east and south façades turn towards alleys (a characteristic feature of the area). The alley to the east is shared for access to several houses. The alley to the south constitutes the only private exterior space of the house, a corridor 1.5 meters wide.

▼厨房，kitchen © Ivo Tavares Studio

▼由餐厅看厨房，viewing the kitchen from the dining area © Ivo Tavares Studio

▼餐桌，dining table © Ivo Tavares Studio

住宅入口直接面向街道，因此特别设置了一个小玄关，用以延迟进入客厅的动线，同时组织起起居与餐厅空间，并与厨房相连，厨房亦有通向街道的出入口。一层还设有一个带卫浴套间，横跨整个建筑宽度，并享有面向外部空间的景观。

The entrance to the house is directly from the street, and for that reason, a small interior hall was created, which delays the living room and organizes the living and dining spaces, continuing into the kitchen, which connects to the street. Also on the ground floor, a suite with a bathroom occupies the entire width of the house, also enjoying the exterior space.

▼由餐厅看客厅，viewing the living room from the dining area © Ivo Tavares Studio

▼书桌，study © Ivo Tavares Studio

楼梯下方布置了两个极其关键却不显眼的功能空间：一个小型卫生间，以及一个技术/洗衣间，可从外部进入。

Under the stairs, two spaces of maximum importance for daily living and minimal presence: a small bathroom and a technical/laundry area, with access from the exterior.

▼露台，terrace © Ivo Tavares Studio

▼一层卧室，ground floor bedroom © Ivo Tavares Studio

阁楼层设有两个卧室和一个浴室，屋顶不同方向的坡面被木梁突出强调。每个房间均配有一扇老虎窗，分别朝向不同的方位。

In the loft, the two bedrooms and the bathroom take advantage of the different roof sections, highlighted by wooden beams. All rooms have a pilot window, each facing a different quadrant.

▼阁楼，loft © Ivo Tavares Studio

▼卧室入口，entrance of the bedroom © Ivo Tavares Studio

▼儿童房，children‘s room © Ivo Tavares Studio

▼浴室，bathroom © Ivo Tavares Studio

建筑的外立面大多保留原貌，包括点缀窗洞的几何装饰元素、泥砖墙、木制上悬窗、瓦屋顶及屋檐等，整体呈现出对原始住宅的忠实修复意图。墙体刷白，饰以黄色描边，绿漆木窗则延续了传统配色。

The exteriors were largely preserved, including the decorative geometric elements that punctuate the openings, the adobe walls, the wooden sash windows, the tiled roof, and the eaves, maintaining the intention to restore the original house, with the white color of the walls, yellow trim, and green lacquered wooden windows.

▼夜景，night view © Ivo Tavares Studio

然而，在施工过程中，材料的真实质感逐渐显现，尤其是泥砖与木材意外地成为视觉焦点。最终决定顺其自然，将这些原材料保留下来。因此，项目在完成时呈现出一种“质朴的原始感”，以土色为基调，使房屋在抽象与具象之间达成了一种新的平衡。

However, during the construction process, the materials and their nature began to reveal themselves. The adobe and wood, in particular, gained unexpected prominence, leading to the decision that the best course of action was to leave them as they were. Thus, a certain rawness of materials was chosen, synthesized in the earth-tone color of the house, making it simultaneously more abstract, yet more objective.

▼顶视图，top view © Ivo Tavares Studio

▼场地平面图，site plan © M2.senos arquitectos

▼一层平面图，ground floor plan © M2.senos arquitectos

▼二层平面图，upper floor plan © M2.senos arquitectos

▼立面图，elevations © M2.senos arquitectos

▼剖面图，sections © M2.senos arquitectos

▼细部节点，construction details © M2.senos arquitectos

Project name: Casa Clara . House Clara
Architecture Office: M2.senos – arquitectos
Main Architect: Ricardo Senos e Sofia Senos
Collaboration:
Website: https://www.m2senos.com/
E-mail: m2.senos@gmail.com
Facebook: https://www.facebook.com/m2senos/
Instagram: https://www.instagram.com/m2.senos/
Location: Costa Nova – Portugal
Year of conclusion : 2024
Total area: 176m2
Builder: Pavinatur Pavimentos Lda.
Engineering: Pedro Festas
Architectural photographer: Ivo Tavares Studio
Website : https://www.ivotavares.net/
Facebook: https://www.facebook.com/ivotavaresstudio/
Instagram: https://www.instagram.com/ivotavaresstudio/

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