非常感谢 Makoto Yamaguchi Design Inc. 将项目介绍和项目图片授权gooood发行。更多请至：Makoto Yamaguchi Design Inc. on gooood
Appreciation towards Makoto Yamaguchi Design Inc. for providing the following description:

这座传统的日式旅馆位于东京远郊的度假胜地汤河原地区。环绕的山川、河流以及美好而让人心生敬畏的传统工艺文化启发了建筑师，他们将肌理丰富的自然材料与极具代表性的日本传统技艺、图案结合在一起，创造了既完整一致又层次丰富，既对比鲜明又融洽和谐的新空间。

In converting this Ryokan (traditional Japanese Inn), in the mountainous holiday retreat area of Yugawara, outside Tokyo, we were inspired by the beautiful surrounding landscape of forest and rivers, and the esteemed traditions of Japanese crafts. We sought to combine richly textured natural materials with traditional Japanese crafts and patterning, to create a fusion and layering of these two elements, and form a beautiful contrast.

▽ 自然环抱中的日式旅馆，Ryokan with a beautiful surrounding landscape of forest and rivers

包括入口大厅，座椅区，餐厅以及甜点吧台在内的建筑一层空间经过了全面的修整。建筑师移除了多余的墙壁，将原本分裂的室内空间转化为一系列仅以不同材料和空间营造手段划分的连续空间。著名的日本传统织物图案Asanoha 成为最主要的图形元素，反复出现在不同的角落，串联起整个空间序列。而从交叠的大麻叶丛抽象化而来的图案也带有一丝自然的气息，与旅馆之外的美丽风景相得益彰。

The brief called for a complete renovation of the Ryokan’s first floor spaces, including entrance lobby, seating area, restaurant space, and dessert bar. To start, we removed much of the internal walls, to redefine the space as a series of zones, characterized by their use of different materials and crafts. We decided on using the famous Japanese Asanoha pattern as a recurring motif throughout the different spaces. As a geometric representation of overlapping hemp leaves, we felt this nature inspired pattern would sit comfortably in front of the beautiful surrounding landscape.

▽ 景观与建筑的交融，building and the landscape

▽ 反复出现在不同的角落的日本传统织物图案Asanoha， Japanese Asanoha pattern as a recurring motif

凹凸不平的自然面石材覆盖了空间入口处的地面和右侧的墙壁，同样以石材制成的接待前台静静立于空间的末端。无论是行走时地面带来的起伏感，抑或触碰前台时的粗糙手感，触觉将人与自然紧紧地联系在一起。而与之相对，一系列运用了传统雕版印刷Karakami的面板立于柜台之后，印在墙纸上的淡金色细腻纹理与厚重粗犷岩石的反差强烈却和谐。辅助性的灯光照明系统让空间的重点更为突出，起伏的纹理在岩面上投下或深或浅的阴影，而金色的纹理也随着灯光角度的变化而变幻着色彩。

As you enter the Inn, rugged and rough-cut stone covers the floor, right-side wall, and a specialty built reception counter. We wanted to emphasize this connection to natural elements through touch: feeling the rough stone underfoot, and with your hands as you wait at the reception counter. To contrast this rough and heavy material, we placed a series of wallpapered panels on the wall behind the counter. By using a traditional wood block printing technique called Karakami, we stamped a soft and delicate golden Asanoha pattern on the wallpaper. The lighting system was then carefully positioned to highlight the features of the space: the rough texture of the stone paneling is revealed, and the soft flecked-gold paint of the wallpaper changes color depending on the angle of view.

▽ 凹凸不平的自然面石材覆盖了空间入口处, rugged and rough-cut stone covers the floor and the right-side wall

▽ 淡金色细腻纹理与厚重粗犷岩石的反差强烈却和谐, wallpapered panels contrast with the rough and heavy material

同样，Asanoha图案出现在餐厅，成为了其入口处的标志。传统工艺Kumiko-Zaiku无需任何金属拼接元件，便将一根根纤细的木条组装拼接，形成了一扇巨大的屏风。而在门外，长条形的镂雕面板镶嵌在深棕色的核桃木面板之上，自后侧映照的灯光凸显了镂空的肌理，带来丰富的空间层次。

We reintroduced this Asanoha pattern as a marker to the entrance of the restaurant. This time we utilized the technique of Kumiko-Zaiku, where thin and delicate pieces of wood are assembled into a large wood screen, without the use of nails. We used a long thin strip of Kumiko panel, set into a wall of dark walnut paneling, and lit from behind.

▽ 餐厅入口处的Asanoha图案，Asanoha pattern as a marker to the entrance of the restaurant

通高的Kumiko与玻璃面板组合而成的屏风成为了等候区与用餐区间的一道半通透的屏障。错落的隔栅之间，安静的用餐区域和窗外茂盛的绿意仿佛彼此交融，化作了一体。在顶部，长形的条灯投下柔和的光线，光与影交织在一起，创造了万千的变化。

As you enter the restaurant, a full height Kumiko panel sits behind a glass wall, acting as a space divider between the waiting room, and the dining space. The choice of glass wall allows both the dining space and the lush green forest outside to be seen in a layered effect. Lit from above by strip lighting, the Kumiko panel softly glows in the evening, where a play of light and shadow gives the panel depth and intrigue.

▽ 等候区看向餐厅，安静的用餐区域和窗外茂盛的绿意仿佛彼此交融， view from the waiting area to the dining space

▽ 餐厅看向等候区，光与影交织在一起，创造了万千的变化，view from the dinning space to the waiting area

透明的网帘轻盈而通透，将餐厅划分为若干个独立的小空间。平整的暗棕色地砖细致的拼接在一起，与入口自然面的粗犷风格形成极富趣味性的对比，也点明了各个空间的区别。一个个点状光源将光线约束在餐桌附近，把最重要的舞台留给了精致的Kumiko屏风以及悄悄渗透进来的蓝绿色彩。核桃木打造的定制家具和木工细活让空间显得统一而整体，暗沉的色调也与餐厅灯光所营造的朦胧暧昧氛围十分相衬。

Translucent hanging curtains gently divide the large restaurant space. Dark brown stone tiles make a contrast to the rough cut stone of the entrance area, and emphasize the different atmosphere of the spaces. Minimal down lighting illuminates just the restaurant tables, but keeps the focus of the space on the gorgeous Kumiko panel, and the views to the forest and river outside. Custom designed furniture and joinery are made from rich walnut. The dark wood was chosen to compliment the dimly lit atmosphere of the spaces.

▽ 透明的网帘轻盈而通透，将餐厅划分为若干个独立的小空间, translucent hanging curtains gently divide the large restaurant space

▽ 平面图，plan

Drawings: Makoto Yamaguchi Design Inc.
English Text: Makoto Yamaguchi Design Inc.
Chinese Text: gooood

MORE: Makoto Yamaguchi Design Inc. 更多请至：Makoto Yamaguchi Design Inc. on gooood

Project Specs

Makoto Yamaguchi Design Inc.

Recommended Jobs Submit a JobAll Jobs »

Latest Jobs Submit a JobAll Jobs »

Post a Comment

Social Login

gooood Idea NO.40

City of Ryde Civic Center / Preliminary Research Office

2024 ASLA ANALYSIS AND PLANNING AWARD OF HONOR: A Cultural Approach: The Fort Peck Tribes Hazard Mitigation Plan by Spackman Mossop Michaels

Latest ProjectsAll Projects »

Recommended Jobs Submit a Job All Jobs »

Latest Jobs Submit a Job All Jobs »