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由景观事务所Nomad Studio所设计的“绿色空气”装置作品正于圣路易斯现代艺术博物馆中展出，悬挂于空中的花园充满了生命力与动感，在地面投下不断变化的交织阴影，营造出一个极富感染力的空间。

Conceived as a living, kinetic sculpture nested within the courtyard of the Contemporary Art Museum of Saint Louis, Green Air proposes an immersive space, a hanging garden that floats above a tapestry of ever changing shadows.

© David Johnson

© David Johnson

“绿色空气”是始于2015年的一组实验性作品的第二阶段作品，其上部“绿色虚物”是一个以数千绿植组成的大毯子，象征着人们对于生活中不愿直视真相的粉饰。第一组装置于去年秋季被小心的拆除重组成为了这组“绿色空气”，两组装置在形式、材料上隔着时空遥相呼应，为穿行的参观者带来连续的空间体验。

Green Air is the second act of a broad exploration that started in 2015 with Green Varnish, a monumental green fabric composed of thousands of succulent plants that symbolically covered all the inconvenient facts of our lifestyle. The installation was carefully deconstructed last fall and its components were reutilized to build Green Air, creating a continuity and dialogue between the two pieces and the people who experience them.

▽ “绿色空气”在形式、材料上与“绿色虚物”隔着时空遥相呼应，a continuity and dialogue between the two pieces

© David Johnson

© David Johnson

© David Johnson

© David Johnson

▽去年展出的“绿色虚物”，the installation Green Varnish in the exhibition last year (更多请点击/ MORE：Green Varnish by Nomad Studio)

© David Johnson

新作品在空间形式及设计意图上与“绿色虚物”有着巨大的差异性。锚于地面的实体被替换为悬浮于空中、充满着流动感的分散体量；曾经被掩盖的结构于空间如今暴露在人们的面前，在空中似动非动，仿佛呼唤着人们去思考自然与人造系统中静态与动态的对比与反差。

For the second act, the space was modeled as the inverse of Green Varnish, both in form and intention. What was a solid piece anchored to the ground plane, is now a dispersed fluid volume suspended from an elevated plane. What was hidden is now exposed, hovering overhead, inviting us for an urgent reflection upon the contrast between the dynamic and static in natural and man-made systems.

▽ 悬浮于空中、充满着流动感的分散体量，a dispersed fluid volume suspended from an elevated plane

© David Johnson

© Sarah Rothberg

© David Johnson

数以千计的铁兰倒挂在悬于铁制顶棚的回收木条之上，如同超生物体般摇摆起伏，“绿色空气”营造出一个层次丰富却又井然有序的空间。这个装置给位于博物馆心脏地带的中庭带来了极富感染力的巨大变化，雕塑般的空中花园在参观者的上方随着微风轻轻摇摆，在地面上留下了细密而交错的阴影。

Green Air is a space in and of itself, a systematic yet delicate arrangement of Tillandsias, hanging from thousands of slices of repurposed wood, suspended from the courtyard’s steel canopy, moving as a supraorganism. The installation has a powerful transformational impact on the courtyard at the heart of the Museum, as the sculpture hangs above the heads of visitors, swaying organically in the breeze, and sketching linear shadows on the courtyard’s ground plane.

▽ 层次丰富却又井然有序的空间，a systematic yet delicate arrangement of Tillandsias

© Nomad Studio

© David Johnson

© Sarah Rothberg

▽ 地面上细密而交错的阴影，linear shadows on the courtyard’s ground plane

002-GreenAir_Nomad_Alise O'Brien Photography3

© Alise O’Brien

Location: Contemporary Art Museum of Saint Louis (CAM).
Landscape Architects: Nomad Studio.
Consultants: LIA Engineering.
Installation Team
Jessi Cerutti & Caleb Hauck.
Molly Brennan, David Burnett, Key Chen, Ryan Doyle, Zac Farmer, Joshua Gann, Matthew Hannon, Emily Keefauver, Eric Kobal, Marianne Laury, Chris Lucas, Eric Repice, Adrienne Sandusky, Bret Schneider, Margot Shafran, Laura Schatzman, Jonathan Watt, Jamie Wiechens, Bin Yang, Eileen Zhang.
Maintenance Team: St. Louis Master Gardeners.

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