非常感谢 Debaixo do Bloco Arquitetura 予gooood分享以下内容。更多请至：Debaixo do Bloco Arquitetura on gooood
Appreciation towards Debaixo do Bloco Arquitetura for providing the following description:

在Oscar Niemeyer的规划下，巴西利亚已经逐渐变为一座现代化的城市。就是在这样一个充满勃勃生气的城市中，设计师Clay Rodrigues以及他的团队们开始了一栋废弃医院的改造。松散布置的白色内里，沿建筑骨架展现出动感的外貌。似乎在与Niemeyer设计的国家博物馆的柔美曲线遥相呼应。

Brasilia is a modernist city that is often compared to an open-air museum of Oscar Niemeyer’s works. It is in this context that Debaixo do Bloco Arquitetura operates and where the architect Clay Rodrigues creates an art gallery in an old hospital building. The loose white lining of the slab follows the skeleton design of the building creating a movement, where somehow resemble the ramps of the national museum designed by Niemeyer.

▼动静之间的美妙结合（点击观看视频），the movement (click to watch)

▼混凝土搭配石膏的扇形天花板营造动感空间，the loose white lining of the slab follows the skeleton design of the building creating a movement

设计师最初的意愿是清除建筑内部所有的涂料及装饰，还原最原始的建筑结构及扇形的平面形态。粗糙不加修饰的混凝土表面和裸露的建筑结构，设计师用真实又略有残缺的空间设计，回应了对历史的尊重。

The first attitude of the architect was to remove the coatings from the environment, when removed the liner was possible to see an unusual structure mainly in the shape of the beams that reveal a circular sector drawing. The restoration of the beams and pillars happened without harming the history of the building maintaining a rustic appearance, with the concrete and structures without elements of finish, in a language that reveals the imperfections and the authenticity of the space.

▼除去所有装饰将建筑结构暴露在外，revewal the structure and remove the coatings

黑色的砂岩工作台经过细致打磨，出去其原本的光泽。装饰其中的破碎的卡拉拉大理石，强调了设计师对空间的“残缺”式设计，呼应了粗犷的环境氛围。

The main workbench consists of a black sandstone sanded and levigated to remove the luster and next to a broken carrara marble accentuates that the “defects” are purposely conserved and exalted, since they are that they give originality and personality in this project.

▼搭配残缺大理石并经过精细打磨的接待处，回应了空间的“残缺式”设计，the main workbench refelcts the “defect” concept

该空间面积105平方米，其中大部分空间留白以保证空气流通，并提供活动和休憩空间，并为艺术作品的展示带来便利。立面玻璃墙壁上的有序纹理，在保证室内采光的同时，又保护了内部空间的私密性。而玻璃立面的设计也令建筑与城市的互动更加有趣。人的活动与光线的变化，在立面的倒影中，显得更加生动。

The vast area of 105 m² reveals empty spaces for circulation and at the same time use for events and launches, as well as allowing the visibility of works from different angles and distances. The garden designed by Fabio Camargo appears in penumbras created by textured glass, which has a regular dotted recording throughout its surface. lions. The material allows natural light to pass without loss of privacy, which has allowed the creation of a game of seeing and not seeing, the pivotal windows also help in this integration of landscaping and urbanism, from inside the gallery it is possible to see and perceive the discreet intervention caused by street movement.

▼帷幔围合于展开营造的空间变化，the changing views by organizing the curtains

▼有纹理的玻璃墙壁让空间饱受自然光，并有效保护内部私密性，the glass wall protect the privacy and bringing in the natural light throughout its surface

▼空间里的光影变化，the light and shadow

墙面上的水泥板，与地面及混凝土结构，营造出中性的空间环境，定义了不同色彩装饰在空间中的重要性。灰色和白色的空间色调中，设计师精心搭配了各种颜色及材质的家具。令空间在冷酷中透着一丝暖意。

Already on the walls was cemented boards that together with the floor and concrete bring neutrality to an environment that needs to expose different objects in different colors and different colors. In the middle of this gray and white climate the furniture was purposely chosen in the colors caramels, natural leather and wood, they are the ones that bring the warmth to the gallery and prevent the environment from staying cold.

▼不同色调家具暖化了建筑的灰白空间，the different colors of furniture bring the warmth to the gray and white space

▼平面图，plan

▼台阶细部，bancada

▼天花板细节，ceiling

Project: Debaixo do Bloco Arquitetura
Location: Brasília – Brasil
Areas: 105,00 m²
Project Year: 2017
Architect: Clay Rodrigues
Furniture: Arquivo Contemporaneo
Art:Christus Nobrega, Gallery Gallery K2o
Photo: Haruo Mikami

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