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本项目与当地社区合作，在一个公共空间稀少的城市中创造了一个公共场所。业主决定在新的轻轨站附近增加一个公共遮阳场地，于是邀请设计师创作了这件艺术品。该设计结合了车站的基础设施，使当地社区能够举办销售性活动。

▼项目概览，overview of the project

Working with the community, the creation of a public venue is taking shape in a city with very little public space. Hired to create artwork at a new light rail station, it is decided to add a public shaded venue adjacent to the station. The design incorporates infrastructure at the station to enable the local community to sell goods and produce.

▼由轻轨站看向廊架，a view from the light rail station to the venue

▼透过廊架可以看到驶过的轻轨，people can see the passing light rail through the gallery

当没有举行集市活动时，本项目还将通过提供景观、遮阳设施和座位来提升空间吸引力，促进公众更多地选择公共交通。

The venue will also function when a market is not taking place by providing landscape, shade, and seating in order to make the option of public transportation more inviting.

▼作为日常休闲空间的廊架，venue that function as a daily recreational facility

▼举办集市活动室的廊架，the venue can function as a market place

在廊架顶棚上，与来自周边6所学校的学生共同创作的艺术品被展示在九个艺术“锥体”中，通过光影投射到下面的广场上。设计师让学生们“重新构想”他们的学校，并将其画在锥形体的图纸上。广场铺装上的相关标语将在一年中的特定日子被这些艺术“锥体”照亮。

At the canopy, artwork created out of interactions with students from six adjacent schools is displayed in nine art “cones” casting light and shadow onto the plaza below. We asked students to “reimagine” their schools through drawings that we transformed into imagery for each cone. Associated placards set in the plaza’s paving will be illuminated by the art “cones” on specific days of the year.

▼光影透过艺术“椎体”将图案投射到广场上，light projects the pattern onto the square through the art “cones”

▼艺术“椎体”近景，close shot of the art “cones”

▼廊架夜景，night view of the venue

▼艺术“椎体”夜景，night view of art “cone”

在轻轨站台上，三个粉红色的面板上映刻了过去 100 年来为凤凰城设计的三个未建成的建筑项目图案：弗兰克·劳埃德·赖特设计的州议会大厦、巴顿·迈尔斯设计的凤凰城市政厅和威尔·布鲁德及诺曼·福斯特在坦佩设计的门户中心。这三个项目的图像投射出一个另类美学世界，旨在挑战现在的城市外观。

On the station platform, three pink panels contain images of three architectural projects designed over the past 100 years for Greater Metro Phoenix that did not get realized; Frank Lloyd Wright’s State Capitol, Barton Myers Phoenix City Hall, and Will Bruder / Norman Foster’s Gateway Center in Tempe. All the project’s imagery is meant to act as a series of alternative aesthetic worlds that question our existing city’s appearance.

▼轻轨站台上的粉红色面板，the pink panels at the station platform

▼粉红色面板上的建筑图案，the architecture patterns on the panels

Photography by Bill Timmerman, Aaron Rothman, and Matthew Salenger

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