感谢 法国AS建筑工作室 予gooood分享以下内容。更多关于他们：architecturestudio on gooood
Appreciations towards architecturestudio for providing the following description:

法国AS建筑工作室希望保留Charles Gustave Stoskopf于70年代所设计大教堂的原有基础——隐于阔市的教堂风格。教堂原有建筑与扩建部分通过既各具特色又和谐共处的几何建筑语言构建对话。具有人性化设计的原有入口处轮廓，与新项目那以中殿为中心的宏大规模相连接。

Architecture-Studio wished to respect the architecture of Charles Gustav Stoskopf, typical of the ecclesiology of the 1970s: a buried church in the city. A dialogue is established between the two architectural styles, different but consistent in their geometry. The human scale of the original entrance binds to the monumental volume of the new project, focused on the nave of the cathedral.

▼远看教堂全貌，view from distance ©Luc Boegly

教堂钟楼独立矗立于广场一角，修长的外形凸显着教堂入口。钟楼顶端指向天空的设计代表了教堂的精神象征，同时让克雷泰伊大教堂融入到城区中。拱形圆顶赋予了大教堂新面貌，并使其在由高层住宅组成的街区中凸显出来。教堂前的广场和新绿化区域使教堂周围的空间更宽阔，重新定义了室外空间，并打造富有活力的教区生活空间。

The bell tower, detached from the building and situated at the corner of the square, punctuates the entrance of the cathedral by its slender silhouette. It restores an urban scale, ensures the integration of the cathedral in the city and acts as a spiritual signal that rises towards the sky. The dome affirms the Cathedral’s presence and draws a new “face” among the tall housing buildings of the neighborhood. The new landscaped square brings space and quality to the surrounding area while revitalizing the parish life.

▼钟楼让教堂在社区中更加突显，the bell tower punctuates the cathedral ©Yves Mernier

穹顶的形状遵循原有建筑平面图的轨迹，两个半球型外壳朝向天空, 犹如祈祷的双手汇聚在圣坛之上。

The shape of the dome is based on the horizontal alignment of the original building. Two spherical shells are deployed to the sky like two clasped hands that meet above the altar.

▼半球形外壳犹如起祈祷的双手， two spherical shells are deployed to the sky like two clasped hands ©Luc Boegly

新添加的看台大幅提高了教堂的可容纳人数。原有祭坛被保留下来并以其为中心设计了半弧形座席。

This new space can be occupied by stands, which significantly increases the seating capacity of the cathedral. The existing choir is preserved and the seats are spread around it like a semicircle.

▼新添加的看台大幅提高了教堂的可容纳人数，the new space can be occupied by stands ©Luc Boegly

白天，阳光透过两个半球形外壳接缝处的彩色玻璃窗在圣坛上洒下彩色的光影；夜晚，教堂内的光亮透过彩窗使得这个新建筑成为当地活跃的基督教群体的闪耀亮点。

During the day, the stained glass windows, located at the junction of the two shells, give a colored light to the choir, while at night, illuminated from the inside, they signal the living Christian community to the city.

▼阳光透过半球形外壳接缝处彩色玻璃窗向神坛洒下色彩，the stained glass windows give a colored light to the choir ©Luc Boegly

▼教堂的彩色玻璃窗，the stained glass windows ©Luc Boegly

▼一层平面图，the ground floor plan ©Architecture-Studio

▼二层平面图，the first floor plan ©Architecture-Studio

▼屋顶平面图，the roof floor plan ©Architecture-Studio

▼剖面图，section ©Architecture-Studio

业主：克雷泰伊教区协会
业主代表：Les Chantiers du Cardinal
建筑设计：法国AS建筑工作室
业主助理：TEWAKO
技术支持：ITC Louis Choulet
结构：T/E/S/S
声学：AVA
照明：8’18’’
彩窗：Udo Zembok
概念设计：Pascale 与Udo ZEMBOK
艺术指导：Udo ZEMBOK
预算控制：Eco-Cités
工程任务：MOP
设计研究：2009
竣工时间：2015

Contracting authority : Association diocésaine de Créteil
Delegated project managment : Les Chantiers du Cardinal
Assistant to the contracting authority : TEWAKO
Engineering : ITC Louis Choulet
Structure : T/E/S/S
Acoustics : AVA
Lighting : 8’18’’
Stained-glass window:Udo Zembok
Concept: Pascale and Udo ZEMBOK
Artistic director: Udo ZEMBOK
Quantity surveyor : Eco-Cités
Scope of work : base MOP
Competition : 2009
Completion : 2015

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