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项目坐落于巴黎第五区，是Felipe Baptista Oliveira担任KENZO创意总监后于2020年2月26日推出的秋冬系列首秀秀场。项目所在的巴黎五区历史悠久，曾是罗马人的定居地，在这里，勒内·笛卡尔撰写了《几何》与《哲学原理》，居里夫妇也曾于此生活研究，它可谓是所有文艺青年们的梦想之地。项目由两位西班牙青年建筑师Isabel Collado与Ignacio Peydro设计，于2020年二月用时一周建造完成。Pipeline景观装置的灵活性与即时性完美契合了Kenzo的品牌文化与秀场需求。

On the morning of February 26, 2020, Felipe Baptista Oliveira presented his first autumn winter collection as creative director of KENZO in the V district of Paris. In the same place where the Romans once settled, René Descartes alternated thoughts of geometry and philosophy, Pierre and Marie Curie strolled while discussing their point of view on radioactivity, or the Situationists practiced la derive, two young Spanish architects, Isabel Collado and Ignacio Peydro, made sure during the last week of February 2020 that the itinerant and instantaneous architecture they had created worked properly for the event that was being produced for Kenzo.

▼项目航拍，aerial view of the project © dcomdrone

▼项目鸟瞰，bird view of the project © Miguel de Guzmán + Rocío Romero

白驹过隙，物是人非，又或许有什么方法可以打破这种轮回？受到彼得·库克(Peter Cook)提出的建筑电讯学派（Archigram）启发，Isabel Collado与Ignacio Peydro长久以来一直决心打造“即时城市”，即，城市功能超越了时间与空间的限制，根据社会的需要自由移动与发展。Isabel Collado与Ignacio Peydro曾于彼得·库克任教的大学就读，甚至在毕业前，他们就开始在脑海中描绘出与建筑分离的立面在城市中自由移动的画面。

Places remain and time flows. Maybe not. Isabel and Ignacio have long been determined to make instant cities, inspired by those imagined by Peter Cook for Archigram. Cities that flow through space-time, moving where society needs them. Before even finishing the degree, at the same university that Peter Cook himself directed, they imagined facades that flew and moved through the city detached from the building that once held them.

▼轴测图，axonometric drawing © DOSIS

从那时起，经过时间的沉淀，相对于建筑风格，Isabel Collado与Ignacio Peydro更加关注建筑与生活以及事件的联系。这种理念成为他们设计与工作的核心。“建筑是关于生活的，其他一切都是间接的”他们如是说道。

Since then, time has passed, but their interest in making architecture focus on life, on events, and not on style, is the constant that defines their work. “Architecture is about life, everything else is circumstantial” – they passionately affirm.

▼装置入口，entrance of the project © Miguel de Guzmán + Rocío Romero

▼装置由一系列充气管道组成，The device consists of a series of pneumatic pipeline © Miguel de Guzmán + Rocío Romero

▼除去全透明的走秀空间外，还设有相对私密的准备与交流空间，in addition to the fully transparent runway space, there is also a relatively private space for preparation and communication © Miguel de Guzmán + Rocío Romero

▼由室外平视装置，viewing the project from the outside © Miguel de Guzmán + Rocío Romero

▼由室外看管道尽头节点，viewing the end of pipeline from the outside © Miguel de Guzmán + Rocío Romero

Pipeline装置展示出与KENZO FW20系列相同的灵活性。与DOSIS事务所此前的作品一样，Pipeline装置由一系列可更换的预制构件组成。不同功能的构件之间可以相互转换，动态适应每种情况和每个位置。这种设置，赋予了装置生物般的灵活性，可以根据其所在的生态系统的条件而变化。

It shares the transformable quality with the KENZO FW20 collection. As in previous DOSIS works – the studio founded by Isabel Collado and Ignacio Peydro in 2006 – the structure they have created is reconfigurable and transformable. It dynamically adapts to every situation and every location. It is a living structure that transmutes depending on the conditions of the ecosystem that hosts it.

▼Pipeline装置由一系列可更换的预制构件组成， the structure is reconfigurable and transformable © DOSIS

此外，项目具有极强的可运输性，在本质上，迎合了KENZO 2020年秋冬系列游牧与旅行的创作主题。Pipeline 彷佛是一个具有生命力的装置，可以不受限制地出现在世界上任何一个地方。

If the KENZO autumn winter 2020 collection is a collection inspired by nomadism and travel, in the richness of transit, the architecture that welcomes it is essentially nomadic. It is a living structure that practices the situationist derive, moving around the world without a pre-established destination.

▼装置内部，viewing from the inside of the project © Miguel de Guzmán + Rocío Romero

▼透明的膜结构将室外景观引入装置内，the transparent membrane structure brings the outdoor landscape into the installation © Miguel de Guzmán + Rocío Romero

▼项目迎合了KENZO 2020年秋冬系列游牧与旅行的创作主题，the project caters to KENZO’s nomadism and travel inspiration © KENZO

2020年2月，巴黎见证了DOSIS事务所最新充气建筑装置的诞生，此后，全世界都将是Pipeline的潜在装置场地，它将出现在任何需要它的时间与地方。

Last February Paris saw the birth of the latest pneumatic creation of DOSIS, now the world is a latent space, to receive it instantly in an indeterminate time.

▼夜景，night view © Miguel de Guzmán + Rocío Romero

▼结构轴测示意图， axonometric diagram of the structure © DOSIS

▼总平面图， master plan © DOSIS

▼构件平面图，elements plan © DOSIS

KEY DATA:
Location and time: Paris, February 26, 2020
Membrane thickness: 0.65mm
Overall Membrane weight: 3.5 Tn
Building area: 1,500 m2
Weight – surface ratio: 2 Kg 333 g / m2
Air volume: 4,700 m3
Air flow: 156,000 m3 / h

CREDITS:
ARCHITECTURE: DOSIS; Isabel Collado, Ignacio Peydro, Luis Francisco Núñez, Irache Portillo, Claudia Alonso, Alberto Bandín, Beatriz Sanz
SHOW PRODUCER: Bureau Betak
ENGINEERING CONSULTANTS: Tristan Simmonds, Juan Lastra
MEMBRANE MANUFACTURING: Arquitextil – Lastra & Zorrilla
PHOTOGRAPHY: imagen subliminal || Miguel de Guzmán + Rocío Romero
AERIAL PHOTOGRAPH: DCOMDRONE, Jean-Phillippe Dollet

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