感谢 DCDSAA淀川建筑事务所 予gooood分享以下内容。更多关于他们，请至：DCDSAA Dianchuan Architecture Office on gooood
Appreciations towards DCDSAA Dianchuan Architecture Office for providing the following description:

DCDSAA淀川建筑事务所与“云间嘻谷”品牌合作，将坐落于中国上海云间粮仓西22栋历史文化老建筑改造为全新的“嘻谷艺术馆”空间；项目由DCDSAA淀川建筑事务所操刀设计，基于场地环境及当代艺术的属性，摒除原始建筑多余的形体，以恰当的分寸，极简的手法，再造出通透性及关联的几何形态，让建筑与室内融合在一起。

DCDSAA Architecture Office cooperated with the brand “Valley of the Clouds” to transform 22 old historical and cultural buildings located in the west of the granary of the Clouds in Shanghai, China into a brand-new space of “Valley of the Clouds Art Museum”; The project was designed by DCDSAA Architecture Office. Based on the site environment and the attributes of contemporary art, the redundant forms of the original buildings were eliminated, and the permeability and related geometric shapes were recreated with proper discretion and minimalist methods, so that the buildings and interiors could be integrated together.

▼项目概览，overall of the project ©吴清山

这间上世纪五十年代至九十年代的粮食仓库老建筑，总体园区由59栋老建筑组成，以前用作粮食仓储、工厂车间、谷仓等，经过全新规划升级为云间粮食文创园；该建筑的概念设计很快就被确定，通过大规模翻新将其改造成了当地文化地标性艺术展馆，从而使其重复生机。设计师在空间中设置了多个自由变化的几何形态、内部建筑具有7.5m的高度，整个上海独一无二的双顶连体结构，在视觉上将双顶结构空间统一为整体，也为艺术馆增添力量感，激发着人们的探索欲。

▼改造前原外观，original external view of the building ©吴清山

▼改造前原内部，original interior view of the building ©吴清山

This old grain warehouse building from 1950s to 1990s, the overall park consists of 59 old buildings, which were previously used for grain storage, factory workshop, barn, etc., and were upgraded to Yunjian Grain Creative Park through new planning; The conceptual design of the building was quickly determined, and it was transformed into a landmark art exhibition hall of local culture through large-scale renovation, thus making it live again. The designer has set up a number of freely changing geometric shapes in the space, and the interior building has a height of 7.5m The unique double-top conjoined structure in the whole of Shanghai visually unifies the space of the double-top structure, which also adds a sense of strength to the art museum and inspires people’s desire for exploration.

▼嘻谷艺术馆鸟瞰，aerial view of the building ©吴清山

▼建筑改造后外观，external view of the building after renovation ©吴清山

从主入口步入展馆，焕然一新的艺术场景；空间照明设计发挥了重要作用，营造出动感的视觉效果，吸引人们深入探索；展馆橱窗造型以艺术形态表达与建筑的巧妙呼应，橱窗中以发光的线条勾勒出充满动感的视觉场景，体现设计层次感与通透性，力求吸引途径此处的人们将目光从橱窗转入其它的不同区域。

Stepping into the exhibition hall from the main entrance, a completely new artistic scene; Lighting design plays an important role in creating a dynamic visual effect and attracting people to explore deeply. The window shape of the exhibition hall echoes the ingenious architecture with artistic expression. The window outlines a dynamic visual scene with luminous lines, reflecting the design layering and permeability, and strives to attract people here to turn their eyes from the window to other different areas.

▼入口 – 通透的室内外界限，entrance – transparent indoor and outdoor boundaries ©吴清山

▼由入口看三角体橱窗与展廊，viewing the triangular vitrines from the entrance ©吴清山

▼三角体橱窗与展廊，the triangular vitrines and the gallery ©吴清山

▼新与旧在结构层面上的对话，dialogue between the old and the new at the structural level ©吴清山

在整个建筑改造过程中，设计师特别强调了生态和自然可持续建筑材料的使用，整个建筑群破旧的建筑结构被从头开始修复，并按照当地保护历史痕迹的规范进行翻修。外立面破旧的老红砖嵌入新的语言，显露出全新的整个建筑结构，为建筑表皮带来新的可能性，诠释对当代材料的美学演绎，创造了一种新与旧的和谐。

In the whole process of building renovation, the designer particularly emphasized the use of ecological and natural sustainable building materials, and the dilapidated building structure of the whole complex was repaired from scratch and renovated according to the local codes for protecting historical traces. The worn old red brick on the facade embeds new language, revealing a brand-new whole building structure, bringing new possibilities to the building skin, interpreting the aesthetic deduction of contemporary materials, and creating a kind of harmony between the new and the old.

▼展廊与六边形盒体，the hexagonal boxes in the gallery ©吴清山

▼悬浮六边形体与屋顶结构，
the hexagon boxes contrast with the roof structure ©吴清山

▼双顶连体结构下六边形盒，
the hexagonal box under double top conjoined structure ©吴清山

▼红砖柱中的纸花雕塑，the paper flower sculpture between the red brick columns ©吴清山

艺术馆的空间具有个性和创造特征，按功能以不同比例切割成高低三部分，顺应有序分离的动线，每个体块自由进出互相交融，空间感受与功能需求高效叠加；通过对一天各时段光与阴翳效果的细腻考量，于外墙落地玻璃的几何造型，引光入室，光影翩跹，为有限的界域注入无尽的想象。地面细石子与青石板材质的衔接，高低错落的老木板形态肌理，塑造出内部的灵动性，给予每一件艺术作品以最佳观览效果，巨大的体块构筑了艺术性与雕塑感，又充满了趣味性，整体赋予了艺术最真实的情绪传递。

The space of the art museum is characterized by individuality and creativity. It is divided into three parts, high and low, according to different proportions of functions, conforming to the moving lines of orderly separation. Each block is free to enter and exit and blend with each other, and the space feeling and functional requirements are superimposed efficiently. Through careful consideration of the effect of light and shade in different periods of the day, the geometric modeling of the floor-to-ceiling glass on the exterior wall will lead light into the room, and the light and shadow will flutter, injecting endless imagination into the limited boundary. The connection between the fine stones on the ground and the bluestone material, and the texture of the old wooden boards strewn at random, shape the internal agility, and give the best viewing effect to every artistic work. The huge blocks build the artistic and sculptural sense, and are full of fun, which endows the art with the truest emotional transmission as a whole.

▼艺术馆内生长的纸花雕塑，the paper flower sculpture growing in the gallery ©吴清山

▼雕塑与内景局部，sculpture and interior views ©吴清山

▼圆形展台盛开的艺术荷花，round display stand ©吴清山

在空间中我们运用了多种材料，不同质感，拼接,重叠,碰撞，重组，但大部分材料的选取是基于空间的叙事性氛围，也需要控制整体体验感的节奏变化；这种变化会让空间氛围微妙具有细节,同时又不会抢夺主体的吸引程度；而在需要重点表达的空间区域，我们会运用到跳出整体感的材质，增强空间的冲突感层次感。

In the space, we use a variety of materials with different textures, splicing, overlapping, collision and reorganization, but the selection of most materials is based on the narrative atmosphere of the space, and it is also necessary to control the rhythm change of the overall experience. This change will make the space atmosphere subtle and detailed, while not robbing the attraction of the main body; In the space areas that need to be emphasized, we will use materials that jump out of the sense of wholeness to enhance the sense of conflict in the space.

▼艺术连廊边界，boundary of art corridor ©吴清山

▼场景展示与全通透长廊，views inside the hexagonal box ©吴清山

▼会议室，the meeting room ©吴清山

我们通过遗留或者过去的痕迹来表达作品，所以决定保留部分它原有的结构，墙面，我们相信这些旧的结构痕迹与新设计的碰撞融合将会呈现给我们完全不一样的体验感，以此来制造空间的冲突感与戏剧性；在科技感十足的灯光点缀下，锈钢板，裸露的红砖，质朴的材料，肌理的纹路，显得更酷，更开放，更未来。

We express our works through the traces left over or past, so we decided to keep some of its original structures and walls. We believe that the collision and fusion of these old structural traces and new designs will give us a completely different sense of experience, so as to create a sense of conflict and drama in space; Under the lighting with full sense of science and technology, rusty steel plates, bare red bricks, plain materials and textured lines look cooler, more open and more promising.

▼展廊中的光影，light and shadow in the gallery ©吴清山

▼漂浮的休闲观景区，floating recreational viewing area ©吴清山

▼平面图，plan ©DCDSAA淀川建筑事务所

▼南立面图，south elevation ©DCDSAA淀川建筑事务所

▼西立面图，west elevation ©DCDSAA淀川建筑事务所

▼剖面图，section ©DCDSAA淀川建筑事务所

项目名称：（云间粮仓建筑改造“上海嘻谷艺术馆”）
项目地点：中国·上海·松江
建筑面积：1200平方米
项目类型：展厅/装置艺术/纸花雕塑
项目业主：炯玛实业（上海）有限公司
建筑设计：DCDSAA淀川建筑事务所
室内设计：DCDSAA淀川建筑事务所
公司网站：www.dcdstudio.cn
主持建筑师：王皓
设计团队：袁郑亮、唐超、颜丙坤
设计时间：2022年1月
建成时间：2022年7月
施工单位：上海淀川建筑设计有限公司
主要材料：石材、锈钢板、老木板、玻璃、素水泥、肌理漆
项目摄影：吴清山

Project Name: (Cloud Granary Building Reconstruction “Shanghai Xigu Art Museum”)
Project Location: Songjiang, Shanghai, China
Building Area: 1200 square meters
Type: Exhibition Hall/Installation Art/Paper Flower Sculpture
Owner: Jiongma Industry (Shanghai) Co., Ltd.
Architecture Design: DCDSAA Architecture Office
Interior Design: DCDSAA Architecture Office
Company Website:www.dcdstudio.cn
Host Architect: Wang Hao
Design Team: Yuan Zhengliang, Tang Chao, Yan Bingkun
Design Time: January, 2022
Completed Time: July, 2022
Construction Unit: Shanghai DCDSAA Architectural Design Co., Ltd.
Main materials: stone material, rusty steel plate, old wooden board, glass, plain cement, texture paint
Project Photographer: Wu Qingshan

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