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Appreciation towards Peter Cook Studio Crablab for providing the following description:

混合绘图，混合空间：一个1:1比例的双重世界装置
Hybrid Drawing, Hybrid Space: A 1:1 Installation Between Two Worlds

本次展覽以两幅关键绘图作品——《秘密之街》（2021）与《共融地景》（2024）为起点，将它们层叠、富有想象力的图像转化为一比一比例的现实空间体验。这些原本存在于纸上的构想被拆解为元素或序列，并被重新组合成建筑片段。观者不再只是远距离的旁观者，而成为真正的空间参与者，置身于曾经只存在于绘图中的世界。

This installation bridges two seminal drawings—Street of Secret (2021) and Inclusive Landscape (2024)—by transforming their layered, speculative imagery into full-scale spatial experience. Instead of remaining as visual propositions, the drawings are dissected, their sequences extracted and reassembled into architectural fragments. The result invites visitors to move beyond observation into active participation, inhabiting the very spaces that once existed only on paper.

▼《秘密之街》概览，Street of Secret overall view © 臺北當代美術館

这些“概念图”有意地保留了约70%可建造性。而在这次的装置中，这个比例被进一步提升，使得空间语言更具物质性和可体验性。最终呈现出一种全新的“混合裝置”——由图像驱动的建筑碎片形成的室内空间与环境，游走于想象与现实之间。在某种程度上，这也是一种个人化、不断演化的“梅尔茨建筑”（Merzbau）——一种植根于叙事与记忆的建筑拼贴实验。

These “idea” drawings were created with a deliberate slant—about 70%—toward realisable architecture. But in this installation, that percentage increases, shifting into a more permanent, spatially engaging language. What emerges is a new hybrid—where drawn, image-loaded fragments form interiors and environments that straddle the line between imagination and built reality. In many ways, this is a personal and evolving form of Merzbau—a practice of architectural collage grounded in narrative and memory.

▼《共融地景》概览，Inclusive Landscape overall view © 臺北當代美術館

台湾作为影响与镜像
Taiwan as Influence and Mirror

台湾這個島嶼有独特的双重面貌，在本次创作中扮演了至关重要的角色。西部城市链条的活力与喧嚣，与东部山区的神秘气质及几乎被遗忘的海岸线，形成鲜明对比。在两者之间，是湖泊与地震留下的记忆之痕——裂缝，既是地质现象，也是心理与文化的隐喻。在多次造访台湾的过程中，这片复杂的地貌与碎片化的建筑语言逐渐渗透进创作者的想象力，成为最新绘图中构思与推演的土壤。

Taiwan, with its twofold identity, plays a critical role in the conceptual genesis of the work. The bustling chain of western cities contrasts starkly with the enigmatic eastern mountains and near-forgotten coastlines. Between them lie lakes and the lingering tectonic memory of earthquakes—manifesting in cracks both literal and metaphorical. Over several visits to the island, its complex topography and fragmented architecture have subtly permeated the imagination, influencing recent drawings and providing a fertile ground for spatial conjecture.

▼《秘密之街》展厅，Street of Secret exhibition hall © 臺北當代美術館

▼《秘密之街》展厅细部，Street of Secret exhibition hall details © 臺北當代美術館

装置以旅程的方式展开，一端是《秘密之街》，另一端是《共融地景》。这两者不仅代表地理与主题的对立，也象征一种城市与自然转换的设想连续体。如果说城市是人类渴望交流的外化形式——尤其在当代语境中，更带有冒险精神——那么“街道”便是最常见的表达媒介。但街道也包含暧昧性：裂缝、偏离与隐藏的叙事。“都市森林”的概念加剧了这种神秘感：通往“希望宫殿”的路径之中，潜藏着不可预期的转折与片段。

The installation unfolds as a journey, with The Street of Secrets anchoring one end and The Inclusive Landscape the other. These poles represent not just geographical or thematic opposites, but a speculative continuum of urban and natural transformation. If cities are a manifestation of our desire to interact—and in today’s climate, to take risks—then the street is the most immediate medium of that expression. Yet it can also harbor ambiguity: crevices, deviations, and concealed narratives. The notion of an Urbanised Forest intensifies this mystification, where the pathway toward a “Palace of Hope” is lined with the unexpected.

▼《秘密之街》展厅作品，Street of Secret exhibition works © 臺北當代美術館

而从另一端出发，所谓“自然”景观也不再中立。原本看似未经加工的地貌中，突然出现的突起物与介入体——或许是建筑，或许是设备，又或许是某种混合装置——打破了人与自然、人工与有机之间的界限。这些“插入”使人不断追问：这两种视觉是否可能融合？城市是否正在成为自然，自然又是否隐含着建筑的形状？

From the opposite end, the landscape is no longer neutral. Seemingly natural terrains are punctuated by sudden insertions—outcrops, devices, or perhaps buildings in disguise. These interventions blur the boundaries between organic and artificial, prompting the question: could these two visions coalesce? Could one morph into the other?

▼《共融地景》展厅，Inclusive Landscape exhibition hall © 臺北當代美術館

▼《共融地景》展厅细部，Inclusive Landscape exhibition hall details © 臺北當代美術館

走向混合建筑
Toward a Hybrid Architecture

面向未来的台湾，或许也是面向一种未来建筑的方式，这次装置构成了一组隐喻：一种由观念绘图、空间构造与反思观察共同组成的混合场域。它既深入岛屿的地理内部，也深入想象与建造之间的可能性，通过制造、技术与叙事的交织，提出新的空间议题。

Looking forward into a future Taiwan—and perhaps a future architecture—this installation serves as a set of metaphors: a hybrid spatial field formed by imaginative drawing, experimental construction, and reflective observation. It delves into both the literal and symbolic interior of the island, while also probing the expressive potential of fabrication and technological curiosity.

▼《共融地景》展厅作品，Inclusive Landscape exhibition works © 臺北當代美術館

最终，这件作品提出一种观点：建筑不必在“观念”与“现实”之间二选一。当图像的叙述性与空间的现实性融合，建筑便能进入一个全新的领域——一个不仅被建造出来，更是“被绘制而成”的世界。

Ultimately, the work proposes that architecture need not choose between the conceptual and the real. Through the merging of drawn narrative and spatial presence, it suggests a new terrain: one where architecture is not just built, but drawn into being.

▼平面图，plan © Peter Cook Studio Crablab

▼AA剖面图，AA section © Peter Cook Studio Crablab

▼BB剖面图，BB section © Peter Cook Studio Crablab

▼CC剖面图，CC section © Peter Cook Studio Crablab

▼DD EE剖面图，DD EE section © Peter Cook Studio Crablab

注：梅尔茨建筑（Merzbau）为德国艺术家库尔特·施维特斯（Kurt Schwitters）所创，是其住宅内部不断演化的艺术拼贴作品，由废弃材料、私人记忆与雕塑碎片共同构建而成，是建筑与装置之间的先锋尝试。

*Note: “Merzbau” refers to the seminal work of German artist Kurt Schwitters, who transformed his living space into a walk-in collage—a constantly evolving environment made of found materials, personal ephemera, and sculptural fragments.

Peter Cook: City / Mountain 彼得庫克：山 / 市
展期：2025年6月21日 – 2025年8月10日
地点：台北当代艺术馆
设计與策展团队：Peter Cook，丁聪，刘又齊（彼得庫克工作室）
项目名称：彼得庫克：山與市
项目类型：建築展覽
设计方：Peter Cook Studio Crablab
公司网站：www.petercookarchitecture.com
联系邮箱：office@petercookarchitecture.com
完成年份：2025
设计团队：Peter Cook 彼得庫克, Cong Ding 丁聰， Youchi Liou 劉又齊
项目地址：臺北市
建筑面积：117 ㎡
摄影版权：臺北當代美術館
合作方：忠泰基金會
客户：臺北當代美術館
材料：鋼管，泡沫打印版，3d打印PLA

Peter Cook: City/Mountain 山/市
Time: 2025/6/21 – 2025/8/10
Location: Museum of Contemporary Art, Taipei
Design Curation Team: Peter Cook, Cong Ding, You-Chi Liou (Peter Cook Architecture Studio)
Project name:Peter Cook: City/Mountain
Project type:Exhibition / Installation
Design:Peter Cook Studio Crablab
Website: www.petercookarchitecture.com
Contact e-mail: office@petercookarchitecture.com
Design year:2025
Completion Year:2025
Leader designer & Team: Peter Cook, Cong Ding, You Chi Liou
Project location:Taipei
Gross built area: 117 ㎡
Photo credit: Museum of Contemporary Art (MOCA) Taipei
Partner:JUT Art Foundation
Clients:Museum of Contemporary Art (MOCA) Taipei
Materials:Tubes, Foamboard printing, 3d print PLA

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