感谢 S-M.A.O. 将以下内容授权gooood发行。更多关于他们：S-M.A.O. on gooood。
Appreciation towards S-M.A.O. for providing the following description:

在西班牙中部丘陵地带昆卡的乡间庄园，建筑师为业主一家设计了一座礼拜堂和一套住宅，庄园中种有百年冬青栎和松露。礼拜堂由单一弧形褶皱演变而来，其概念和方式均借鉴了Valleacerón礼拜堂。这些褶皱需要用混凝土建造，从而确保它们以单一且正确的方式运作。同样地，其结构、形状和空间也由这种方式发展而来，礼拜堂内光线使观者得以欣赏空间本身的特征。

In hilly central Spain, in Cuenca, on a rural estate with centenary holm oaks and truffle cultivation, we designed a chapel and a house ensemble for the owning family. The chapel is developed from a single curved fold, conceptually and in its approach related to Chapel in Valleacerón. These folds needed to be built in reinforced concrete to ensure they would work in a single and correct fashion. Likewise, structure, shape, and space were developed from the same gesture. Light allows the visitor to appreciate the character of the space itself.

▼项目概览，general view ©Hisao Suzuki

在该项目中，弧形褶皱是对拓扑空间的复杂外力的回应。它不是折纸，而是一种形式的拓扑表达——回应外力的结构平衡。它设有巨型入口，迎接观者并将其引向纵深的尽端空间。悬浮的巨大十字架穿过褶皱并创造出面向特定方向的采光口，在一天之中投射出不同光线，逐渐地改变着内部空间。这种空间体验与Valleacerón礼拜堂所塑造的体验是相反的。

▼轴测分解图，axon exploded ©S-M.A.O.

In this project the curved fold is a response to complex external stresses of a topological action. It is not an origami; it is a formal topological expression – in structural equilibrium – that responds to these outer strains. It is conceived with an ample entrance, that welcomes, that leads toward a compressed end. A big hanging cross in concrete pierces the fold and creates light openings facing certain directions, casting different lights throughout the day, modifying the space inside bit by bit, continuously. The spatial experience is opposite of the one conveyed in the Chapel in Valleacerón.

▼正立面，frontal facade ©Hisao Suzuki

▼侧立面，lateral facade ©Hisao Suzuki

▼背立面，posterior facade ©Hisao Suzuki

▼巨型入口，ample entrance ©Hisao Suzuki

▼门厅，entrance hall ©Hisao Suzuki

▼十字架，interior cruz ©Hisao Suzuki

建筑师选择了特定位置来建造礼拜堂，从而使其成为庄园和入口道路的参照点，接近礼拜堂时，小路将其环绕。礼拜堂矗立在从庄园入口到住宅的小路尽头。在山顶上，它俯瞰着满是樱花树和农田的山谷，将周围景色一览无余。

We chose the specific location of the chapel so that it becomes a reference point from both the estate and the road leading to it, which spins and circles around the chapel when approaching. At the end of the path that leads from the estate’s entrance to the house, stands the chapel. It sits on the top of a small hill, overlooking a valley filled with cherry trees and crop fields, with an ample view of its surroundings.

▼小路环绕建筑，the path circles around the building ©Hisao Suzuki

▼黄昏下的礼拜堂，the chapel at dusk ©Hisao Suzuki

▼区位鸟瞰，aerial view of the site ©Hisao Suzuki

▼模型，models ©S-M.A.O.

▼总平面图，site plan ©S-M.A.O.

▼立面图&剖面图，elevations & sections ©S-M.A.O.

Project name: Chapel in Sierra la Villa
Client: Private
Location: Villaescusa de Haro, Cuenca, Spain
Design: 2014
Completion: 2021
Architects: Sancho-Madridejos Architecture Office. Juan Carlos Sancho, Sol Madridejos Project Leader: Victor Alonso
Design team: Daniel G. Marinas, Elena Mira, Félix Bellido, Peio Erroteta, Gerardo Martín Consultants: Germán Ferrández (building engineer), Bernabeu Ingenieros (structure engineer), Lynka Global Engineering (MEP engineer)
Contractor: SEGESA
Area: 83 + 430 m2
Website: https://www.sancho-madridejos.com
Contact e-mail: soljc@sancho-madridejos.com
Photo credits: Hisao Suzuki, JC Sancho, S-MAO

Project Specs

S-M.A.O.

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