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Appreciation towards gon Architects for providing the following description:

人们对城市中心阁楼的固有印象表现在其潜在的吸引力上：阁楼是架空的地方，漂浮在屋顶之上，从街道上可以看到部分结构，不太容易到达，有时与波希米亚式的生活方式联系在一起。

The current perception of attics in city centers stands out for their potentially attractive character: they are elevated places, floating above the roofs, structures partially visible from the street, not very accessible and sometimes associated with a bohemian lifestyle.

▼项目概览，project overview © Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

阁楼的空间结构和建筑的其他楼层不同，为了符合城市规划的条例，阁楼一般屋顶倾斜，房间面积大，隔断少，且天花板高度低。

The spatial configuration of the attic, very different from the rest of the floors of the building, responds to urban planning regulations that generally are characterized by the arrangement of sloping roofs and large rooms with few partitions and a low ceiling height.

▼阁楼环境，attic environment© Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

这是Casa Flix屋主Roberto的家，公寓面积42平方米，位于马德里市中心一栋建于 1900年的大楼的六层，没有电梯，离繁华的Callao广场很近。

▼空间轴测，space axonometric © gon architects

This is the home of Roberto, the owner of the casa flix, a 42m² first floor flat located on a sixth floor without elevator in a building in the center of Madrid, built in 1900, very close to the busy Callao square.

▼室内空间，interior space © Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

公寓的原始格局是两间房间，一间是长10米，宽4米的长方形房间（中间有一个壁炉），另一间是长宽都为3米的正方形房间，两个房间都有坡屋顶，但坡屋顶的朝向不同，这间最小尺寸的公寓力求从平面使用上，尤其是从占地面积上，使居住空间成为一个灵活、多样和明亮的场所。

▼改造前，before the renovation ©gon architects

With an initial layout of the house organized in two rooms, a rectangular one of 10×4 meters (with a fireplace in the middle) and a square one of 3×3 meters, both with sloping roofs but with slopes in different directions, this house of minimum dimensions seeks to make the living space an optimal, flexible, diverse and bright place from its use in plan, but especially from the occupation of the section.

▼入口，entrance© Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

基于此目的，公寓被分成四个区域：从北到南依次是卧室/更衣室、入口、工作区/浴室和厨房/起居室/餐厅。

For this purpose, a house is designed to be divided into four spatial areas: four successive rooms connected physically and visually that correspond, from north to south, with the bedroom/dressing room, the entrance, the workspace/bathroom and the kitchen/living/dining room.

▼工作区/浴室，the workspace/ bathroom © Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

入口处是一个层高较高且长达8.2米的狭长空间，外部部分是一个露台，通过露台可以进入房屋，内部则是一条蓝色隧道，隧道里有一个金属架子和圆形窗户；这个空间试图再现海上船只的内部空间。

The entrance is a tall and elongated space of 8.20 meters in length, with an exterior part that is a terrace through which the house is accessed, and an interior part that is a blue tunnel that has a metal shelf and circular window; a space that tries to recreate the interior of a ship on the high seas.

▼入口，entrance © Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

浴室占据了公寓的中心位置并采用了干湿分离的设计，即洗脸盆和马桶独立于淋浴间之外，距离为 90 厘米；这样的设计有利于最大限度地利用房屋的有用高度，此外还能将其衔接到不同私密程度的区域。

The bathroom occupies the heart of the house and is designed in an atomized form, that is, making the sink and toilet independent of the shower in a width of 90 centimeters; this operation facilitates the maximum use of the useful height of the house, in addition to its articulation in areas with different degrees of privacy.

▼浴室，bathroom ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

洗脸盆和马桶隐藏在一个封闭的空间内，里面镶嵌着 2.1 米高的镜子，从入口处可以通过其中一面镜子上的暗门进入。这个精心布置的镜面小屋在扩大空间的同时，还能根据门是半开、打开还是关闭的状态，呈现出多种不同的反射效果和视觉效果。

▼剖面，section ©gon architects

The wash basin and toilet are concealed in a closed volume paneled with 2.10-meter-high mirrors, which is accessed from the entrance through a secret door located in one of them. This strategically placed mirrored cabin enlarges the space while offering a multitude ofdifferent reflections and visuals depending on whether the door is half-open, open, or closed.

▼通过暗门进入浴室的隐藏区域， accessed from the entrance through a secret door ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

▼进入浴室的隐藏区域， accessed from the entrance through a secret door ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

另一方面，淋浴间位于房间内部，用玻璃砖墙与房屋的其他部分隔开，白天可以透进自然光，并为这个空间提供必要的私密性。

The shower, on the other hand, is located inside the room and is separated from the rest of the house by a glass block wall that during the day lets in natural light and provides the necessary privacy inside this space.

▼用玻璃砖墙与房屋的其他部分隔开，separated from the rest of the house by a glass block wall ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

厨房家具被设计成一个长 5.5 米、宽 60 厘米、高 2.02 米的线性结构，容积为1167 立方米，可以隐蔽地存放公寓中的各种物品、清洁用品、厨房用具、电器和衣物；墙壁采用紧凑的 HPL 超哑光淡黄色层压板，为房屋最暗的部分带来明亮，由包括外壳和门灯家具组合而成，采用标准的市场尺寸，降低了建造成本。

▼家具导览，overview of the furniture © gon architects

The kitchen furniture is designed as a linear structure 5.5 meters long, 60 centimeters wide and 2. 02 meters high -a volume capable of holding up to 1167 m3- where a large part of the various objects, cleaning products, kitchen utensils, appliances and clothes of the apartment are stored, in a hidden way; a compact wall laminated HPL ultra matte pale yellow color that brings brightness in the darkest part of the house and that is built from the union of furniture, both shells and doors, with standard market measures that reduce costs in the construction of the same.

▼厨房，kitchen ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

为了尽可能多的获取自然光和通风，除了已有的屋顶天窗以为，还增加了两扇窗户，一扇在卧室，另一间在客厅。通往公寓的们被透明的玻璃门代替，当门关闭的时候，同样可以使光线进入。

To increase the maximum entry of natural light and ventilation in the apartment, in addition to the existing roof windows two more are added, one in the bedroom and one in the living room. The access door to the apartment is replaced by a transparent glass door that allows light to pass through when the door is closed.

▼增加的窗户，additional window ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

▼卧室的天窗，skylight in the bedroom ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

▼卧室，bedroom ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

公寓内的家具精致小巧，布置在连续的1×1的瓷砖地板上。桌子、沙发、床和四把椅子构成了屋内的景致，以一套设计的家具系统为基础的，这些设计的家具阐明并定义了房屋的每个不同空间。

▼家具平面，furniture plan© gon architects

The furniture in the house is arranged on a continuous 1×1 meter porcelain floor and is small but precise. A table, a sofa, a bed and four chairs form a landscape based on a system of design objects that articulate and qualify each of the different spaces of the house.

▼家具细部，furniture detail ©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

在夜晚，公寓又转换成另一个状态。淋浴间变成“灯笼”，点亮了整个室内空间，就像韦斯-安德森电影中的场景设计一样，Casa Flix的家具和灯光都很轻盈，仿佛漂浮在一个巨大的倾斜屋顶下。因而，从床上静静地透过屋顶上的一扇窗户，就能看到位于 Gran Via 大街上的国会大厦的标志性 Schweppes 标志，就像从从马德里来到了天堂。

At night, the house is transformed. The shower cubicle becomes a lantern that illuminates the entire domestic space and, as if it were a set design for a Wes Anderson film, the casa flix, with its light furniture and indirect lights, seems to float under a large sloping roof. And so, from the bed, with all the silence and through one of the roof windows, you can see the iconic Schweppes sign of the Capitol building on Gran Via that takes us, literally, from Madrid to heaven.

▼阳台，balcony©Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

▼平面图，plan ©gon architects

▼剖立面，section-elevation ©gon architects

▼剖立面，section-elevation ©gon architects

Location：Madrid, Spain
Year：2024
Built area：42 m²Client：Private
Architecture：gon architects
Lead architect：Gonzalo Pardo
Design team：Carol Linares, Cristina Ramírez, María Cecilia Cordero, Nicolas Howden, Maria Camila Martínez.
Kitchen CUBRO
Carpentry Tablas Alcobendas
Construction REDO Construction
Photography：Imagen Subliminal(Miguel de Guzmán + Rocío Romero)

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