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来自哥本哈根的OEO事务所于近期为丹麦设计博物馆打造了新的咖啡馆和商店空间。自1920年代，由丹麦著名设计师Kaare Klint率领的首次重要翻新项目以来，本次设计再度延续了Klint的设计精髓，并为博物馆公共空间引入了新的元素。通过将新元素与建筑的原始空间及材料进行妥善的结合与搭配，一系列富有凝聚力的区域被创造出来，彰显了丹麦历史悠久且精良的传统工艺。

Copenhagen based OEO Studio has just completed work on several spaces within the Designmuseum Denmark, including the design of a new café and museum shop. OEO Studio’s work forms part of the first major redesign of the museum since that undertaken by iconic Danish designer Kaare Klint in the 1920s. OEO Studio has designed innovative new elements that interpret Kaare Klint’s spirit and engage in the best possible way with the original architecture of the building and its choice of materials. The result is a series of cohesive areas that build upon on and unite the original ideas behind the museum, paying tribute to the strong Danish tradition of fine craftsmanship and quality.

▼博物馆商店空间，Museum shop © Christian Hoyer

咖啡厅和相邻的休息区为与博物馆首层，提供了一个240平方米的全天候餐饮场所。该空间的核心设计细节是一个长度为6米的一体化定制吧台，其外观比起传统的吧台别具一种建筑感。吧台的比例和细节参考了Kaare Klint兼具简约美和高水平工艺的设计，柜体以带有油漆饰面的橡木和热轧钢打造，回应了OEO studio先前为哥本哈根制造商Garde Hvalsøe特别设计的厨房。

The café and the adjacent lounge areas form a 240 m2 all day dining venue on the ground floor of the museum. The central design detail of the space is a monolithic 6-metre-long bespoke counter, that is more architectural in appearance than a classic bar counter. The proportions and detailing of the counter are based on Kaare Klint’s simple and austere aesthetic paired with a high level of craftsmanship. A custom piece in oiled oak and hot rolled steel, the counter is based on a kitchen design by OEO studio for Copenhagen-based Garde Hvalsøe – a cabinet maker known for its highly skilled joinery and high-quality kitchens.

▼咖啡厅空间，The Café © Christian Hoyer

OEO Studio还重新引入了由Kaare Klint设计的Le Klint 101纸质吊灯，并将其与OEO新设计的黄铜和折叠纸顶灯并置。后者的创作灵感源于建筑的结构本身。

OEO Studio has also reintroduced the original Le Klint 101 pendant lamp in paper designed by Kaare Klint, which originally hung in the café. The pendants are juxtaposed with a new OEO Studio designed ceiling lamp in brass and folded paper inspired by the architecture of the building. The original pendant lamp and the new ceiling lamp are both manufactured by Danish brand Le Klint.

▼由OEO Studio设计的黄铜和折叠纸吸顶灯，The new ceiling lamp in brass and folded paper designed by OEO Studio © Christian Hoyer

▼灯具细节，Detailed view © Christian Hoyer

咖啡厅主空间包含定制的咖啡桌和高脚桌，并使用了专门为该项目研制的蓝灰色染色剂。这些桌子由OEO Studio设计、Atelier Arethuse制作和生产，水曲柳桌身与铜制的桌角形成独特的对比。形态多变的椅子由来自丹麦的多位设计师和建筑师打造，包括Bodil Kjær的Principal椅子、Vilhelm Wohlert的钢琴椅、Hans J. Wegner的叉骨椅，以及Arne Jacobsen的水滴椅。

The main café space is furnished by custom café tables and high tables, designed by OEO Studio and produced in a blue grey stain developed specially for the museum. The tables, crafted by Atelier Arethuse, are made from Dinesen ash and feature brass feet. They are paired with a dynamic curation of chairs by iconic Danish designers and architects, including the Principal Chair by Bodil Kjær, the Piano Chair by Vilhelm Wohlert, the Wishbone Chair by Hans J. Wegner and the Drop Chair by Arne Jacobsen.

▼咖啡厅用餐区，Dining area © Christian Hoyer

▼定制高脚桌，The custom high tables © Christian Hoyer

新定制的吧台座椅被安装在贯穿整个空间的窗台上，从这里可以俯瞰到花园景色。这些座椅同样由蓝灰色的水曲柳支撑，并辅以OEO Studio为丹麦品牌Brdr. Krüger打造的带有皮革坐垫的烟熏橡木高脚凳Pauline。

New bespoke counter style seating has also been installed into the window bays that run the length of the space overlooking the garden. These are also made from blue grey stained ash and are complemented by the Pauline high stool designed by OEO Studio for Danish design brand Brdr. Krüger in smoked oak with a leather seat.

▼窗台座位，Window bay seating © Christian Hoyer

OEO Studio重新利用了Kaare Klint的一系列复古画框，以装饰墙壁上的海报，同时引入了Raf Simons设计的vidar材质的蓝色装饰壁毯，一方面增添了空间内的色彩，另一方面，织物的纹理与空间内的硬质材料和家具台面形成了对比。

OEO Studio has reused a series of vintage Kaare Klint frames for posters that adorn the walls and has introduced a series of decorative wall-hangings in blue Vidar fabric by Raf Simons for Kvadrat. These wall hangings, placed between the windows, add further colour and introduce a textural layer to contrast with the harder materials and surfaces utilised elsewhere in the space.

▼复古画框用于装饰墙壁上的海报，A series of vintage Kaare Klint frames has been reused for posters © Christian Hoyer

▼吧台细节，The counter © Christian Hoyer

OEO Studio的设计范围还包括多个休息室和一个35平方米的会议室。休息室位于首层的咖啡馆旁，是一处休闲的低矮座位区，来博物馆参观的游客可以坐在休息室里的经典丹麦椅上休息。

OEO Studio’s full design remit also included a series of lounges and a 35 m2 board room. The lounges adjoin the café on the ground floor and form a casual low seating area, where visitors to the museum can relax in a selection of classic Danish chairs.

▼休息室，Lounge © Christian Hoyer

▼休闲座位，Seating area © Christian Hoyer

OEO Studio在这次140平方米的博物馆商店设计中，再利用了一系列已有元素，包括Kaare Klint设计的玻璃橱柜和其他大件，这些都是博物馆历史的一部分。最终呈现的空间是一个兼有故事性和个性的空间，它既回应了过去，也包含了对现在和未来的展望。本次设计不同于传统的博物馆商店设计，设计师通过一系列岛状元素打造出了更流畅的空间，同时巧妙利用高差为空间带来深度、方位感和视觉的焦点。

For the design of the 140 m2 museum shop, OEO Studio repurposed and reused a range of existing elements, incorporating glass cabinetry designed by Kaare Klint as well as other pieces, which have been part of the museum’s history. The result is a space with a storytelling quality and a personality that embraces the past, present and future. The design departs from that of a traditional museum shop to create a more fluid space with a series of small islands and zones. The design also allows for easy alternation between low and high levels to create depth, direction, and visual focus.

▼博物馆商店，Museum shop © Christian Hoyer

▼展柜和壁橱，The counters and cabinets © Christian Hoyer

▼玻璃橱柜，Glass cabinetry © Christian Hoyer

除了咖啡馆和商店设计，OEO Studio还特别调制了一种蓝色，用于Niels Jørgen Haugesen为Magnus Olesen设计的花园里的X-Line系列家具。

Besides the café and shop areas, OEO Studios has created a special blue colour for the X-Line furniture collection designed by Niels Jørgen Haugesen for Magnus Olesen that is
used in the garden. The studio also updated the existing museum doors with hot-rolled steel to create a more contemporary look.

▼从花园望向咖啡厅，View to the café bar from outdoor space © Christian Hoyer

▼家具细节，Furniture details © Christian Hoyer

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