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本项目为Para事务所建筑师Jon Lott为2021年布鲁日三年展“创伤·TraumA”设计的临时展馆，灵感源自“双联画”（Diptych）的艺术表现和创作形式。作为三年展的临时性活动空间，本项目回应了“城市创伤”的主题，并成为2021年深秋对城市公众开放的几处国际展馆之一。

Jon Lott / Para Project, completes the Brugge Diptych –a temporary pavilion for the 2021 Brugge Triennale, TraumA, Brugge, Belgium. The Diptych served as an event space for the Triennale’s programming, addressing issues in urban trauma, and was one of several international commissions open within the city through late Fall.

▼项目概览，General view ©Iwan Baan

项目位于布鲁日城郊，漂浮在穿越整个居民区的水渠之上，建筑的尺度与周围的民房大致相同。展馆的木制框架结构坐落在由15个浮箱连接而成浮桥上，避免与联合国教科文组织认证的城市保护遗产发生直接接触。夏秋两季，游客们都可以在这座精巧的漂浮展馆中休憩。展馆毗邻一栋废弃的15世纪运河住宅，从而在视觉上将街区一分为二。

▼项目鸟瞰，aerial view of the project ©Iwan Baan

▼项目航拍顶视图，aerial top view of the project ©Iwan Baan

Docked within Brugge’s peripheral and residential waterways, and roughly the same size as its neighbors, the wood-framed pavilion stood on 15 (sistered) pontoons, avoiding any direct contact with the protected UNESCO Heritage city. The visitor rested mid-block, through summer and fall, abutting an abandoned 15thc. canal house, thereby dividing the block in two.

▼屋顶近景鸟瞰，closer bird’s eye view of the project ©Jasper van het Groenewoud

展馆与运河住宅之间的短暂距离，带有一种“隔阂”的意味。尽管如此，通过对朝向、材料、规模与建筑形态的探索，展馆展示出了某些与周围建筑相同的特质。似乎两者都有属于的创伤要抚平，毕竟，相对于理解，人们首先感受到的是建筑空间所带来的情感与氛围。

Its brief proximity with the canal house is a study in formal estrangements. Still, through orientation, material, scale, and posture, the pavilion recognized something of itself in its new neighbor. It seems both have their trauma to work through. Afterall, architecture is felt before it is understood.

▼建筑的尺度与周围的民房大致相同，The scale of the building is roughly the same as that of the surrounding houses ©Stijn Bollaert

▼项目将街区一分为二，The project bisects the block ©Iwan Baan

Brugge Diptych临时展馆也是“城市‘陌生人’”研究系列的第三个落成的项目，其他两个项目分别为Lott在2016年创作的作品“Storefront for Storefront”，以及2018在Amherst艺术中心展出的“Roche/Dinkeloo Double”。每个作品都采用了相同的“共同框架”施工技术，并在当地城市机构的合作下搭建完成。

▼展馆入口，entrance of the pavilion ©Stijn Bollaert

The project is the third in a serial study of urban “strangers,” including Lott’s Storefront for Storefront (2016) and the Roche/Dinkeloo Double, at the Fine Arts Centers, Amherst (2018). Each embrace the familiar construction technique of “common framing” in partnership with their respective institutional urban concerns

▼由周围环境看项目，viewing the project from surrounding environment ©Iwan Baan

▼阳台为人们提供了休憩与观景的空间，
The balcony provides a space for people to have a rest and view ©Iwan Baan

本项目的设计者Jon Lott，美国建筑师，PARA事务所负责人，CLOK联合创始人，哈佛大学设计研究生院建筑学助理教授。他曾获得纽约建筑联盟新兴之声奖、《建筑记录》设计先锋奖，以及纽约建筑联盟的建筑联盟奖。2020年，Domus将Para Project选为全球50家最佳建筑公司之一，以表彰该事务所进行的“先进建筑项目”实践。

▼展馆内部概览，General view of the interior ©Iwan Baan

▼材料上新旧对比与色调上的融合，the project contrast with the old pavilions in material but blend in with tone ©Iwan Baan

▼轻松开放的空间氛围，Relaxed and open space atmosphere ©Iwan Baan

▼“双联画”般的对称结构，The symmetrical structure as the “Diptych” ©Stijn Bollaert

▼“共同框架”木制结构，”Common frame” wooden structure ©Stijn Bollaert

Jon Lott is an American architect, principal of PARA, cofounding member of CLOK, and Assistant Professor of Architecture at Harvard University’s Graduate School of Design. He is recipient of the Emerging Voices Award by the Architectural League of New York, the Design Vanguard award by Architectural Record, and the Architectural League Prize by the Architectural League of New York. In 2020, Domus selected Para Project among the 50 best Architecture Firms worldwide, for “having projects that are advancing architecture.”

▼结构细部，details of the structure ©Iwan Baan

▼模型与概念草图，model and sketches ©Para Project

▼轴测示意图，axonometric diagram ©Para Project

▼总平面图，master plan ©Para Project

▼平面图，plan ©Para Project

▼立面图，elevations ©Para Project

▼剖面图，sections ©Para Project

NAME: Brugge Diptych
CLIENT: Brugge
YEAR: 2021
STATUS: Completed
TYPE: Pavillion
MATERIALS: Wood, steel, mirror
LOCATION: Brugge, Belgium
CONTRACTOR: Classic Homes Brugge
TEAM: Jon Lott, William Smith, Rachel Coulomb, Lauren McClellan

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