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Appreciation towards BAROZZI VEIGA S.L.P. for providing the following description:

Estudio Barozzi Veiga还曾给gooood分享过/another project by Estudio Barozzi Veiga shared on gooood:
Ribera del Duero Headquarters 西班牙高原之上的观光塔

Barozzi Veiga事务所通过国际竞赛赢得了阿吉拉斯礼堂与国会大厦的设计权。总面积为6410平方米的新市政建筑位于海滨与城市之间，以顺应自然却又备具张力的简单体量呈现在环境中，统一了支离破碎的用地，建立起场地新秩序，表现出辨证，清晰与强大的力量。解决了建筑，景观，人三者的关系，以平易近人的开放室外景观布局和公共楼梯履行公共建筑的职能，并让建筑成为一个“冒险”。

Through both continuity and contrast, the building creates a new order between the fragmented urbanity and stands out towards the waterfront.

The project appears as a modeled mass according the different spaces that surrounds it. Towards the city it offers an urban side, a clean and ordered urban block. Towards the bay, the project is modeled with a broad concave surface that strongly relates to the surrounding landscape.

EBV addressed the relationship between the Concert and Congress building and the people inside as well as outside. A continuous public route connects all public functions by means of stairs, platforms and terraces: the building becomes an architectural adventure.

朝向大海的凹面，凝聚视线与关注。建筑底部造型略为收缩，定义出更为开放的室外空间，入口楼梯和室外剧场。这些室外空间与海滨和周边的树林紧密联系在一起。建筑内部布局紧凑，主要功能是一个音乐厅和一个国会报告厅。利用海景还有建筑的层高制造出具有剧情的室内过渡与交通空间。

The objective of the competition is the proposal of an auditorium for the municipality and the landscaping of a plot situated on the waterfront of águilas.

The project rises as a response to the particularity of the site: on one hand, the need of a relation with the urban fabric that grows towards the city centre while on the other hand a preservation of the expressive nature of the surrounding landscape.

In this contraposition, the project defines the tensions that articulate it and allow it to form a coherent response to the surrounding conditions.

Through this contraposition, the project is defined as a dialectic, sober and powerful reflection, between the urban artificiality and the natural forms.

The project appears as a modeled mass according to the tensions of the different spaces around it. Towards the city, it offers an urban side; clean, ordered facades, that recreate a building bock towards the streets. Towards the sea, it becomes more site specific in a spatial search that interprets the configuration of landscape and geography. The project, towards the bay is modelled with broad concave surfaces that strongly relate to the surrounding landscape.

It sits like a candle facing the sea, formed according to the coast’s profile and opens up towards the horizon.

The project sits on the East part of the plot, in such a way, that the tree-covered area on the West part can remain and contribute to improving the city’s profile towards the sea. This operation allows creating a compact building that leaves areas of the plot open to the sea. The open spaces are defined by the access ramp and a set of wide steps. The access ramp defines the access to the building as a walk through the trees, while the stairs that lead to the entrance, provide an outdoor theatre.

This configuration, more than an attractive formalization and a discreet presence on the city’s waterfront, allows an articulation of the building’s section. The routes inside the building vary in section and thus offering an articulated spatial variety, as well as a clear functional order of the different uses.

The site for the Congress and Concert building in Aguilas is bordered on the south by a concave bay and in the north by a fragmented part of the city. EBV chose to create a solitary building standing out towards the sea and enclosed by two urban blocks. With this concept, issues of symbolism, visibility and access were resolved in one gesture.

6.410 m2

16.625.924,97 euros PEM
22.950.426,84 euros Total
First Prize
International Idea Competition
Completed

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Project Specs

Barozzi Veiga

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