非常感谢 Gonzalez Haase AAS 予gooood分享以下内容。更多关于他们：Gonzalez Haase AAS on gooood。
Appreciations towards Gonzalez Haase AAS for providing the following description:

商店 | Store

Andreas Murkudis商店隐藏在一个柏林人的庭院里，其一定程度上代表着新奇的商业空间设计方式。这个潮流设计商店，不仅功能齐全，其还致力于将整个商店打造成一个跨越建筑，舞台和视觉艺术的体验店。

The Andreas Murkudis Store in a hidden Berliner courtyard represents to a certain degree a new approach in how to design a commercial space. In this fashion and design store, the visitor meets an environment that is functional, as well as dedicated to a formal process, making the end product – the store – more or less transcends the borders between architecture, scenography and visual art.

▼建筑入口- Andreas Murkudis商店隐藏在一个柏林人的庭院里（左），
Entrance View – The Andreas Murkudis Store in a hidden Berliner courtyard (Left)
/ 平面图（右），Floor Plan (Right)

建筑师通过一系列精心挑选的工具将空间内的颜色，韵律，排布方式和功能有机的协调在一起。单一标准的青蓝色的家具突出了其质感和存在感。它如同中性白色空间背景下一个极简的物体，创造了一种处于展廊中的感觉而非服装店。空间的这种特质更被光的排布方式和其他后勤空间的组织方式所加强。

This space integrates colour, rhythm, organisation and function, through a set of meticulously chosen tools. The monochrome, standardised cyan blue serves to accentuate the monumental qualities of the furniture. The furniture appear as minimalist object against a backdrop of neutral white, as if we were in a gallery room and not in a clothes shop.These aspects are further stressed by the arrangement of light, as well as other logistic elements.

为了不打扰顾客的视线，所有的电气和技术设备都被隐藏起来。人们的眼光顺着整洁清晰的家具线条流转。半透明，透明和反光面的家具有秩序的组合排列，时而被大片的蓝色侵没，如同其是光本身。

No electrical or technical elements that are here can be seen. Nothing interrupts the view of the visitor. The gaze follows the clear and fundamental lines of the furniture, it partakes in the finely tuned rhythm of opaque, transparent, and reflecting surfaces, and it may be immersed by the big blue, as if it was light itself.

▼ 一个跨越建筑，舞台和视觉艺术的体验店，the store – more or less transcends the borders between architecture, scenography and visual art

展览空间 | Exhibition

如同百货公司用不同的空间特性来区分不同的品牌和商品类型，AAS事务所提出了用不同的拓扑空间来区分的想法。

As department stores use different space identities to recognize different brands or good-types, the AAS proposition would use different topological spaces like the one we can find in a city or in a village.

原Tagesspiegel的打印空间由两个大厅组成，既可以当做一个展览空间也可以用作一个城市基地。两个大厅所有的建筑构造元件都被清理干净，只留下简洁的空间。

The former printer space of the Tagesspiegel is composed in two large halls that we can see as an exhibition space but also as an urban site. The two halls have been clear-out in the way all architectonic elements remain the only substance of the spaces.

▼门帘和展柜，Curtain and exhibition shelves

一些物品被仔细的放置，以将顾客的眼光吸引到商品上。家具使用的材料是白漆的精致板，与建筑结构紧密相关。光作为建筑的重要组成元素不仅照亮了空间也点亮了商品，创造了一种放大空间的视觉效果同时使整体氛围摆脱了沉重的感觉。

A few objects where carefully placed to articulate views on the goods. The used material is  finer board white painted and is usually linked to building construction. The light is an important element and is just not lighting the goods but the space. The result is a magnify space that also loose all heaviness.

▼平面图，Floor Plan

OBLIGATORY MENTION
All pictures photos and simulations: courtesy Gonzalez Haase / AAS
Copyright simulations: Gonzalez Haase / AAS
Copyright photographs: Thomas Meyer / Ostkreuz

More: Gonzalez Haase AAS，更多关于他们：Gonzalez Haase AAS on gooood。

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